About the size of my head

One of the highlights on the drive from Dallas to New Orleans is crossing the Mississippi river on the Horace Wilkinson Bridge going into Baton Rouge on Interstate Highway 10. It’s also a lowlight, because the traffic through Baton Rouge is usually awful and it is often stop and go all the way back over the bridge.

This trip is wasn’t so bad. Now that I think about it, the last two drives I made to New Orleans were over Mardi Gras… and there were a million other folks doing the same thing. Also, there is so much construction around Baton Rouge – after Katrina a lot of people fled the Big Easy a few miles north to the capital, which sits on ground a few feet higher… at least it’s above sea level. Interstate 10 and the feeder roads are being rebuilt and that makes for slow going.

Like I said, this trip wasn’t so bad – no stop and go, only a little slowing here and there. There were no full closures due to construction, but there was still a lot of work going on. Out of Baton Rouge and into the swamps was all narrow, crowded, and fast – speed and steel.

There is no choice. You are rapidly carried along by the inexorable stream of metal, rubber, gasoline, and flesh. Bumper to bumper, going seventy five miles an hour, with cars closed in on both sides, lanes narrowed by construction cones, equipment belching diesel fumes flying by only a few feet away… that is life in this best of all possible worlds. So I am being as careful as possible, concentrated, both hands on the wheel, staring straight ahead.

So I saw it. Had a really good look at it, for a slice of a split second.

It was about the size of my head.

When it appeared from under the giant eighteen wheel truck in front of me, I saw the round shape rolling and I hoped that it was a chunk of Styrofoam, but I knew it wasn’t. I knew it was concrete.

At seventy-five, more than a mile a minute, there isn’t much time when there is something in the road right in front of you like that. It is amazing how much goes through your mind in the tiny bit of time before the collision.

I knew I was looking at a hunk of debris abandoned by the workers alongside the highway and somehow flung out into the shooting line of speeding vehicles. I fought my first reflexive urge to swerve – I knew there were cars right alongside me in both lanes. Avoidance would be suicidal. At that speed a hit on a tire would probably flip the car – certain death again. My unconscious lizard brain quickly found whatever knowledge it had of the stuff under the car – drive train, fuel lines, and exhaust system and came up with the impression of hunks of strong steel about a third of the way in from the tires.

Of course, I can remember thinking this afterward – but didn’t know I was thinking it at the time. There was not enough time. It was pure survival reflex. A tiny adjustment of the steering wheel to put the chunk right there… and it was gone.

At first there was the sound. A tremendous thump as concrete met steel. The amount of power involved at those speeds is almost unimaginable. We all drive that fast all the time – I have to purposefully will the physics involved out of my head – otherwise I would freak out. Along with the sound there is a feeling of a punch as the car jumps… and that’s it, we’re past.

I glanced at the rearview and saw with horror as the concrete, now a spinning blur, jumped up about six feet into the air. The car behind me took a little swerve, as I did, and the missile missed its windshield and then disappeared. That was it… I have no idea what happened behind me. The past is over and done before you even know what hit you.

Then there was the smell. Awful. The sharp acid of vaporized iron and a burned odor of concrete pulverized into lonely molecules. It filled the car immediately and was as frightening as the sight of the projectile itself.

There wasn’t much I could do right away. As the odor dissipated I began to test what I could. I moved the wheel a bit back and forth and tapped the brakes gingerly. All seemed to be fine. I smelt for gas from a ruptured fuel line and looked for brake fluid on the road, but saw nothing.

At the next exit I pulled off and rolled into a little rough grassy lot. I crawled down and peered under the car. The plastic boot on the front had a nice new crack and, looking from the front, I saw a line of fresh scars running down the heavy steel support beam. It was scratched, but unbroken. I had hit the thing exactly right, it had rolled along the almost indestructible beam, avoiding any of the valuable or vulnerable organs across the belly of the car.

We climbed back in and finished the drive to New Orleans.

I don’t like to think about stuff like this too much. I mean, I know I should be thankful it wasn’t any worse than it was. But I can’t help but think about how lucky we were – what if the concrete was a little bigger, or had hit a tire, or smashed a steering strut. I really don’t like to think about that bouncing rolling ball of death that kept going down the crowded highway behind me.

