What I learned this week, October 7, 2011


Does your dog bite?

I’m not prepared to say this is the funniest thing in the world – but when I first saw this… what? over thirty years ago? I laughed as hard as ever have, before or since. 


The Creators Project

Mary Fagot & Robyn

It’s hard to describe the synergy between Swedish pop sensation Robyn and her Creative Director/kindred spirit Mary Fagot. These two women are an effortless example of how two people can seamlessly work together while maintaining an enviable friendship, one that can only be described as a mutual girl crush.


How to Craft the Perfect Calendar and ToDo List This Weekend

If your productivity routine has begun to feel a bit stale (or your productivity’s just not where you’d like it to be), spend some free time setting up a new system to get ahead on work next week.

—-From Lifehacker


Who knew? Where I live isn’t so horrendous after all.

Turns out, the South is a pretty nice place to live

Southern Like Me


This is a better picture of the thing than I can take.

from Todd Landry Photography


Ten Rules for Writing Fiction

Get an accountant, abstain from sex and similes, cut, rewrite, then cut and rewrite again – if all else fails, pray. Inspired by Elmore Leonard’s 10 Rules of Writing, we asked authors for their personal dos and don’ts

—-from The Guardian


And if that isn’t enough weird-ass bad dancing by Raquel Welch for you… get a load of this:

Does anybody know where the hell this was filmed? Are those structures in the background still there?

Shooting in the Galleries

I decided to go downtown on Saturday for the first day of the Arts District’s Art in October celebration. The night before, I struggled to get to sleep, and didn’t get up as early as I wanted – but soldiered on anyway.

When I arrived at the DART station and was buying my ticket at the kiosk I looked up to see my train go by. They are scheduled every twenty minutes on weekends so I knew I would have to wait a while. No problem, it was a beautiful day and I settled down on a little seat on the deserted train platform and started to read my Kindle application on my Blackberry.

The Richardson Library now has Kindle books available for loan. I haven’t mastered the method yet, but I had managed to get a book of Billy Collins‘ poetry (“Ballistics”) to appear on the tiny screen – so that is good.

At a break between poems, I looked down and noticed a laptop bag right beside me, leaning up against my little seat. I looked around, nobody… so I unzipped the bag a bit and peered inside. There was a top-end laptop with accessories, including a really nice USB camera, folders of papers, and a VISA card stuck into a side pocket. I zipped it back up and sat there, trying to think of what to do.

A train going the other way pulled into the station and the doors opened wide right in front of me. I expected some panicked commuter to tumble out and yell, “Thank God it’s still here!” and grab his laptop case. It would be easy to get on the train and leave your case behind, but surely you would realize it was missing by the next stop. It would be easy to hop off and grab the next train back the other way.

Nothing.

I sat there for a second and stared at the gaping door in the train. I would love to have a nice high-end laptop like the one in the bag – among physical possessions that is the only thing I can really think of (now that I have my camera back). It would be so easy to simply stand up with the bag and get on that train. The platform was still empty.

I could actually see myself doing this – lifting the case and entering the train with a sigh, as if I was having to go to work on a Saturday. It would be the perfect crime.

A lot of people… maybe even most people (but not you, dear reader, surely) would not even consider this stealing. They would consider it a “found” laptop and they simply lucky. I wonder about people like that. What does the world look like to them? I guess they think of all the stuff that has been stolen from them and that the world owes them one now and then. I guess they have a piece of their head missing, the one that imagines the pain and suffering of someone else that has lost their valuables – in the case of a personal laptop, lost a big chunk of their life. Morality aside, a laptop case like that – with all the critical data in it – is a lot more valuable to the person losing it than to the person stealing it.

The train doors closed and it sped off.

Now what to do? My train would be there soon and I would have to make a decision. Obviously, until my train came, all I had to do was sit next to the case. Any thief would assume it was mine, only the owner would walk up and claim it. But my train would be the next one – nobody will arrive before then. Should I look in the case again, try to find a cellphone number? Should I take it with me and hope to locate the owner later? The easy thing to do would be to simply leave it where it sat and be done with it – but isn’t that about the same as stealing? I wouldn’t get to keep it but I would be abandoning it to a heartless and uncertain world – it would surely end in grief and while I would not be directly responsible and would not be aware of its fate, by inaction I would set the wheels in motion.

