Movie Recommendations

“Me? I’m dishonest, and a dishonest man you can always trust to be dishonest. Honestly. It’s the honest ones you want to watch out for, because you can never predict when they’re going to do something incredibly… stupid.”
― Captain Jack Sparrow

Classic colorful street bombers at the movie.

I watch too many movies… or maybe I don’t watch enough movies. I watch too many shit movies… I guess I watch too many short, silly Youtube things and not enough full-length movies.

There are too many films streaming on the various film streaming things… what to choose. I am working on it.

I have started a DAILY NOTES notebook – attached a pen holder to it and placed a couple of useful fountain pens (a Kaweco Sport and my Pilot Capless) on the notebook.

Also, I found a Youtube channel, Flick Connections, the guy has current recommendations from the various genres and streaming channels. So I’m working my way through some of his offerings, sitting there with a pen and my DAILY NOTES notebook and writing down what he recommends that I haven’t seen (or saw so long ago I don’t remember) and may be interested in.

The first two are: 20 Stunning SCI-FI Movies to Watch on HBO Max This Weekend and 18 Fantastic ‘FUCKED UP’ Films to Watch FREE on Tubi Tonight!.

I typed up the list from my notebook, added brief comments from my scribbled notes (can’t vouch for the accuracy of these), and emailed it to Candy. I was surprised how many she had already seen.

Here’s the text of my email – for your education. Some (one at least) are already gone – but will Shirley pop up somewhere else (or maybe not, and please stop calling me Shirley). Yeah, I know, there are some on here that I should have seen already – so sue me. Or, better yet, send me your ideas and recommendations – put them in a comment.

The one film that I really want to see is the first one – the Ann Hathaway monster movie – Colossal.

So many movies (and even more books) and so little time.


* – movies I want to watch soon

—-HBO+ (Science fiction)

* Colossal – Ann Hathaway clever monster movie. Supposed to be really good.

FAQ About Time Travel – Silly British comedy – satire of science fiction

Birth – Reincarnation – not much SF – Art Film, slow Weird

Limitless – Bradley Cooper – PG13 crowd pleaser

—-Popular films you may have seen and I should have seen:

* Vanilla Sky I have seen the Spanish version, Abre los ojos, but I don’t think I’ve seen Vanilla Sky all the way through in one sitting.

* Moon

* Ex Machina

—-Tubi (Fucked up films)

The Invitation – Thriller

* Goldstone – remote locations, Mystery

Wind River – neo noir mystery, by the director of Yellowstone
* Cold in July – Slick, set in Texas
* All the Money in the World – Ridley Scott

* Before the Devil Knows You’re Dead – Philip Seymour Hoffman
Arizona – Danny McBride

Radius – low budget – Twilight Zone Like

Kill the Irishman – Mob Movie

Bone Tomahawk – Australian Western

Red Hill – Modern day Australian Western

* 68 Kill- Dark Comedy – lot of blood

The Chaser – South Korea – pimp thriller

Hunger – Michael Fassbender’s breakout role – Irish Prison – very disturbing

Baahubali

“Fate gives all of us three teachers, three friends, three enemies, and three great loves in our lives. But these twelve are always disguised, and we can never know which one is which until we’ve loved them, left them, or fought them.”
― Gregory David Roberts, Shantaram

Chihuly Glass, The Dallas Arboretum

A long time ago, i stumbled across a crazy YouTube video that had a long scene from a Bollywood Movie. It showed an attack by a merciless, horrible army on the Good Guys©. There was a lot of emotional looks between characters that I had no idea who they were – but the most handsome of all the Good Guys© seemed in command of a third (or so) of the army. He had catapults and proceeded to throw giant, round stones connected to a huge, red cloth over the attacking enemy. Once it settled onto the evil swarm a flaming arrow was fired and the cloth turned out to be soaked in a flammable oil – burning the evil heathens to death.

It was amazing, cheesy, and so much ridiculous fun. It took a little searching until I found out the scene was from part one of a two part movie series called Baahabuli. I watched bits of it and it was as glorious as it could be. I never had time to sit down for the whole six hours it would take to grind through both installments – plus, viewing little bits here and there with no idea of the overall plot or who these people were was kind of exciting.

Now, however, I have more opportunities for allocating big chunks of time (though not as many as you would think – it is possible to be very busy doing nothing) and over a couple of days I have been able to sit down and watch part one of Baahubali. Now it (sort of) makes sense. I had watched some of the over-the-top action scenes… but being Bollywood it had some equally fantastic musical numbers – and romantic dancing. I really enjoyed these – probably more that the blood slaughter.

