A Month of Short Stories 2015, Day Twenty Eight – The Destructors

The last two years, for the month of June, I wrote about a short story that was available online each day of the month… you can see the list for 2014 and 2015 in the comments for this page. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day twenty eight – The Destructors, by Graham Greene

Read it online here:

The Destructors

I looked up, read, and used today’s story The Destructors by Graham Greene for one reason… it’s mentioned in Donnie Darko. What better reason can there be?

There would be headlines in the papers. Even the grown-up gangs who ran the betting at the all-in wrestling and the barrow-boys would hear with respect of how Old Misery’s house had been destroyed. Driven by the pure, simple, and altruistic ambition of fame for the gang, Blackie came back to where T. stood in the shadow of Misery’s wall.

T. was giving his orders with decision: It was as though this plan had been with him all his life, pondered through the seasons, now in his fifteenth year crystallized with the pain of puberty.

The first important thing to think about in this story is that it isn’t called “The Destroyers” but “The Destructors.”

Read through modern eyes, the actions of the gang are horrible and wasteful. But think about the area around Old Misery’s house – it was destroyed by the blitz. These young boys are raised in the quick aftermath of destruction – and are given an opportunity to do one better than the random violence of war.

And then, in the most haunting part of the story, there’s another passage that reminds me of a modern pop-fiction film reference. The boys come across Old Misery’s life savings, but they don’t steal anything, they burn. Like The Joker in The Dark Knight – they just want to watch the world burn.

“We aren’t thieves,” T. said. “Nobody’s going to steal anything from this house. I kept these for you and me—a celebration.” He knelt down on the floor and counted them out—there were seventy in all. “We’ll burn them,” he said, “one by one,” and taking it in turns they held a note upward and lit the top corner, so that the flame burnt slowly toward their fingers. The gray ash floated above them and fell on their heads like age. “I’d like to see Old Misery’s face when we are through,” T. said.

“You hate him a lot?” Blackie asked.

“Of course I don’t hate him,” T. said. “There’d be no fun if I hated him.” The last burning note illuminated his brooding face. “All this hate and love,” he said, “it’s soft, it’s hooey. There’s only things, Blackie,” and he looked round the room crowded with the unfamiliar shadows of half things, broken things, former things. “I’ll race you home, Blackie,” he said

A Month of Short Stories 2015, Day Twenty Seven – The Boarded Window

The last two years, for the month of June, I wrote about a short story that was available online each day of the month… you can see the list for 2014 and 2015 in the comments for this page. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day twenty seven – The Boarded Window, by Ambrose Bierce

Read it online here:

The Boarded Window

Ambrose Bierce… I guess you can say is a witty writer. Born in a log cabin – like the one in today’s story – all his life he was a sardonic observer of society and the human condition. I know him from the story An Occurrence at Owl Creek Bridge and his odd and bitter lexicon The Devil’s Dictionary. He published extensive fiction and journalism – always at the center of controversy because of his biting satire. Although the details are fuzzy – he died, probably in front of a firing squad, in Mexico while following Pancho Villa and his army.

Today’s selection is a typical tale – the language is a bit stilted and old – but there is surprising complexity in the way it is told. For example, take a close look at how the narration jumps around in time and how different sources are used – without changing the point of view. It gives a subtle indication of an unreliable narrator and the impression that everything is not quite what it seems.

The little log house, with its chimney of sticks, its roof of warping clapboards weighted with traversing poles and its “chinking” of clay, had a single door and, directly opposite, a window. The latter, however, was boarded up–nobody could remember a time when it was not. And none knew why it was so closed; certainly not because of the occupant’s dislike of light and air, for on those rare occasions when a hunter had passed that lonely spot the recluse had commonly been seen sunning himself on his doorstep if heaven had provided sunshine for his need. I fancy there are few persons living today who ever knew the secret of that window, but I am one, as you shall see.

And then, at the end, the twist ending. Not too surprising, nothing you don’t see… but that doesn’t lessen the impact, does it.

A Month of Short Stories 2015, Day Twenty Six – Light and Light

The last two years, for the month of June, I wrote about a short story that was available online each day of the month… you can see the list for 2014 and 2015 in the comments for this page. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day twenty six – Light and Light, by Chikodili Emelumadu

Read it online here:

Light and Light

Today we have a short, heartbreaking epistolary story.

This technique, of telling a story through a series of letters, is surprisingly common. Here it works well, emphasizing the gulf between the life that Angela leads and the actions of those that prey on her. Angela’s voice is never heard directly, but you can’t help but feel for the doom that she and her daughter are careening towards.