Luckily, I didn’t have to make the choice. I looked up and a Hispanic woman and a DART ticket official were walking up from the tunnel (the Arapaho train station is separated from the rest of the world by a wide, busy street – you have to go under it in a long pedestrian tunnel to reach the platform). The official asked me if the case was mine. She began to carefully probe the case, weary of terrorism (something that had not occurred to me until then). I didn’t mention that I had already opened it up. She moved the zipper and inch and saw the laptop within.

The woman that had made the report said the case had been there for a while, “At least five trains,” she said. She and I talked about how odd it was that nobody came back for the case. The official was making a report on her radio. I asked her if there was a lost-and-found and she said, “Yes, but I’m not allowed to do anything, I have to call for the transit police to pick it up.”

At that moment my train pulled up and I was gone.

On the train I went back to reading the Billy Collins poems on my Blackberry. The poems are short and I could pretty much digest one between each train stop.

One of them, “August in Paris” in typical Collins style, spoke of the poet watching a painter in France and standing behind the painter, taking notes, while he worked. He then made the jump to the reader, and how this readers can’t watch him work but he thinks about who they are.

He says, “there is only the sound of your breathing/and every so often, the turning of a page.”

I thought about this… how times had changed. There isn’t the sound of my breathing, but the clacking rails and the tumult of a crowded commuter train cabin. There is no turning of pages… only the silent movement of my thumb across the tiny black Blackberry trackpad and a new dinky screenfull of luminescent text appears.

Dining area at the Dallas Museum of Art. Glass by Dale Chihuly.

Nasher – Tony Cragg

Everyone is taking pictures, not everyone likes it.

The one person not taking photographs was sketching

At the Nasher

Ceiling of the Nasher


One of my favorite Bang Bang videos will not allow imbedding.

Shame.

Watch it on Youtube.

Tony Cragg

It was only two weeks ago but it feels like a thousand years. I walked out of the sodden night rain soaked miasma through the glass doors and was smacked in the face with the bracing cold dry air conditioning. It felt like being slapped by mechanized civilization. After catching my breath I stood as straight as I could, gathered together whatever tatters of pride I had left – like collecting strips of tissue in a gale – and looked around.

The walls of Italian Travertine never felt more cave-like, the glass planes at each end were black as a well. The wooden floor was polished to suggest a muted simulacrum of the world above. The works were arranged carefully about the space – curves alien and familiar mixed and cast by an expert hand.

I knew nothing of Tony Cragg – the artist – although he is so very well-known and famous. He has had a long and varied career with shapes and accumulations and paintings and piles of things and sketches and whatnot. His stuff was scattered all around inside and out, up and down, filling every nook and cubbyhole with some precious object.

But I was drawn by siren call to this gallery, to these monumental curves.

Tall and White. This was named Lost in Thought and it was my favorite. It looks like it is ready to start shambling across the floor. If I was a billionaire I would buy this and put it in my room so I could stick my hands inside and learn its secrets. Or maybe make it into a really big lamp.

People walked among the statues, looking up and down. I looked at the other guests. They were as interesting as the sculptures – but every bit as unreachable. Ghosts of moveable artworks. Made of meat.

My good camera was broken and the pictures are bad. It was too dark.

Some of the work had hidden faces. Some faces were not so hidden.

This one is called Mental Landscape. The label said it was made of Jesmonite. I had to look that up to see what it was.

Both of these two are called Ever After. One is made of wood and the other of bronze.

A view from earlier, from outside, looking in. The sculpture in the foreground is called Tree. It’s made of wood.


What I learned this week, September, 29, 2011

Russell Blake – On Editing

The ease with which the self-publishing platforms now enable aspiring writers to upload their work is mind-boggling. The only thing standing between you and being on Amazon are a few mouse clicks. Gone is virtually the entire delivery system that defined the traditional publishing business for generations. Trees don’t need to be sawed down, trucks don’t need to go to and from warehouses filled with freshly printed books, stores don’t need to occupy valuable space that could house another Starbucks or fast food joint. It’s a brave new world we’re writing in; the old rules are dead and the sky’s the limit.