In particular, there is a scene in a bar where three sexy dancing girls emerge from a giant coil of rope to dance with the hero and distract the dastardly bad guys for a few minutes – very imaginative and unexpected.   

Some friends of mine once came up with the idea of Bollywood watching parties – I would love to try and pull this off – find a place with a big television (ours isn’t giant enough). Baahubali would be perfect – both parts one and two. Crazy action, melodrama, politically incorrect dancing and romance (there is actually a scene where the hero, while holding his breath underwater, tattoos his love’s arm while she sleeps trailing her arm into a lake –  that’s a me-too moment).

Now onto part 2 – there’s a lot of unanswered questions.

Ok, there is a YouTube movie reviewer named The Critical Drinker. He is apologetically nasty towards modern shit movies and the useless crap mendacity that has invaded what passes as entertainment – but every now and then he finds something that swims against the stream to recommend. 

Today he reviewed and liked a recent Bollywood extravaganza called RRR. He does a very good job of explaining how odd these movies look to Western eyes and why you should put your preconceptions aside and enjoy what dances across your eyeballs. A very interesting review (not too many spoilers).

RRR is streaming on Netflix. So its Baahubali Part 2 – and then it’s time for RRR. Sounds like a party. 

It Does Taste Better in a Pulp Fiction Cup

“Don’t you just love it when you come back from the bathroom and find your food waiting for you?” — Mia, Pulp Fiction

My Morning Coffee

I woke up looking forward to my morning coffee even more than I usually do (If that is possible – does a heroin addict look forward to certain fixes more?) because I would drink it in my swag Pulp Fiction coffee cup.

Most mornings I make a double strength coffee in my Aeropress , dilute it with hot water, and put it in a vacuum container (either a thermos or, as today, in a Contigo insulated cup that fits in my bicycle water bottle holder). I like that because I can pour it into a real cup a bit at a time and control the drinking temperature.

So, the question is, did it taste better in the swag cup?

Sure did, I mean this is some serious gourmet shit.

I Luv Ya Honey Bunny

The path of the righteous man is beset on all sides
By the inequities of the selfish and the tyranny of evil men
Blessed is he who, in the name of charity and good will
Shepherds the weak through the valley of darkness
For he is truly his brother’s keeper and the finder of lost children
And I will strike down upon thee
With great vengeance and furious anger
Those who attempt to poison and destroy my brothers
And you will know my name is the Lord
When I lay my vengeance upon thee

—-Eziekiel 25 17, Pulp Fiction

Swag from the Alamo Drafthouse Pulp Fiction Party

Tonight Candy and I had tickets to a Pulp Fiction Party at the Richardson Alamo Drafthouse.

I haven’t seen Pulp Fiction in a theater for a long, long time – it was time to see it again.

There were a few things that made this showing a “Party.” An employee came out in a bathrobe with a coffee mug before the showing and gave an enthusiastic and F-Bomb filled introduction. They had a Jackrabbit Slim twist contest – I was disappointed that no couple showed up dressed as Mia and Vincent. The winner received a genuine Bad Mother Fucker wallet.

Coolest of all, everyone received some swag – A Serious Gourmet Shit coffee mug, a pack of candy cigarettes, and a Zed Keychain (Zed’s Dead, baby). Now I have a place to keep my chopper keys.

The Before Trilogy

“Listen, if somebody gave me the choice right now, of to never see you again or to marry you, alright, I would marry you, alright. And maybe that’s a lot of romantic bullshit, but people have gotten married for a lot less.”

— Jesse, Before Sunrise

Bachman Lake, Dallas, Texas, after sunrise

1995 was not so long ago – what? twenty seven years? That may seem a long time ago to you, but it doesn’t to me.

Even in 1995 it was hard to see odd, independent, or foreign films. It was before streaming, before really diverse rental options, and sort of after the death of repertory cinema. Also, I had two small kids at this time – so I was not able to go out searching for unique cinema.

I was still watching movie review shows at the time (I have since quit, too many spoilers). I remember seeing a review, probably on Siskel and Ebert, of a movie called Before Sunrise starring July Delpy and Ethan Hawke. It sounded unique and interesting and I wanted to see it, but never was able to pull it off. It apparently was a conversation movie – sort of like My Dinner With Andre – except with a young couple meeting and spending one single night (before sunrise) in Europe walking around and talking to each other.