Eight years is the right age that the devil likes. In fact we usually say between six and ten. What number is in the middle of that? Eight. So you see, your daughter’s age is at peak ripeness for letting the devil wear her like glove.

It’s another story of sexual abuse, and of blaming the victim… of power used in the purpose of evil while proclaiming the good.

An all too common and universal tale.

A Month of Short Stories 2015, Day Twenty Five – Running Away In Place

The last two years, for the month of June, I wrote about a short story that was available online each day of the month… you can see the list for 2014 and 2015 in the comments for this page. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day twenty five – Running Away In Place, by Brandon French

Read it online here:

Running Away In Place

Today I felt like a modern short story from an online literary journal.

And what we have here is a very California piece of short fiction. It contains some very serious themes – sexual abuse, incest, hopeless fatal cancer, early onset Alzheimer’s, transsexuality, the sins of the fathers… and so on – but all this is tied together in a structure of movie reviewing. It’s especially California because the movies are all big hits – a New York story would include obscure foreign and experimental films.

The climax of the story is an homage to “Touch of Evil”… “So let me just say one more thing about my friend Bryce –- if you’ll be kind enough to imagine some gorgeous black and white lighting, a tinkling piano, a corrupt and bloated sheriff lying dead in murky water and Marlene Dietrich in a jet black wig” followed by a famous quote.

It’s an unfair world, but still one that pales in the light of the silver screen.

I’m a screenwriter so I know you can’t create a character who is a pretty good guy for most of the story and then you find out he raped his grandmother, or ate his dog, because people will say no way, I don’t believe it, not credible. But the truth is that people who do bad things aren’t usually walking around with wild hair, death’s head tattoos, and Charlie Manson eyes. So when you ram into their shadow, it’s like hitting the side of a mountain on your Harley, and then wandering around like your head snapped off and you can’t exactly see where it rolled.

A Month of Short Stories 2015, Day Twenty Four – The Servant

The last two years, for the month of June, I wrote about a short story that was available online each day of the month… you can see the list for 2014 and 2015 in the comments for this page. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day twenty four – The Servant, by Sergey Terentyevich Semyonov

Read it online here:

The Servant

S. T. Semyonov was born to Russian peasant parents and lived a life of menial manual labor. He used that tough life as fodder for his stories.

I’m not too familiar with his writing – and am not sure if they all are like today’s selection – but I would imagine they are. It’s a simple story, a moral tale, that starts with a young man down on his luck. He has lost his position due to having to return to his village for military duty. He has been walking the streets of Moscow, hungry, for days – looking for work – any work.

When he runs across a silver tongued old friend, he has a ray of hope and a bit of good fortune. But he learns about the cost of his good fortune and has to make a decision. It seems that he chooses wisely.

“What’s the use of wasting words? I just want to tell you about myself. If for some reason or other I should ever have to leave this place and go home, not only would Mr. Sharov, if I came back, take me on again without a word, but he would be glad to, too.”

Gerasim sat there downcast. He saw his friend was boasting, and it occurred to him to gratify him.

“I know it,” he said. “But it’s hard to find men like you, Yegor Danilych. If you were a poor worker, your master would not have kept you twelve years.”

Yegor smiled. He liked the praise.

“That’s it,” he said. “If you were to live and serve as I do, you wouldn’t be out of work for months and months.”

It’s a short, straightforward tale – but a fine humans story about making the best of a difficult life.

The author, Semyonov was killed by bandits at the age of fifty five. It doesn’t get any more difficult than that.

A Month of Short Stories 2015, Day Twenty Three – Expelled

The last two years, for the month of June, I wrote about a short story that was available online each day of the month… you can see the list for 2014 and 2015 in the comments for this page. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day twenty three – Expelled, by John Cheever

Read it online here:

Expelled

John Cheever is, of course, one of the Titans of short story writing and chronicler of the American Condition. He’s often called “the Chekhov of the suburbs.” His eponymous collection of short stories won the Pulitzer Prize.

I know him best for his most-anthologized story The Swimmer. I read it in college in my short story class (we read a hundred stories in a semester) and it affected me enough to remember sitting in my dorm room reading it after all these years.

Today’s story is Cheever’s first published story, Expelled. It’s the thinly-disguised tale of his own experiences being shitcanned from a prestigious prep school – The Thayer Academy. In real life he left, was invited back on probation after winning a short story contest, then flunked out again.

Expelled reminds me of other works that mark a young (usually idealistic) person’s realization that the world isn’t going to be able to stand up to their expectations – and that will make for a difficult life. The Catcher in the Rye is probably the most iconic tale of the type. My favorite is A&P, by John Updike – a seductively simple yet subtly horrific story.

