Tom’s barrel chest jerked up, then down at regular intervals, following the dictates of the hospital ventilator. Attached to the machine, he seemed all torso, his lower half an afterthought, like the straw-haired Resusci Annies that he’d haul around the high school gym during CPR units. That was long ago, when he was the coach and Helen was the music teacher and they were, improbably perhaps, in love.
—-Elisabeth Dahl, Lobsters
Today’s short story has a setting that, unfortunately, a good number of us are probably going to be experiencing soon… sitting in a hospital room with a loved one (or, technically, an ex-loved one) on a respirator.
Read it here:
Lobsters, by Elisabeth Dahl
In the opening paragraph of the story, quoted above, is a reference to Resusci Annies. From the context, I assumed this was a CPR mannequin, but I wasn’t sure. I looked it up and sure enough, that’s what it meant. But, as often happens with this internet thing and all its rabbit holes – I found a story as interesting, if not more, that the short story itself. The face of a mysterious French girl who drowned in the Seine in the 19th century ended up saving millions of lives.
One small part of the story:
The lyric “Annie, are you OK?” from the Michael Jackson song “Smooth Criminal” actually stems from American CPR training, in which students practice speaking to their unresponsive plastic patient, CPR Annie.