Over the years I read that a sequel was made… and then a sequel to the sequel.

A few days ago I noticed that there was a set of three movies on The Criterion Channel titled The Before Trilogy. It was the Before Sunrise and its two sequels – Before Sunset and Before Midnight. I’m not a big TV bingeing person, but I decided to watch the three movies one day after another. I had to skip one day because I felt like shit and couldn’t even get up the energy to watch a damn movie streaming on The Criterion Channel. I realized that the two sequels were both made exactly nine years apart from each other.

The second movie was better than the first. It was about the stripping away of a person’s facade – and the first movie was about getting around a person’s facade – although the facades were very strong with those two. The second movie was much more complicated with more at stake – mostly because the characters were nine years older and forced to be more serious and introspective and their choices were more important with more at stake.

I’m afraid that I was disappointed in the third film. It was well made – but I felt it was a re-hash of the same sort of arguments every long-term married couple has on a regular basis. Maybe an important subject – but not entertaining to watch. It could be seen as the answer to the more interesting second chapter, but again, not worth the nine years’ wait.

It’s been more than nine years now since Before Midnight was made. There has been talk of a sequel, but the three Linklater and the two stars seem to have run out of ideas.

Shame.

Where the Crawdads Sing

“I wasn’t aware that words could hold so much. I didn’t know a sentence could be so full.”
― Delia Owens, Where the Crawdads Sing

When you pick a mudbug up – he’ll spread his claws out and try to look as big and as mean as he can. He still looks delicious – no matter how hard he tries.

After my bike ride I took a shower and got ready to go. Candy wanted to go see a movie – Where the Crawdads Sing. She had read the book (I hadn’t, still fighting my way through Zola’s La Terre – need to finish the sucker) and had really liked it. We don’t go to a lot of movie’s anymore and when we do we always go to the Alamo Drafthouse – except for today. Crawdads wasn’t showing at either of the two Alamo theaters on our side of the vast Metroplex, so we went to another theater near where I used to work (when I was still gainfully employed).

The theater was good – the reclining seats were very comfortable. We went to the one o’clock showing – and there were only a handful of folks there.

I actually kinda liked the movie. It had some flaws – the protagonist was a little too polished and glib to be believable as a “Marsh Girl” – I had the ending figured out a good five minutes into the film – but the acting was effective and the scenery gorgeous. It’s hard for me to judge, I’m still suffering from a Everything Everywhere All At Once hangover – every movie pales in the memory of that work of genius.

It’s kind of funny – on Tuesdays the early show was only six dollars to get in – a real bargain. But a popcorn and diet soda were more than twenty bucks.

This truly is the best of all possible worlds.

Licorice Pizza

“If you figure a way to live without serving a master, any master, then let the rest of us know, will you?”
― Paul Thomas Anderson, The Master: A Screenplay

Cook throwing dough at Serious Pizza, Deep Ellum, Dallas, Texas

I’m a huge fan of Paul Thomas Anderson. I’ve seen everything – wrote about Phantom Thread – and of course the impossible task of filming Pynchon Inherent Vice. I wanted to see his newest, Licorice Pizza – but never made it to the theater. Still, somehow, I was able to get a digital copy of the film and put it on my Kindle Fire 10.

I have been doing well in getting my ten miles a day of bike riding – so far in July I’m seven miles ahead of my pace. One cheat I do is that I joined the Huffhines Recreational Center (I am old enough for the senior discount – it’s a lot cheaper than a health club) down at the end of my block and they have really nice recumbent bicycles. An hour of stationary riding counts as ten miles in my mind – and I’m sticking to it. If I ride too many days in a row outside my shoulders begin to hurt – so a day on a recumbent is a big help.

Most of the bikes have flat screens and a good selection of channels – but one bike is more old-school without a screen. It’s not very popular – I’ve never seen anyone else using it – but I can prop my Tablet on the bike and watch a movie. So over the last two workout sessions I watched Licorice Pizza.

It wasn’t a great movie – but it was a lot of fun and a perfect way to let the hours go by while I pedaled away. It’s a pastiche, an homage to a certain time, the seventies, which I remember really well.

Waterbeds form an important plot point – and that’s one thing from back in the day that I still miss even now. I had a waterbed for about a decade (or a little more) and never slept better.

