“Women derive a pleasure, incomprehensible to the other sex, from the delicate toil of the needle.”
― Nathaniel Hawthorne, The Scarlet Letter
Working on freeform embroidery,
Klyde Warren Park
Dallas, Texas
The Delicate Toil Of the Needle
Tag Archives: klyde warren
What Rhythm Is
“Now this is very profound, what rhythm is, and goes far deeper than words. A sight, an emotion, creates this wave in the mind, long before it makes words to fit it …”
― Virginia Woolf
Klyde Warren Park
Dallas, Texsas
Having A Picnic In A Dream
“I’ll affect you slowly
as if you were having a picnic in a dream.
There will be no ants.
It won’t rain.”
― Richard Brautigan, Loading Mercury With a Pitchfork
Klyde Warren Park,
Dallas, Texas
There Is No End To Illusion
“Dream delivers us to dream, and there is no end to illusion. Life is like a train of moods like a string of beads, and, as we pass through them, they prove to be many-colored lenses which paint the world their own hue. . . . ”
― Ralph Waldo Emerson
Klyde Warren Park,
Dallas, Texas
Le nozze di Figaro
The Opening Credits on the screen in Klyde Warren Park
Over the last couple of years, I have seen two simulcasts of the Dallas Opera, both at Cowboy’s Stadium on the giant video screen. First was Turandot and then, a year later, The Barber of Seville. Despite the compromises in seeing an opera in a football stadium – I enjoyed both performances… a lot.
So now, I found out that the Dallas Opera was doing another simulcast on opening night, this time The Marriage of Figaro, and outdoors at Klyde Warren Park, instead of the stadium. This looked great to me, I’m a big fan of Klyde Warren and it’s a sequel to The Barber of Seville. Plus it’s free. Plus I have never seen a Mozart Opera.
I shoved a thick blanket into a backpack and took the DART train downtown after work. I thought of taking my bicycle, but decided to walk it anyway. I hurt my foot (Plantar fasciitis) a couple weeks ago backpacking, but managed to limp my way down to the park. I arrived early, so I was able to stake out some grassy real estate right in front of the giant screen.
As I was waiting I finished reading Tolstoy’s The Kreutzer Sonata. It was interesting to compare the novella with the opera. Although they could not be any different in tone… and of course in the ending, the two shared a lot of theme in ideas of jealousy, the treatment of women, and how love can turn unhappy. Although The Marriage of Figaro is billed as a light farce – a comedic farce – there is deep meaning and sadness concealed under a layer of genius.
The opera was great. The park was a better setting than the stadium – the sound system was so much better. Without the echoing of the vast dome, the sound came through loud and clear.
The start of the third act.
It was also fun watching all the other people at the park. Most arrived in big groups with packs full of tupperware containers bulging with food and coolers of wine. As they drank and ate – the behavior on the lawn became as slapstick as the ones on the screen.
The crowd behind me at The Marriage of Figaro at Klyde Warren Park
They said there were four thousand people watching the simulcast.
The only problem was one of time and comfort. I arrived at the park at five o’clock and the opera ended around midnight. That means I was stuck on a blanket in the grass for seven hours. That’s too long – I’m too old for that. I was awfully sore when I rode the train back home in the wee early hours.
Pulling Her Friend’s Hair
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Dallas Tweed Ride
Today was an event I was looking forward to, the Dallas 2013 Tweed Ride.
I had what was, I guess, the bare minimum – a tweed jacket from Goodwill and a tweed cap a friend had found on Amazon. So I was ready, if only minimally so.
The ride was originally scheduled for a week ago, but had to be postponed because of the ice storm. The weather was impossible that day, but it was pretty cold today – low forties, overcast, foggy, with a wicked north wind screaming in like a wave of icy razor blades. The last tweed ride – two years ago – was on a preternaturally warm day and had a huge turnout. Today looked like the opposite. I had to think hard about whether I wanted to go. It was nasty outside and the house was warm. I had plenty to do at home.
I futzed and dutzed and prepared as best I could. I decided to ride my commuter bike, and strap on as much crap as I thought I needed onto it. One pannier was packed with my camera and tripod and the other one I filled with two vacuum bottles of hot coffee. I also filled a small flask with some rum, just in case.
Though it wasn’t authentic, I wore a modern thermal vest under my jacket – hoping to keep my core warm.