Today’s story has an interesting structure – a series of vignettes each featuring a character involved in the expulsion. That helps keep the thing from becoming too self-indulgent, and makes the school and its denizens more likable and less blameful. It’s a story written by a young person – not quite fully developed – but you can read the potential here.

And now it is August. The orchards are stinking ripe. The tea-colored brooks run beneath the rocks. There is sediment on the stone and no wind in the willows. Everyone is preparing to go back to school. I have no school to go back to.

I am not sorry. I am not at all glad.

It is strange to be so very young and to have no place to report to at nine o’clock. That is what education has always been. It has been laced curtseys and perfumed punctualities.

But now it is nothing. It is symmetric with my life. I am lost in it. That is why I am not standing in a place where I can talk

A Month of Short Stories 2015, Day Twenty Two – The Other Wife

The last two years, for the month of June, I wrote about a short story that was available online each day of the month… you can see the list for 2014 and 2015 in the comments for this page. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day twenty two – The Other Wife, by Colette

Read it online here:

The Other Wife

Today, in this modern age, in this best of all possible worlds, it isn’t unusual to be out with someone and run into an ex – either yours or theirs (or both’s). But in the time of Colette – not so long ago, really – it was probably a rare and uncomfortable occurrence.

Perhaps that’s the reason that seeing her new husband’s recently divorced wife at a seaside restaurant table leaves so big of an impression on a wife. I guess it starts with her slight vexation at finding he never mentioned that they both had blue eyes – though I bet she would have been more angry had he brought it up. I can assure you that his ex-wife is the last person in the entire world he wanted to see that day.

And for good reason.

There are subtleties of the heart that are beyond my ability to understand and convey. Luckily for us all, there is Colette.

She knows. She knows.

“She’s just difficult!”
Alice fanned herself irritably, and cast brief glances at the woman in white, who was smoking, her head resting against the back of the cane chair, her eyes closed with an air of satisfied lassitude.
Marc shrugged his shoulders modestly.
“That’s the right word,” he admitted. “What can you do? You have to feel sorry for people who are never satisfied. But we’re satisfied . . . Aren’t we, darling?”
She did not answer. She was looking furtively, and closely, at her husband’s face, ruddy and regular; at his thick hair, threaded here and there with white silk; at his short, well-cared-for hands; and doubtful for the first time, she asked herself, “What more did she want from him?”
And as they were leaving, while Marc was paying the bill and asking for the chauffeur and about the route, she kept looking, with envy and curiosity, at the woman in white, this dissatisfied, this difficult, this superior . . .

A Month of Short Stories 2015, Day Twenty One – The Library of Babel

The last two years, for the month of June, I wrote about a short story that was available online each day of the month… you can see the list for 2014 and 2015 in the comments for this page. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day twenty one – The Library of Babel, by xxxxx

Read it online here:

The Library of Babel

Imagine, if you will, an infinite library. Well, not exactly infinite – because there is a finite number of letters in each book and the library has been demonstrated to not contain duplicates – therefore there is a finite (though very large) possible number of books. Instead of infinite then, it is endless… you will never reach the edge.

Let it suffice now for me to repeat the classic dictum: The Library is a sphere whose exact center is any one of its hexagons and whose circumference is inaccessible.

The galleries are hexagonal, with five shelves each along four walls. There are hallways leading away, these halls contain tiny restrooms and closets where the visitor can sleep standing up. There are vast ventilation shafts that give a good idea of the infinite… I mean endless nature of the library.

Well, you don’t really have to imagine this place, this library, this world, because it is described in detail in today’s plotless story – The Library of Babel. Borges’ works are intellectual and fantastic – yet somehow I find them mysteriously emotional and affecting. It’s a lot of work for a short short story – but it’s worth the effort.

At least I think so.

The methodical task of writing distracts me from the present state of men. The certitude that everything has been written negates us or turns us into phantoms. I know of districts in which the young men prostrate themselves before books and kiss their pages in a barbarous manner, but they do not know how to decipher a single letter. Epidemics, heretical conflicts, peregrinations which inevitably degenerate into banditry, have decimated the population. I believe I have mentioned suicides, more and more frequent with the years. Perhaps my old age and fearfulness deceive me, but I suspect that the human species — the unique species — is about to be extinguished, but the Library will endure: illuminated, solitary, infinite, perfectly motionless, equipped with precious volumes, useless, incorruptible, secret.