Another plot point is the oil embargo and subsequent shortage (lines at gas stations) and that, unfortunately, feels all too familiar right now. I remember 1980 well and the disaster that happened feels like it is happening again. The only difference is that in 1980 I was single and young and all I needed was to buy a couple Ramen Noodle packs and I could get through the day.

Life is a lot more complicated and risky now.

Secret Screening

“I think it’s much more interesting to live not knowing than to have answers which might be wrong. I have approximate answers and possible beliefs and different degrees of uncertainty about different things, but I am not absolutely sure of anything and there are many things I don’t know anything about, such as whether it means anything to ask why we’re here. I don’t have to know an answer. I don’t feel frightened not knowing things, by being lost in a mysterious universe without any purpose, which is the way it really is as far as I can tell.”

― Richard P. Feynman

A terrible Blackberry photo of my folding Xootr Swift parked next to a Yuba cargo bike (set up to carry a whole family) outside the Alamo Drafthouse Cinema. Two different philosophies on urban bicycling.

Jesus! I almost completely forgot!

It was six forty today and I was puttering around the house doing six-forty PM sorts of things when I remembered that over a week ago I had bought a movie ticket for a seven o’clock movie tonight.

An email had arrived touting a “Secret Screening” at the Alamo Drafthouse Richardson. That is where, for a discount ticket of six bucks, you get to see a movie – probably a genre movie from decades past – but you don’t know what movie you are going to see until it starts. I know that sounds nuts – but it is the sort of thing I can’t resist. When I checked the seating – although it was almost two weeks out – there were only single seats left, the others had already sold out. So I bought a ticket and proceeded to forget about it until six forty tonight.

Luckily, the Alamo isn’t very far away (remember – that theater chain won’t let you in after the movie starts) and I through some pants on and jumped in my car. It has been eleven days since I retired and this is the first time I’ve been in my car (I have ridden with other folks) since I stopped working. All other trips have been by bike – and I would have ridden to the Alamo if I had remembered earlier. Luckily, it started right up and shook the summer dust off and made it to the theater with a few minutes to spare. I need to get over being a boomer and learn a decent, reliable system of reminders for my phone.

I ordered a Temptress and sad back to see what movie we were going to be treated to.

It was a film called Prime Cut from 1972. When the name was announced, I didn’t think I had seen it, but when the guy came out and started to talk about it I realized that I had seen it, when it was released, but had not thought about it for, maybe, forty years. Let’s see, in 1972 I was in Nicaragua, so I would have seen it a year later – so I saw it in 1973 – forty-nine years ago. I remembered little bits about it – it was set in Kansas City, my old stomping grounds – and although KC is actually in Missouri, the film takes place in rural Kansas – though it isn’t a very good representation (there is a scene with a combine – a very good scene – an homage to North by Northwest – but the combine does something that combines can’t do – and believe me, I used to drive one of the damn things).

It’s a mob movie set in the wheat fields, a ton of violence and nudity, completely politically incorrect, a movie that could never be made today. It was of its time – a true genre film but with a strange, dark sense of humor. A lot of black comedy in the film.

One thing unusual for a movie of this type is that all three main characters are played by actors that won academy awards (four in total). The anti-hero is played by Lee Marvin, the bad guy by Gene Hackman, and Sissy Spacek – in her first speaking movie roll (four years before Carrie).

The crowd was into it – it’s the kind of people that will pack a theater to see a movie when they don’t know what it will be. They laughed at the anachronisms and sick humor and cheered the ending and again after the credits.

So I guess I had better check the calendar and buy tickets for next month’s Secret Screening. They teased us and said that since it was the 90th Secret Screening it would be a film from the 90’s – not much of a clue.

Love and Thunder

“Being deeply loved by someone gives you strength, while loving someone deeply gives you courage.”
― Lao Tzu

The family on the balcony at the Alamo in the Cedars, Dallas, Texas

Lee texted us on Friday – he and some friends were going to see the newest MCU film, Thor’s Love and Thunder at the Alamo in Lakewood and had two extra tickets. I’m sort of Marvel Superhero’d out – but it was a family thing so I said I’d go and was looking forward to it.

Candy and I drove down there and waited (not for very long, they were on time) and was reminded why – as a family – we will not see movies anywhere other that the Alamo chain of theaters. Lee had the tickets on his phone, so we were waiting in the lobby. This was an early showing – so the place was deserted. A single man walked up to the lobby guardian and asked him, “My family is in watching Maverick and I couldn’t make it on time – can I go in?” The guardian checked, saw it had been 20 minutes and said, “Sorry, I can’t let you in this late.” The Alamo has two rules that make going to the movies tolerable.