(read the whole thing)



I have this continuing fascination with Food Trucks. One of the interesting aspects is the battle with City Hall and the struggle for permitting and permission. You would think that you could drive where you wanted and sell sandwiches. Nope.

Even when the city likes something, it sets up barriers. And charges fees.

Dallas City Hall Likes Food Trucks


Why does the Good Life End?

by Victor David Hansen

Redistribution of wealth rather than emphasis on its creation is surely a symptom of aging societies.



What Should I Do with the Cables, CDs, and Accessories that Come with My Gadgets?

Great Ideas, from Lifehacker


My camera is fixed! If you need repairs or other work on your digital cameras – I highly recommend Archinal Camera Repair. It is located in an old storefront in old Downtown Richardson.

It isn’t cheap – repairing complex electronics and delicate mechanical devices never is – but they do good work and are pleasant to deal with.

Archinal Camera Repair on Beltline Road in Downtown Richardson


from The Telegraph
 
  • Red Harvest by Dashiell Hammett
  • The Postman Always Rings Twice by James M Cain
  • The Long Goodby by Raymond Chandler
  • Pop. 1280 by Jim Thompson
  • Give Us a Kiss by Daniel Woodrell

Do you remember this song from “Kill Bill”? It was originally done by Cher, and was written by Sonny Bono.

We are such stuff as dreams are made on

I remember when each and every building in the Dallas Arts District went up – starting decades ago when I worked downtown and they built the Art Museum and I’d sit in the sculpture garden and eat my paper sack sandwich lunch (it was free back then, believe it or not). Then the Symphony hall, and the Nasher. Finally, the completion of the district with the Opera House and the Wyly theater (there is still one more theater under construction).

I love the area and hope that Dallas can make it into the vibrant urban spot they want. So far, it’s a beautiful but usually desolate destination. It hasn’t reached the tipping point where the vast population out in the suburbs think of downtown as a place to go – but the city is working on it.

One fact that I was definitely wrong on is that, as much as I loved the Wyly as architecture, I was afraid I’d never be able to actually go to the thing. It felt like a gift to the wealthy, a plaything for the rich, and the poor proles like myself, the workin stiffs, would never be able to afford to visit.

I was mistaken. I read that the Dallas Theater Center was producing The Tempest at the Wyly and I surfed over to check out the price. It cost about what a 3D movie is going for. Well, I love me some Shakespeare, so I clicked on to a Tuesday night and bought a couple tickets. I was as interested in the theater itself as the play, so I bought the cheapest seats – up in the nosebleed section.

The Wyly Theater.

The Wyly is a magnificent and unique piece of architecture. It is a theater of a revolutionary “Stacked” design – the the boxoffice and lounge, performance space, rehearsal and ancillary spaces are piled up on top of each other to give tremendous flexibility and endless possibilities for unique performances. I looks like a Borg Cube has landed in downtown Dallas and it operates like a theater “machine.”

I was excited to actually see the thing in action. Oh, and I love “The Tempest” too.

We rode the DART train downtown to the Pearl Station and walked over to the Wyly. You descend down a ramp to the main entrance which is beneath the building itself. Then you ride an elevator up to the seats. We were in the cheap seats – but they were still great. We were looking down onto the stage from a short distance away – I can’t say these were any worse than the premium seats (only a few dollars more, actually) below us.

Kids Splashing in front of the Wyly Theater. An HDR image I took on the opening day of the theater.

This was a pared-down version of The Tempest which let the skills of the actors shine through. Still, there was plenty of clever stagecraft – a terrifying plane crash in the beginning (with the rows of seats tumbling down through a hole in the floor) – a character emerging from beneath the earth through a crack in the chalky island soil, and a terrifying spirit descending from above to deliver the message of doom.

The production was gorgeous to look at.

One nice touch was that the lighting would subtly change whenever a character would deliver a soliloquy or aside. It was an effective way of signaling what was going on.

All modern Shakespeare productions, especially The Tempest, are modified to some extent. At first, I thought they had simplified the language, because I understood it so much better than I usually did. After a while, I realised that the text was the same, it was simply that the acoustics are so good in the Wyly that I could hear the actors like crystal. Greatness! Oh brave new world that has such people in’t.

