Flash Fiction of the day, The School from Sixty Stories by Donald Barthelme

“He is mad about being small when you were big, but no, that’s not it, he is mad about being helpless when you were powerful, but no, not that either, he is mad about being contingent when you were necessary, not quite it… he is insane because when he loved you, you didn’t notice.”
― Donald Barthelme

The historic Renner School House, in Dallas Heritage Village, with the skyscrapers of downtown rearing up in the background.

Donald Barthelme is one of my favorite authors. He was a pioneer in the nontraditional school of short-short fiction – eschewing traditional plot structures and styles. I actually came to reading Donald Barthelme from reading about his brothers, Frederick and Steven – both also respected writers. I came across them by reading an article that they wrote about their gambling addiction. It was a fascinating and sad story –  two accomplished, intelligent writers caught in a disastrous downward spiral in the gambling barges of southern Mississippi. Really something. So there are three authors, all worth seeking out – both for fiction and non.

I remember when I was a kid growing up – moving from school to school (I went to twelve schools, more or less, in twelve years) sometimes we would have animals or plants in the classroom for the children’s edification. I don’t remember very many specifics except for a nice big bull snake in Mr. Clinkingbeard’s seventh grade class. I remember it because I had no fear of snakes and would handle it whenever I could. Once it bit me on the hand pretty good (nonpoisonous – though it hurt) and once it crawled past my neck and under my shirt. I grabbed the end of its tail and pulled it out. Unlike today’s story, though, it never died (well, as long as we were in the class).

The story has a really nice structure. The first paragraph reads like a memoir. It starts out small, pedestrian, ordinary, and begins to get bigger and stranger and more poignant as it goes along until it springs out of the form and becomes something completely different. I really like that – will make a note and add that structure to my list of writing hints – maybe do a story or two like that.

The School from Sixty Stories by Donald Barthelme

You’ll have to read the story to the end to figure out why this is related:

 

A Month of Short Stories 2017, Day 12 – The Balloon, by Donald Barthelme

Over several years, for the month of June, I wrote about a short story that was available online each day of the month…. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year – In September this time… because it is September.

Today’s story, for day 12 – The Balloon, by Donald Barthelme

Read it online here:
The Balloon, by Donald Barthelme

Another man, on the other hand, might view the balloon as if it were part of a system of unanticipated rewards, as when one’s employer walks in and says, “Here, Henry, take this package of money I have wrapped for you, because we have been doing so well in the business here, and I admire the way you bruise the tulips, without which bruising your department would not be a success, or at least not the success that it is.” For this man the balloon might be a brilliantly heroic “muscle and pluck” experience, even if an experience poorly understood.

—-Donald Barthelme, The Balloon

When reading The Balloon I first thought of the artist Christo – though I have never seen one of their works, I did watch a fascinating and provocative documentary of their environmental installation in Central Park, The Gates. It made me wish I had been able to visit while the gates were up.

The Gates and The Balloon share the location of New York City and they share the confusion, adulation, and consternation of the crowds that interact with them.

The genius of Barthelme is that even in the brief work linked to here, he gives us an explanation in the end. The Balloon has a purpose, a very concrete one, even if it is only understood by two people. And it’s in a warehouse, waiting to be used again.

Donald Barthelme:

Art is not difficult because it wishes to be difficult, but because it wishes to be art. However much the writer might long to be, in his work, simple, honest, and straightforward, these virtues are no longer available to him. He discovers that in being simple, honest, and straightforward, nothing much happens: he speaks the speakable, whereas what we are looking for is the as-yet unspeakable, the as-yet unspoken.
from Not-Knowing: The Essays and Interviews of Donald Barthelme

Buckingham Road, Richardson, Texas