Sunday Snippet, Creature by Bill Chance

I can tell you something about this place. The boys around here call it “The Black Lagoon” – a paradise. Only they say nobody has ever come back to prove it.

The Creature From the Black Lagoon

Beer Cap

Creature

Sammy Peeps lived by a park where a lot of people walked their dogs. He didn’t have a dog but since he quit working he had a lot of time and he’d walk by himself. There were little dispensers of plastic bags and he developed the habit of carrying one and picking up any forsaken piles of feces. He thought he looked odd carrying a little bag of dog shit with no dog, but he did it anyway.

There was a string of ponds lined with a few benches. On nice weather days he would sit and watch the dog walkers going around and around. As the days went buy he began to notice all the other critters that inhabited the park and the ponds. He was surprised at the amount and variety of wildlife, given that this was a tiny green space in the midst of a huge city. Squirrels would scamper in the trees next to his spot and cackle at him – either playing or pissed, Sammy couldn’t decide. Ducks swam across the water or flew through the air. So did two flocks of geese – Sammy was shocked at how large the geese were once he was able to observe them closely. His favorite sound was the whish and splash as the birds flew in for a water landing. Turtles – laconic red-eared or primordial, savage snappers – basked in the sun or moved underwater with heads poking up.

If he walked out at dawn or just after sunset he would see coyotes out for a nighttime duck snack along with rats, skunks, or other nocturnal creatures. The city had to wrap wire around the lower trunks of the trees to protect them from the beavers that lived upstream. On a couple of rare occasions he even saw the large, black bulk of these sliding through the water or crossing from pond to pond.

As the months went by he learned the entire menagerie of wild animals and the society of dog walkers until it was all very familiar and mundane.

That amplified the shock when something new showed up. It was small and slick and reptilian and slid from a drainage pipe into the pond. He stared at the slight V of the wake as it swam smoothly just under the water. Then he saw a face – part fish-like, part reptilian, and part shockingly human rise above the water for a few seconds. It seemed to be looking at him.

He would see the creature again and again, almost every time he went to the pond, which was at least every day. Now that he had found something strange and unknown, the pull became irresistible. The creature seemed aware of him, though it never came close – would simply swim this way and that, or climb a short way out of the pond, to rest in the warm sun. Sammy was confused that nobody else, none of the dog walkers, paid any attention to the strange creature. It was like he was the only thing that saw it and the only thing it saw.

He bought a pair of powerful binoculars in order to observe the creature better. He felt odd sitting there on the bench in public scanning the ponds with the heavy instruments – people would glare at him but nobody said anything.

Sammy had no idea what the creature ate, but it was growing. Imperceptibly at first, but the change began to add up over the months. It was getting undoubtedly bigger.

Then, one day it was gone. Alarmed, he went to the ponds in every spare moment, scouring the place for another glimpse. He even took to walking the creek up and downstream in case the creature had moved to another area, but nothing.

Finally, one night, he woke up to the sound of his doorbell. At first he did nothing, hoping it would go away. It was not the time of night for anyone to be trying to bother him. But the ringing continued and was interrupted by a kind of knocking on the door itself. The sound sent shivers up Sammy’s spine – it was almost like a human knuckle knock, but just a little soft, a little wet sounding.

Sammy finally gathered all the courage he could and went to the door. He looked through the peephole and saw what he was afraid to see, though he was expecting it.

It was the creature. It had grown to a human height and was standing on his front stoop, still knocking on the door. It’s face was covered with scales and it had some sort of preternatural gills hanging down from its neck – but it looked more human that it had at the pond.

Shivering with both fear and excitement, Sammy Peeps reached out, unlocked the bolt, and began to turn the knob.

Ten Years Later, The Eye of Sauron Still Shines

In April of 2012, I wrote this entry on the destruction of the Nasher Sculpture Center by the Luxury High rise condo tower next door – ironically called “The Museum Tower.”

Baked Art From an Upscale Solar Cooker

And for me personally, this wasn’t even the worst part. As the tower grew, it destroyed my favorite work of art – Tending (Blue), by James Turrell. You can read about that here:

The End of Tending (Blue)

Today, the Dallas Morning News has an article about the decade-long horror:

Ten years later, ‘The Glare’ from Museum Tower continues to bedevil the Nasher Sculpture Center

Some quotes:

It revealed itself with a white-hot intensity on Sept. 26, 2011. No one knew what it was — how it got there or where it came from. But all of those answers soon revealed themselves, giving The Glare, as it came to be known, a permanent place in Dallas history.

The Glare is still there, but a decade later — the 10th anniversary of this infamous discovery is Sunday — Dallas continues to be amazed by its force and power and the casualties left in its wake.

The Glare is not an invention of Stephen King, and yet, it had (continues to have) a sci-fi effect on the Nasher Sculpture Center, whose walls on a sunny day look as though they’re stricken with measles. The Glare is the shiny reflection emanating from the glass exterior of the building next door, 42-story Museum Tower, which in 2011 was under construction.

We turned to the Nasher for comment and got in response this statement, from its director of external affairs, Jill Magnuson:

“We are obviously disappointed that at this milestone the reflective glare from Museum Tower’s façade continues to have a negative impact on the Nasher Sculpture Center’s indoor and outdoor galleries. Nevertheless, we remain committed to working toward the restoration of our original conditions and are hopeful with technology innovations that we can realize this solution as we continue to serve this community as a vital educational and cultural resource.”

We promise to check in again on Sept. 26, 2031.

I doubt I will be around to check in.