In my opinion, a production of The Tempest rises or falls on Ariel. Can the Actor/Actress (I’ve seen both… about 50/50) make a believable sprite? Can they be light as a breeze when needed while as powerful and terrifying as a storm? This production had a local actor that has made it on Broadway, Hunter Ryan Herdlicka … and he did a great job. They were able to use his singing voice as a powerful tool to move the drama along – too often I’ve seen the songs in The Tempest be more of a distraction than an effective part of the play.

Reviews:

So, I went down there to see the theater, and I was not disappointed. And I came away impressed with the production, I really enjoyed it… and after all, the play’s the thing (oops, wrong Shakespeare play).

Gentle breath of yours my sails
Must fill, or else my project fails,
Which was to please. Now I want
Spirits to enforce, art to enchant;
And my ending is despair,
Unless I be reliev’d by prayer,
Which pierces so that it assaults
Mercy itself, and frees all faults.
As you from crimes would pardon’d be,
Let your indulgence set me free.

Aluminum Tube Skin on the Wyly Theater

Aluminum Tube Skin on the Wyly Theater

Frontiers of Flight

Saturday was the Smithsonian Magazine Museum Day and I spent some time Friday evening scrolling up and down the list of Metroplex repositories of artifacts.

Fort Worth Modern Art Museum? A great idea, but too far away.

Nasher? Been there a lot lately, plus my favorite piece is closd.

Women’s Museum?, Discovery Gardens?, International Museum of Cultures? Nah….

But there is an aircraft museum, The Frontiers of Flight Museum at Love Field. I’ve always been fascinated by airplanes (who isn’t?) and I drive by the place all the time. That’s the ticket.

The Frontiers of Flight Museum is not a huge place – but it has a nice collection. A wide variety of cool aircraft and interesting displays.

Frontiers of Flight

The main display area is crowded with craft - from a Wright Brothers' Flyer in the center to a Sopwith Camel, an F16, to the Apollo 7 Capsule.

.

Uh oh

I drive by this all the time - a Southwest Airlines Jet looks like it ran into the building. You can tour the plane from the inside... the kids especially like that.

.

Planes

They have a few planes on display outside.

There is a new section with several rooms designed for kids’ birthday parties and a big play area – bounce house, play equipment, and – coolest of all – a tall climbing structure with an enclosed area fifteen feet up in the air glassed-in to look like a control tower. They had little toy planes circling overhead on the ends of rotating poles. The kids inside there were having a blast.

Why didn’t they have stuff like that when I was a kid?

A lot of the displays concerned the history of Love Field and the commercial airlines, especially Southwest Airlines, that have flown out of there. One thing that was unexpectedly fascinating were the displays of Stewardess fashions over the decades.

In its early days Southwest Airlines was famous for strange Stewardess fashions. Can you imagine someone dressed like this bringing you a fresh barf bag? Those were the days when commercial flying was something special. Now it’s a crappy, high speed, cattle car. There are no more Stewardesses – now we have flight attendants… I think of Nurse Ratched with a cattle prod.

These mannequins are wearing uniforms from the thirties on up through the fifties. Looks pretty normal, doesn’t it? A little stuffy and a bit dated – but someone dressed like this would not look too much out of place today.

However, in the sixties…. Everybody obviously lost their collective minds. I remember those days… this was considered modern and fashionable.

There was one area of the museum that I was not expecting and that meant something to me. They had a room set up full of model airplanes – both finished and under construction. When I was a little kid I loved to build balsa models. It’s something I still miss.

There is a smell and feel that goes along with balsa wood. Those die cut bulkheads, balsa stringers, and paper… coming together with some glue and paint to make a little airplane – light and delicate. To see these models half built, spread out across the tables… such memories.

The wings with their curved airfoil ribs, carefully carved out with an x-acto knife and pinned out on plans stretched across a pine board. The stringers, struts, and spars slide in – and then it is all covered.

I used to like to build gliders – mostly because I couldn’t afford to buy the little gas motors. They are amazing little machines – the tiny screaming powerplants, belching castor oil and alcohol.