And I set out to ride my bike to the DART station. As I turned north into the wind, at the end of my block, I decided to turn around and go home. I was out of breath – since the ice storm I’ve been hanging around and am not used to riding… I felt ridiculous in my silly getup. But most of all, the cutting cold wind made riding simply too miserable.
But then I thought about how decisions about giving up go down. The problem is; the pain, the uncomfortable cold, and the icy wind are all too obvious negatives… while the positives of actually braving the elements were out there in the uncertain future, and not for sure. How do you judge the merit of something that you don’t actually do? If you give in to the immediately uncomfortable and reject the possible future… you won’t get out of bed in the morning.
So I sucked it up and pedaled on. As I rode toward the train station, I noticed the clouds breaking up to the north and by the time I reached it the sun was actually breaking through the clouds, and the vicious wind began to break. I bought my pass and the transit gods sent a train in at the exact second I arrived on the platform (that is rare – I’m usually cursed and get to see my train leaving as I pull up – and have to wait).
The ride started by the Grassy Knoll at Dealey Plaza in Downtown Dallas, behind the famous wooden fence. I had thought that the interest in the assassination site would die down after the recent fiftieth anniversary, but there was a huge crowd of tourists wandering around… looking askance at the small crowd of people wearing odd clothing, standing around with a motley collection of bicycles, and shivering.
The crowd wasn’t huge – the cold and the postponement had taken its toll – but there was enough. We set out and rode through downtown, looping past Klyde Warren Park for photographs, and then down Main Street – past the Dallas Eye – and across the Jefferson Viaduct Cycletrack into Oak Cliff.
About two weeks ago, some folks and I had spent a few hours sweeping the track clean. Unfortunately, the ice storm had forced the city to sand the bridge heavily and the traffic had pushed a lot of sand and rock into the bicycle lanes – making our work worthless and the track difficult and dangerous. I took my time crossing – I didn’t want to ride fast through that slippery gravel, but the sun was still out and the view was really nice.
We rode into Oak Cliff, through Bishop Arts and on to the Turner House, where there were refreshments and photographs. We couldn’t stay too long – it was a long way from home, so I rode back across the river and caught the train downtown.
The temperature dropped after the sun went down and the ride home from the station was very cold… but bearable.
Tweed is warmer than you think.
The Tweed Ride posing in Klyde Warren Park
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Dallas Observer Article and Photos of the ride
Charming Portraits of People With Their Bicycles at the Dallas Tweed Ride
Sitting in the Park
Klyde Warren Park, Dallas, Texas
She sits in the park on a red blanket with a bottle filled with blue drink. She watches her dog, her child, her husband, while she doesn’t move herself – except her eyes. Lasering back and forth across the grassy patch they stay on target. Meanwhile, the world moves on, unknown.
Preview
Since the advent of digital photography, the whole rhythm of taking pictures has changed. You shoot, then tilt the camera down to look at what you have.
Sometimes you don’t even think. Shoot, tilt, look, delete, shoot, tilt, look, delete. Repeat until you get what you want.
Klyde Warren Park, Dallas, Texas
I miss the days when you had to wait. These were the days when every statement about a photograph was prefaced with, “If it comes out…”.
There was the excitement of picking up the thick paper envelope of prints at the photography store. Standing on the sidewalk outside, tearing open the packet, and going through the pictures. Usually, there would be one that you knew was the shot you really wanted and you would quickly shuffle until you came to that one. Then you would pause and stare. You would, “If it came out…”.
Or, even more exciting, was the sweet smell of bitter chemicals, the dim yellow/green safelight, and the ghostly image appearing out of nothing on the waving paper drifting in the developing bath. There was a sensual excitement of the whole ritual – from loading film on a reel in the pitch dark – working completely by feel. Then the mixing of chemicals followed by waving your hands in the rays of the enlarger, dodging and burning and trying to get everything just right. Finally the developing, the fixing, the washing and then drying. Only after all that could you turn on the light and see what you had… art, or crap. Or both. Or neither.
Sketching on your Friend’s Back
What could be better than sitting on the lawn in a park in the middle of the big city, bracing your sketchbook on your friend’s back while you drew the giant crystal buildings that surround you.
Klyde Warren Park, Dallas, Texas
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Bill Chance 