Ego Comes In For Rough Treatment

“On any mechanical repair job ego comes in for rough treatment. You’re always being fooled, you’re always making mistakes, and a mechanic who has a big ego to defend is at a terrific disadvantage. If you know enough mechanics to think of them as a group, and your observations coincide with mine, I think you’ll agree that mechanics tend to be rather modest and quiet. There are exceptions, but generally if they’re not quiet and modest at first, the works seems to make them that way. And skeptical. Attentive, but skeptical. But not egotistic. There’s no way to bullshit your way into looking good on a mechanical repair job, except with someone who doesn’t know what you’re doing.”
― Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values

Edward Hendricks, Houston 2004-IX and 2004-X (detail) 2004 aluminum, stainless steel, gold leaf Frisco, Texas

Edward Hendricks, Houston
2004-IX and 2004-X (detail)
2004 aluminum, stainless steel, gold leaf
Frisco, Texas

The Thing About A Hero

“The thing about a hero, is even when it doesn’t look like there’s a light at the end of the tunnel, he’s going to keep digging, he’s going to keep trying to do right and make up for what’s gone before, just because that’s who he is.”
― Joss Whedon

Dragon Park Dallas, "Texas

Dragon Park
Dallas, “Texas

The Gods Are Concerned Mostly About Trees

“If lightning is the anger of the gods, then the gods are concerned mostly about trees.”
― Lao Tzu

tree1

Real Horses Move So Much Better

My work is not so overtly about movement. My horses’ gestures are really quite quiet, because real horses move so much better than I could pretend to make things move. For the pieces I make, the gesture is really more within the body, it’s like an internalized gesture, which is more about the content, the state of mind or of being at a given instant. And so it’s more like a painting…the gesture and the movement is all pretty much contained within the body.
—-Deborah Butterfield

Hina,  Deborah Butterfield Modern Art Museum of Fort Worth

Hina,
Deborah Butterfield
Modern Art Museum of Fort Worth

A Faint Image Of What I See

All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.
—-Alberto Giacometti

Four Figures (detail) Stephan Balkenhol Modern Art Museum of Fort Worth

Four Figures (detail)
Stephan Balkenhol
Modern Art Museum of Fort Worth

Like a Reflection in a Fun House Mirror

“Silence. How long it lasted, I couldn’t tell. It might have been five seconds, it might have been a minute. Time wasn’t fixed. It wavered, stretched, shrank. Or was it me that wavered, stretched, and shrank in the silence? I was warped in the folds of time, like a reflection in a fun house mirror.”
― Haruki Murakami, Dance Dance Dance

Modern Art Museum of Fort Worth

Modern Art Museum of Fort Worth

You And I Are Two Plants That Grew Together

“At night I dream that you and I are two plants
that grew together, roots entwined,
and that you know the earth and the rain like my mouth,
since we are made of earth and rain.”
― Pablo Neruda, Regalo de un Poeta

Modern Art Museum of Fort Worth Conjoined, Roxy Paine

Modern Art Museum of Fort Worth
Conjoined, Roxy Paine

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He Will Kill Himself With Climbing

“And what, O Queen, are those things that are dear to a man? Are they not bubbles? Is not ambition but an endless ladder by which no height is ever climbed till the last unreachable rung is mounted? For height leads on to height, and there is not resting-place among them, and rung doth grow upon rung, and there is no limit to the number.”
― H. Rider Haggard, She

Ladder for Booker T. Washington Martin Puryear Modern Art Musuem of Fort Woth

Ladder for Booker T. Washington
Martin Puryear
Modern Art Musuem of Fort Woth

“Tell him to seek the stars and he will kill himself with climbing.”
― Charles Bukowski, The Roominghouse Madrigals: Early Selected Poems, 1946-1966

Ladder for Booker T. Washington Martin Puryear Modern Art Musuem of Fort Woth

Ladder for Booker T. Washington
Martin Puryear
Modern Art Musuem of Fort Woth

Book With Wings

“If we listened to our intellect, we’d never have a love affair. We’d never have a friendship. We’d never go into business, because we’d be cynical. Well, that’s nonsense. You’ve got to jump off cliffs all the time and build your wings on the way down.”
― Ray Bradbury

(click to enlarge) Book With Wings Anselm Kiefer Modern Art Museum of Fort Worth

(click to enlarge)
Book With Wings
Anselm Kiefer
Modern Art Museum of Fort Worth

Inside the Vortex

“The Total Perspective Vortex derives its picture of the whole Universe on the principle of extrapolated matter analyses.

To explain — since every piece of matter in the Universe is in some way affected by every other piece of matter in the Universe, it is in theory possible to extrapolate the whole of creation — every sun, every planet, their orbits, their composition and their economic and social history from, say, one small piece of fairy cake.

The man who invented the Total Perspective Vortex did so basically in order to annoy his wife.

Trin Tragula — for that was his name — was a dreamer, a thinker, a speculative philosopher or, as his wife would have it, an idiot.
And she would nag him incessantly about the utterly inordinate amount of time he spent staring out into space, or mulling over the mechanics of safety pins, or doing spectrographic analyses of pieces of fairy cake.

“Have some sense of proportion!” she would say, sometimes as often as thirty-eight times in a single day.
And so he built the Total Perspective Vortex — just to show her.

And into one end he plugged the whole of reality as extrapolated from a piece of fairy cake, and into the other end he plugged his wife: so that when he turned it on she saw in one instant the whole infinity of creation and herself in relation to it.

To Trin Tragula’s horror, the shock completely annihilated her brain; but to his satisfaction he realized that he had proved conclusively that if life is going to exist in a Universe of this size, then the one thing it cannot afford to have is a sense of proportion.”
Douglas Adams, The Restaurant At The End Of The Universe

inside of: Vortex Richard Serra Modern Art Museum of Fort Worth

inside of:
Vortex
Richard Serra
Modern Art Museum of Fort Worth