So many memories.

And that’s what a museum is really about isn’t it. A preservation of memories… sometimes yours, sometimes other peoples’.

Knuckle Sandwich!

It was Friday and I finished up working late. I had no plans, but I wanted to find something to do, anything. But the sun was getting ready to set so I didn’t have time to find my bicycle and go for a ride. Checking online to see if there was a Food Truck somewhere, I discovered that Gandolfo’s New York Deli Dallas truck was pulling in to some apartment complex just north of Downtown Dallas. I had never eaten from that truck so I decided to make it a go.

Instead of going home and changing, I simply hopped the DART train next to my work and went downtown, using my phone GPS to find my way around. I wanted some fresh cash so I hunted around for an ATM – and discovered from the Internet search comments there was only one ATM from my bank in downtown Dallas that wasn’t inside a giant skyscraper. It was a tough walk through the canyons between the glass towers. The bank branch was a drive-through, and I patiently waited on foot behind some guy in a convertible and in front of a couple in a BMW to get my cash.

Then I hoofed it north out of downtown and found the apartments. The Food Truck was inside the complex – but I walked past the security guard, asking him, “Hey are those sandwiches from the truck any good?” – he said yes and let me through.

Gandolfo's

Gandolfo's New York Deli Food Truck

I had already looked at their menu online and decided to get a Knuckle Sandwich. There’s something odd about walking up to a stranger and telling him, “I want a Knuckle Sandwich.”

While I was waiting, some woman drove up and asked, “Hey, what’s up with this?” I explained it was a food truck, and this one was a Deli on wheels, that their sandwiches looked really good. “Oh, yeah, I’ll give it a try,” she said and turned into the parking garage.

When my order was ready the guy threw some plastic eating utensils into my bag and said, “You need a fork with this one.”

Food Truck

Gandolfo's food truck inside the apartment complex.

Now my problem was finding a place to sit down and eat the damn thing. The apartment complex had some little nooks with benches or tables, but I don’t live there, felt a little uncomfortable, and wanted to find someplace else. Once I hit the streets, walking back toward the train platforms, I remembered that downtown Dallas is not a very pedestrian friendly place. It is a city of heavy traffic, massive buildings, and underground malls – the surface is not inviting to mere humans. As I walked I could see a few hapless confused tourists out on the sidewalks looking for something to do. Once the sun sets and the security goes up – it’s pretty damn barren down there.

I did remember the fountains around the bottom of I. M. Pei’s giant glass prism of Fountain Place. There is a cool programmable fountain set in an artificial grove of bald cypress trees that I’ve always liked.That spot, the massive building cantilevered out overhead, water running in burbling, professionally designed paths, and the complex patterned programming of the fountain jets foaming up out of the holes in the granite, lit at night by careful variable fiber optics – has always represented the best of the big city to me. A planned, programmed respite from the hustle and bustle.

It was a good sweaty walk from where I was, but I decided to hoof it anyway.

Once I reached my goal I discovered a velvet rope up across the entrance with a sign that said, “Closed, Private Wedding.” There wasn’t anybody inside yet and I was sorely tempted to hop in anyway, but thought better of it. I know it technically isn’t a “public space” but all I wanted was to sit down for a minute and eat my sandwich in peace. I hope their marriage ends in tears.

So I walked around the building and found a bench along the sidewalk, sat down and ate my sandwich. It was pretty darn good – and the guy was right, I needed the fork to get it all.

Knuckle Sandwich

My knuckle sandwich. It was very good and I had to use a fork to get all of it.

There wasn’t much left to do, so I rode the train back out to my car. Nighttime falls quickly and public transportation in the dark fills up with a varied and motley lot. It would be good people watching, except that you are watching people that, along with you, have been trapped and sealed up in a hurtling giant cramped metal tube propelled by overhead cables of high-voltage current. After a while, you look around at the homeless crackheads, the sullen alcoholics, the innervated drunks, the clots of gang bangers trying to keep their pants up, lost souls on the way to a party, any party, anywhere, bottom rung workers trying to keep their dignity and eyes open on the way home after a long, long day… you look around and think, hey, I’m here too.

Such is life in the big city.