But in the end, you have to do what you have to do. I do have to thank the lizard brain stem that can out-think a chunk of concrete the size of my head at seventy-five miles an hour.

Ignatius J. Reilly

 When a true genius appears, you can know him by this sign: that all the dunces are in a confederacy against him.

—-Jonathan Swift

Ignatius J. Reilly

Ignatius J. Reilly

“My life is a rather grim one. One day I shall perhaps describe it to you in great detail.”

—- John Kennedy Toole, A Confederacy of Dunces

When Lee first decided to go to Tulane I became reinterested in everything New Orleans. I had always been interested… how can you not be? I had visited and worked there and in the surrounding swamps, and always thought of it as an amazingly unique city – the culture, location and architecture making it a special place – a city that will find a place in your heart if you have to courage to let it.

I have felt that way for decades, and still feel that way, stronger than ever – nothing has ever happened to change my mind.

So I started to read anything New Orleans that I could lay my hands on. There is a lot, by the way. One book I picked up right away – one that is often referred to as the quintessential New Orleans novel, is A Confederacy of Dunces, by John Kennedy Toole.

The book has a sad and amazing publishing history. The author, a graduate of Tulane, wrote A Confederacy of Dunces after a stint in the army but could never convince a publisher of its merit. Partly due to his failure as a novelist he fought depression and paranoia and killed himself at the age of 31.

He would have been long forgotten except that his mother found a smeared carbon of the manuscript and started fighting to get publishers to look at it. She kept pestering author Walker Percy (who wrote The Moviegoer, another classic novel of New Orleans – I read it right before A Confederacy of Dunces) – then an instructor at Loyola University – until he read it, mostly to get her to leave him alone. He wrote:

“…the lady was persistent, and it somehow came to pass that she stood in my office handing me the hefty manuscript. There was no getting out of it; only one hope remained—that I could read a few pages and that they would be bad enough for me, in good conscience, to read no farther. Usually I can do just that. Indeed the first paragraph often suffices. My only fear was that this one might not be bad enough, or might be just good enough, so that I would have to keep reading.

In this case I read on. And on. First with the sinking feeling that it was not bad enough to quit, then with a prickle of interest, then a growing excitement, and finally an incredulity: surely it was not possible that it was so good.”

The novel was published by LSU press eleven years after the author’s suicide and won the Pulitzer Prize in 1981.

The book is a touching picaresque comedy – memorable for its outrageous and colorful characters. Of course, the city of New Orleans is a main character – possibly the most outrageous and colorful. The protagonist is Ignatius J. Reilly, a large lumpin monstrosity that is convinced, probably accurately, that he does not belong in the twentieth century. He stumbles through his beloved city (he has only left New Orleans once – on an abortive bus trip to Baton Rouge, which he remembers with horror) like a bull through a china shop, leaving a wake of confusion and consternation – somehow coming out alive and intact – though barely.

Ignatius J. Reilly is not easy to like. He is pompous, self-important, lazy, slovenly… pretty much an all-around loser. You can’t help but love him, though. He is all of us, really. We simply don’t have the courage to admit it.

At any rate, I read that there was a statue of Ignatius J. Reilly on Canal Street in New Orleans. In the opening scene of the novel he is standing on Canal underneath the clock outside the D.H. Holmes department store holding a sack and waiting for his mother. The store is long gone, but the building is occupied by the New Orleans Chateau Bourbon Hotel. They found and replaced the clock and put up a life-sized bronze statue under it.

I had to find the statue. It wasn’t hard. The Saint Charles streetcar let me off across Canal and there he was, stupid floppy hat and all. Thousands of people walk by every day on their way to work or around the corner to the attractions of Bourbon Street… not many notice him.

So I salute you Ignatius J. Reilly, forever wearing a bad hat, and worse fashion, standing there with your shopping bag, waiting for your mother to come out of an extinct department store. She will never show, but still, you look like you know things the rest of us will never dream about.

Under the Clock

Under the Clock

“I am at this moment writing a lengthy indictment against our century. When my brain begins to reel from my literary labors, I make an occasional cheese dip.”

—- John Kennedy Toole, A Confederacy of Dunces