  • No text, phone use, or talking during the movie (they will throw you out).
  • No getting into the movie after it starts.

The man looked disappointed as he left. I asked the guardian if this happens a lot. “I’m afraid it does. If the movie in only a couple minutes in, I’ll go ahead and say it’s OK – but the film started more than twenty minutes ago.”

The last time I went to a movie not at an Alamo Drafthouse (so long ago, I don’t remember where, when, or what) a bunch of people came in ten minutes after the movie started, stood around in the aisles, talking loudly about what seats (the place was pretty full) they wanted to take and asking people to move to open up spaces so they could sit together.

Never again.

I hadn’t been to the Lake Highlands Alamo before – it’s really nice. They have powered, reclining seats… so comfy. Also, if you go to an Alamo – get there early – they do a great job of putting together little bits of film to get you in the mood. One thing they showed was a Thor Cartoon from the 60’s – I remember seeing that very one when I was a sprout.

So, all this was cool and all – but how was the movie? Uhh, it was Meh. I actually likes Thor Ragnarok – the humor brought by Taika Waititi was a breath of fresh air in the increasingly predictable MCU. I love his style of injecting humor into dead-serious situations (especially Jojo Rabbit). But here is all felt forced and overdone. Not an unentertaining time – but nothing special.

Also, I’m still suffering from withdrawn from Everything Everywhere all at Once (I’m still haunted by my thoughts riding my bike three miles home in the dark after that movie). That was a life-changing film and it isn’t fair to compare any other cinematic experience to that… but it is what it is.

Thor Love and Thunder did put a bit of a bug in my bonnet on the more overblown aspects of the MCU – thinking about the universe and all. Then, later on in the day, I decided, for some reason, to watch Eternals streaming at home.

It was awful.

The movie is about a group of superhuman androids that live, basically forever, protecting humankind from destruction (at least they think they are). There are fascinating concepts – like a superhero that can control minds ending up as a Jim Jones-like cult leader in the Amazon – someone that spends eternity stuck in a pre-pubescent girl’s body, destined never to grow up (her fellow Eternals treat her like a little kid even though she is thousands of years old), – there is a moral quandary between duty and kindness – all these amazing aspects – yet the movie is horribly boring. All the fascinating stuffins are ignored for silly action scenes and interminable stretches of all the Eternals standing around talking about nothing. Why did I bother?

Such a waste of time.

I’d rather watch the Alamo Drafthouse PSAs.

The French Dispatch

It began as a holiday. Arthur Howitzer Jr., a college freshman, eager to escape a bright future on the Great Plains, convinced his father, proprietor of the Liberty Kansas Evening Sun, to fund his transatlantic passage as an educational opportunity to learn the family business through the production of a series of travelogue columns to be published for local readers in the Sunday Picnic magazine … Over the next ten years, he assembled a team of the best expatriate journalists of his time and transformed Picnic into The French Dispatch, a factual weekly report on … world politics, the arts – high and low – fashion, fancy cuisine, fine drink … He brought the world to Kansas.

—- Narrator, The French Dispatch

The French Dispatch

I had an hour or two free and decided to watch a streaming movie. I have always enjoyed Wes Anderson’s work so I called up The French Dispatch (recently added to HBO max). And it was an enjoyable film.

I didn’t like it as much as Moonrise Kingdom – which I saw in the theaters, but it’s on a par with some of his other more recent work. For me, the judgement of a film like this – one that is obviously very stylized and springs from the unique mind of the director – is if I gave a shit about the characters. I really cared about the folks, especially the young couple, in Moonrise Kingdom. In The French Dispatch… not so much.

Of course, any film I see right now will suffer in comparison to Everything, Everywhere, all at Once – which is still rattling around in my noggin – and I really, really cared about all the characters in that masterpiece.

The movie is a love letter to the New Yorker. A deserving subject, to be sure, but one that is more than a little dry, twee, and removed from the hell of our present lives.

That said, the stories were intriguing, original, surprising, and a lot of fun. It was a fine way to pass the time, but I won’t remember it a year from now. Probably the most enjoyable part is playing “spot the famous actor.” Everybody is in this thing….

Everybody.