What I learned this week, September, 23, 2011

From Physalia Studio


U-Ram Choe has a work on display in New York.

I have been a huge fan of U-Ram Choe since I first saw an exhibition of his work at the Crow Museum of Asian Art a few years ago.

U-Ram Choe Home Page




“Hit it Mr. Butters.”


Dr. Noodle
A page from my Moleskine Sketchbook

There is a Cup Noodle Museum opening up in Yokohama. I prefer the brick-type Instant Ramen to the Cup Noodle type – but when I’m in Yokohama I’ll definitely visit the museum – it looks really cool.Museum Home Page

The End of Tending (Blue)

My favorite sculpture at the Nasher Sculpture Center has always been Tending (Blue) by James Turrell.

When the Nasher first opened, I went down there with Lee. I wrote a journal entry that was later reworked into a magazine article and published in Richardson Living.

In 2004 I wrote:

My favorite piece might have been the installation Tending (Blue) by James Turrell. We walked into a little opening lit by odd, shifting colors into the wall at the north end of the garden. The passage made a right turn and opened into a small room lined with dark stone benches. The walls on the upper half were featureless and smooth. A gray skylight lighted the whole chamber. The effect was strange and very peaceful. I liked it a lot.

Lee and I left the chamber and walked back up the garden and inside the building. We wandered downstairs and into the auditorium where a film was showing. It told the story of Raymond Nasher and his late wife, how they started out building Northpark Mall, acquired a fortune, and then became premiere collectors of modern sculpture. Mr. Nasher talked about his life, his wife, and his passion for the new sculpture center. The film then showed the construction of the center, how a handful of visionary architects and a few thousand men in hard hats converted a grimy downtown parking lot (I’ve parked there many times, put my quarters or dollar bills into a rusty numbered slot) into a thing of great value and beauty. They talked a lot of how it will be there forever. The film was fun and interesting – it really helped me appreciate the place.

On opening day Raymond Nasher said, “I put Patsy (his wife, the collector, who had passed away a couple years before) in charge of the weather today, and, as you can see, it’s beautiful.

One thing was odd, though. On the part of the film that covered opening day, Nasher and Turrell themselves went into the Tending (Blue) chamber that Lee and I had walked out of only minutes before. The benefactor and the artist sat on the benches and looked around. The skylight rectangle in the ceiling wasn’t gray like we saw it, but a deep cerulean blue.

“What’s up with that?” I asked.

“Let’s go back and check it out,” Lee said.

We hiked back down and entered the chamber again. The skylight was still gray. Something didn’t look right, though. I stood under it, looking up, trying to figure out what I was seeing and how it could change colors so dramatically. I was halfway convinced that it was a rectangle of light projected on the ceiling by some hidden apparatus (the upper walls are washed in subtle changing color from hidden computer controlled LED’s) when I was suddenly struck between the eyes with a big, cold drop of water. I wiped my face in surprise and looked down at some small pools of water at my feet.

“That’s weird, Lee,” I said, “I can’t believe it, but this roof is leaking.”

I looked back up, trying to find the telltale discoloration of a water leak, when, with a sudden shock, I realized what the hell I was actually looking at. That wasn’t a skylight, that wasn’t a projected rectangle at all, it was simply a big hole in the ceiling. I was looking directly at the sky. Once my eyes and my brain were in sync I could see the subtle variation of the clouds passing by overhead. The edges of the hole must have been cut back like razors – there was no visible frame around the opening, simply a featureless rectangle of light. It was amazing.

That’s why the rectangle looked blue in the film – it was a cloudless day. Now I want to go back. I want to go at sunset… I want to figure out how to go at dawn. The city sky at night… will it be brown? I want to sit in there during a rainstorm. I especially want to go there on that rarest of Texas days, a snowstorm.

Tending (blue)

Lee standing in Tending (blue) in 2004.

Over the years I have gone down to sit in Tending (blue) as often as I could. It’s the most relaxing place in the world. Sunsets are incredible – the hole in the ceiling changed into unearthly, amazing colors.

Tending (blue)

The opening in the ceiling of Tending (Blue). A photograph does not do justice.