A Month of Short Stories 2015, Day Twenty – Odour of Chrysanthemums

The last two years, for the month of June, I wrote about a short story that was available online each day of the month… you can see the list for 2014 and 2015 in the comments for this page. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day twenty – Odour of Chrysanthemums, by D.H. Lawrence

Read it online here:

Odour of Chrysanthemums

Odour of Chrysanthemums is a famous story – with a well-established position in the pantheon of great and famous short literature. But, somehow, I had never read it – or at least I didn’t remember reading it. And a story of this skill and emotional impact – I would have remembered it.

The first thing that struck me about this story is the language. The paragraphs are chock-a-block with unusual (at least for modern eyes), esoteric, and completely appropriate (even perfect) word choices.

gorse, footplate, coppice, spinney, whimsey, colliery, imperious mien, trundle, metals, winding-engine, steel fender, hob, crozzled… and so on.

I plowed through the first time (reading the story on my tablet in a coffee shop a short bicycle-ride from my house, drinking an iced Thai Milk Tea with boba) and only later, worked my way through with a dictionary website, learning the exact meaning of the words.

The second thing that fascinated me with the story is the description and sense of place. An English coal-mining town in all its filthy glory. What a difficult life. The wife with two children (and another on the way) waiting for her husband to come home from the mine – assuming he had bypassed dinner to go out drinking.

I assumed I was reading a piece of social commentary on the unfairness of life around the coal mines – and I suppose the story is. There is nothing in the text to dilute the clarity or sadness of the woman’s life and the impossible future her family faces.

One aspect of the story that I haven’t read about is the point that her husband suffocated. It was a slow death. If his wife hadn’t assumed he was out drinking and had alerted the other miners about his absence sooner, the end result might have been very different.

But, for all that, at the end, the story reveals its true heart, and its something else entirely. The title gives the first hint. Then there at the end, the wife is faced with her husband’s beautiful body and she realizes she never even knew him.

That is where the story really comes alive and where it has its strongest, unforgettable impact.

And there lies genius.

A Month of Short Stories 2015, Day Nineteen – Ex Oblivione

The last two years, for the month of June, I wrote about a short story that was available online each day of the month… you can see the list for 2014 and 2015 in the comments for this page. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day nineteen – Ex Oblivione, by H.P. Lovecraft
Read it online here:

Ex Oblivione


The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents.

—-H.P. Lovecraft, The Call of Cthulhu

Even though it was a long time ago, I vividly remember when I first read H.P. Lovecraft. It was in college, Lawrence, Kansas, sometime in the mid 1970’s. Though I was, as these things go, well read for my age, I had never heard of H.P. Lovecraft. For entertainment as much as anything else, killing time between classes I would often stop by the bookstore. I noticed a series of paperbacks that appeared on the shelves all adorned in a similar style – black covers decorated with a series of horrible, distorted monster heads. It immediately caught my eye. Looking at them I saw they were all collections of short stories by H.P. Lovecraft.

I asked around about this Lovecraft guy and was told that he wrote very scary stories. Then I remembered I had read a novel by Colin Wilson – The Mind Parasites – that was written as an homage to Lovecraft. It seemed pretty important at the time. So I bought a handful of titles.

H.P. Lovecraft

H.P. Lovecraft

H.P. Lovecraft

H.P. Lovecraft

H.P. Lovecraft

H.P. Lovecraft

H.P. Lovecraft

H.P. Lovecraft

So it was with some excitement I carried my little bag of books back to my dorm room, stretched out, and started to read. I read a half-dozen or so and remember thinking, “What is the big deal?” They were creepy, sure, and imaginative in s pulp sort of way, but written in a sort-of archaic style. And they didn’t seem that scary to me.

Then, I tried to go to sleep. There, stretched out in the dark, I couldn’t get the stories I had read out of my mind. Lovecraft has an ability to get under more than your skin – his writing goes right to the subconscious. The unease and fear I felt is with me to this day.

I was a fan. Not the first and not the last.

I later realized that a very strange movie I had seen as a kid – The Dunwich Horror – was another Lovecraft work.

Today’s story is a short little introduction to Lovecraft’s style and themes. His most well-known works are set in a world known as The Cthulhu Mythos – which a lot of other writers have added to over the years. Some of these are very good – but nobody is able to quite duplicate Lovecraft’s ability to frighten.

After a while, as the days of waking became less and less bearable from their greyness and sameness, I would often drift in opiate peace through the valley and the shadowy groves, and wonder how I might seize them for my eternal dwelling-place, so that I need no more crawl back to a dull world stript of interest and new colours. And as I looked upon the little gate in the mighty wall, I felt that beyond it lay a dream-country from which, once it was entered, there would be no return.