The Museum Tower Condominiums tower over Tony Cragg’s “Lost in Thought”

I have been a huge fan of the Nasher Sculpture Center since it was built. I go there all the time. It is truly one of the most comfortable, wonderful, and amazing public spaces I’ve ever seen. Family friendly , educational, beautiful, and a marvelous host to public gatherings – it was a thoughtful and generous gift from Raymond Nasher to the people of the city.

One of the goals of creating the Dallas Arts District, of which the Nasher is a linchpin, was to attract the high-end buzz of the wealthy clientele that enjoy throwing their millions around in order to wallow in the coolness of timeless art. These folks are hard to pry away from the coasts or the ancient alleyways of Europe but a roadfull of expensive venues and billions of dollars of paintings and sculptures was the lure. And so they come. The first habitat for these rare birds is the shiny new Museum Tower, reaching skyward from an odd oval of property where a Woodall Rogers Freeway ramp arced up and around.

Now I have no problem with that. I’m not a wealthy person and will never be. I have to beg and save just to buy a pen, for example. Most of the art scene I enjoy comes on Free Thursdays and Half-Price weekend and such as that, when the upper crust retreats and allows the hoi polloi to enter and tread their hallowed halls. I depend on the charity or at least the indifference of the wealthy patrons – I exist on their scraps – like a roach under the cabinets I scurry out when they aren’t looking for any crumbs that might be left behind.

So if someone wants to build a tower and charge millions of dollars for a two bedroom apartment – so be it. I applaud their industry, toast their imagination, and do not begrudge them their profits. If they want to call their property The Museum Tower – in order to capitalize on its location right next to the Nasher, fine. If they want to charge an extra million dollars per unit simply so the residents can use the museum garden as their side yard – complete with landscaping and a billion in modern sculpture – great. There is plenty of room and if you don’t mind standing next to me, I don’t mind standing next to you.

But don’t forget what side of the bread you’re putting the butter on. Without the museum there is no Museum Tower. Without the arts, there is no Arts District. Do not roast the goose that lays the golden eggs.

It started out with Tending (blue). The high rise stuck it’s ugly head right up into the viewport of James Turrell’s skyspace sculpture, my favorite spot at the Nasher and the best place to watch the sunset in the Metroplex. But, I’ve written about that before. (go read it)

An oversight, perhaps… pretty damn sloppy, though, if you ask me. You spend that much money on a building, make that much profit, can’t you figure out ahead of time that it’s going to ruin a great work of art? Or do you realize it and simply not say anything until it’s too late. Turrell can fix it, maybe, but when? He’s got other things to do.

And now, it’s happened again. And it’s a lot more serious this time.

They have put the mirrored cladding on the building and it is reflecting so much extra sunlight into the building at the Nasher that they are having to install shades simply to allow the newest sculptures in the room. Sunlight destroys art – but is necessary for art and the Nasher has always been very proud of it’s carefully engineered sunscreen roof. The architect spent a lot of time and effort designing a structure that allowed light for viewing in while blocking the damaging direct rays of the Texas sun. It was a brilliant triumph of design and construction and made for a world-famous light and airy museum that was a strong point of pride for the entire city.

It was a brilliant triumph until a few weeks ago when someone installed a giant mirror reaching five hundred  feet into the sky right next door that shot laser beams of killer sunlight into the Nasher from an entirely unexpected direction.

Read the articles:

Nasher to Museum Tower: Watch Your Glass, It’s Frying Us

Watch Your Glass, It’s Frying Us, Continued

Museum Tower Reflected Light Study

Nasher Sculpture Center says glare from Museum Tower is causing harm

Museum Tower Begins Visual Assault on James Turrell’s Tending, (Blue)

Mayor wades into uproar over Museum Tower’s glare

Museum Tower Glare Threatens Nasher Art

Nobody ever clicks on links, so here’s the skinny from the Dallas Morning News:

Officials at the Nasher Sculpture Center say that reflective glass recently installed on the exterior of Museum Tower, its new, 42-story neighbor in the Arts District, is compromising its indoor galleries, destroying its outdoor garden and threatening its future as a Dallas landmark.

Now under construction at the corner of Olive Street and Woodall Rodgers Freeway, Museum Tower heralds its proximity to the “tranquil garden” of the Nasher as a prime selling point for its residential units, which cost between $1 million and $5.4 million.

This makes me so angry I could spit. There is a city code that says, “A person shall not conduct a use that has a visible source of illumination that produces glare of direct illumination across a property line of an intensity that creates a nuisance or detracts from the use or enjoyment of the adjacent property.” For years I have had city inspectors quote much more obscure bits of code than this and made places I work do all sorts of crazy stuff.

But then again, the places I have worked have only employed thousands of ordinary people. They haven’t been home to a handful folks that can afford five million dollar apartments. They haven’t been owned by the Dallas Police and Fire Pension System (that’s who bought the tower).

When the Nasher was built, there was an agreement with Raymond Nasher, part of the covenant that helped him agree to build the museum and give his personal collection to the people of Dallas that stated the building next door would be a maximum of 21 stories and have a maximum reflectivity of 15. Now it is 42 stories with a reflectivity of 44.

So here we have a story of corporate greed and hidden scandal. Men like Raymond Nasher are no more.  I notice that mere months after he passed away – a new LA based architect was brought in to fuck things up and the tower doubled in size and reflectivity, causing all these problems -, about the time the City Pension System decided to make its purchase. I guess they knew then the city would not put up a fight. Mary Suhm, the Dallas City Manager says, “It’s not something we have jurisdiction over.” Well, she certainly knows which side of her bread is buttered.

Meanwhile, the art continues to bake and the goose that lays the golden egg is cooked. At least they are using green solar energy to do it.

A pole-sitting sculpture in front of a new Condo Tower going up.
The condominium tower going up next to the Nasher that is ruining Tending (blue).