When I went back there with Lee not long ago, it was closed. This last Friday, I went back and it was still closed. I wondered what the problem was… does it need maintenance?

I did a web search and found the bad news. The skyscape has been ruined by a high-rise condominium tower going up next door. The building sticks up into the field of view of the installation – ruining the effect. The artist has requested the room be closed off until he can come and look at it. There is no timetable for this to happen.

They’ll have to move it… or give up. I am so disappointed and upset. I loved Tending (Blue). It was the best place in Dallas to watch a sunset. I never was able to visit it during a snowstorm, like I was hoping to.

Life itself is suddenly a lot less colorful.

A pole-sitting sculpture in front of a new Condo Tower going up.

The condominium tower going up next to the Nasher that has destroyed Tending (Blue).

Rain

It hadn’t rained here for months. The hot weather and tinderdry vegetation (all the plants I have tended for years along my back fence are dead, my lawn may not make it) felt apocalyptic.

However, one of the nice things about having a journal that goes back well over a decade is that you can look back at other years.

This has happened before.

Friday, September 6, 1996

Summer is ending in Dallas, it’s still plenty hot, but the real heat is past now for another year. Summer is the most uncomfortable season here, but I always like it, I’m going to miss it.

I like the pure brutality of it, heat so bad it’ll kill you. The green, wet spring giving way to the dry brown death of summer. Yellow heat giving way to white heat, the sky white, the blue burned out of it. White hot laser sun, bouncing off the blue Dallas buildings like a lens. The heat beyond shimmering, the air shooting straight up. After work, my car has been sitting alone in the sun, I open the door and the heat bursts out, hits like a hammer. It’ll burn your nostrils, so hot you can’t breathe, so hot your own breath feels cools on the back of your hand.

The heat is so hot, so dry on the black Dallas gumbo clay that the earth itself splits like an overripe tomato. Cracks appear in the ground, big enough to fit your hand in. The slab of my house tilts away from the heat, my deck drops a foot. The plants go dormant, brown, leaves fall, like in a northern winter. Only rich people’s lawns, with men running the sprinklers day and night can keep up with the solar barrage, with the instant evaporation.

If it’s cold, you can always put on more clothes. But you can’t get any cooler than naked. And the burning sun will cook your skin anyway, roast you to death. There are only two ways to get out of it. You can huddle inside, breathing the precious AC. Without AC nobody would live here, we’d all still be up north, back east. You can sit inside, in the cool dark, the rattle and rumble of the AC shakes the house. It’s always dark inside because the sun is so bright, any clouds have been burned away, your eyes can’t get used to the shade. When you come in it’s like night inside, you’re blind, the tungsten can’t compete. If you wait awhile you can see, but the klieg light in the sky is still there, only some brick and sheetrock away.

Or you can find some water, a lake. You can sit in it, sit in the sand, in the freshwater sea-shells, watching the wavelets lap against you, the odd perspective of being right on top of the water, closer than you ever are to the ground. The sound of kids playing, the smell of dead fish, you can survive for a while that way, but you can’t sit in the water all summer.

That’s what Texas summer is to me. I’ve lived in Central America, in the humid Panama jungle, where the air is so laden with water it is more liquid than gas, when I first got off the plane I thought “my God, I can’t breathe this stuff, how can anyone stand this.” But there somehow you can get used to it. Maybe the constant warm refreshing tropical rain. But Texas summers are brutal, vicious, killer. You must take precautions.

I like that, it keeps things in perspective.

Sooner or later, the drought will end. It always does.

From Tuesday, September 12, 2000

Rain

Rain is grace; rain is the sky condescending to the earth; without rain, there would be no life.

—-John Updike

It’s been something like seventy four days since it’s rained here; that’s some sort of a record – breaking the old gap from the thirties, the dustbowl days. I’ve been fantasizing the first good rain, thinking about running out, face upwards, arms wide, like the guy in “The Shawshank Redemption.”

For some reason I didn’t think it would come at work. Because of Nick’s game last night I missed the weather and didn’t know a possibility of storms was on for today.

As a moneysaving thing, trying to get back on our feet after the car repairs and new heater-air conditioner, I’ve been on a Ramen regimen for lunch. Thirty cents a day. So I sat at my desk eating my humble noodles and began to grind through some more endless government forms I have to fill out. Something made me look out of my office, across the lab to the bank of windows.

It took me awhile to realize what I was looking at – featureless gray background with white angled streaking slashes moving fast across. It was rain. As what I was looking at began to sink in to my awareness the first bright flashes, loud cracks, and rumbling booms started – it was a good late summer thunderstorm.

As an environmental person I have several responsibilities during a rainstorm, especially one when it has been dry for so long. I put on my lab coat and walked the building’s perimeter, looking out each door, making sure everything was in good shape.

The temperature dropped twenty degrees in minutes, and a great howling wind picked up. The rain blew sideways in great clouds, picking up standing water from the ground. Fast flashes of lightning like a strobe light; so close the thunder came on immediately, like giant timbers snapped by a monster hand. A loud clicking started up and I saw pea-sized hail dancing around in the water.

The wind slowed a bit, the hail stopped and it was too much for me to resist. I do need to check the drainage so I strode out quickly into the downpour. I could have picked up a rain suit or even an umbrella but I decided to go ahead and get wet.

It felt wonderful. I had to stop walking and wipe off my safety glasses every now and then, but other than that the rain was comfortable and cool – a great change. The grass out back was soaking the stuff up as fast as it fell – the giant cracks in the clay softening, the dead grass coming loose, the footing flexible and yielding but not yet muddy.

Within an hour or so it was all over. We had almost two inches at work (less than an inch fell at my house). Everything is so desiccated the water was immediately soaked up; by my drive home the streets were dry, the creeks not flowing and we were able to have soccer pictures and baseball practice on schedule. The deluge reduced to only a memory. Inexplicably, there was a small green open rowboat stuck in the dry creek bed behind the school by our house

The odd thing is that not a drop fell at the airport – so officially, according to the government, it never rained and the record drought is still on.

It sure felt like rain to me, though.

This year, for me, it was less dramatic. As a matter of fact, the end of the drought was a pain in the ass. I had plans for Friday night – I was going to hang out at the Sculpture Center for Midnight at the Nasher. A band was going to play and they were going to show “Footloose” on the outdoor screen. But, right at sunset, the skies opened up.

It wasn’t a hard, satisfying rain… more like an ambitious drizzle. It was carefully calibrated to destroy any plans without making it too obvious that all was lost. I stubbornly stuck it out and wandered the garden at the Nasher, pretending that if I ignored it, the rain would go away. After a bit, I gave up and went inside. I must have looked like crap because a museum guard suggested I dry off so, “I don’t catch cold or something.”

Not long after that, I gave up and went home. At least the wet city streets are good for night photography.

It wasn’t until two nights later that we had a real storm. I opened my garage door and stood out in the alley watching the cracked fireworks of lightning split the sky over and over. The dry trickle of a creek behind our house was up in an angry cascade, a powerful torrent tearing down the middle of the block. I looked left and right and saw most of my neighbors doing the same thing, standing in the dark behind their houses looking out at the storm.

It has happened before. It will happen again.

Friday October 1, 1998

Storm Blows Through

Violet serene like none I have seen apart from dreams that escape me. There was no girl as warm as you. How I’ve learned to please, to doubt myself in need, you’ll never, you’ll never know.

—Natalie Merchant – 10,000 Maniacs

A storm blew through today
while I was talking
on the phone
at lunchtime
here at work.

Nobody warned me,
it wasn’t on the news
things are so bleak, these days
I thought the rain would never come.

I’m so isolated
I didn’t hear it at first
But the thunder shook
and I could feel it
from my feet
on up
my legs
rumbling, shaking.

So I grabbed a look
out a window
and it was falling
sheets
of sweet sweet rain

electric
shaking
rumbling.

It has been so dry
dust parched earth
cracked pain
a desert of dirt
grit and the taste of old salt.

But the rain came
unexpected falling
electric
shaking
rumbling.

I wanted to go stand outside
let the sheets
of sweet sweet rain
fall down
all over me,

swallow the rain
and take it all in
let the rain swallow me.

The cool
sweet sweet rain
I watch through the glass
press my palm on the pane
feel the thunder
shake my feet