“You see, in this world, there is one awful thing, and that is that everyone has his reasons.”
― Jean Renoir
So yesterday, I finished La Bête humaine by Emile Zola.
It was very good – though very different than the book. The plot was significantly trimmed down – most of the murders were gone (only the two key homicides were left). The big set pieces were cut too, for time and also, probably for budget – the special effects cost for train wrecks and blizzards has to be enormous.
What is left is a more personal story, one of the first examples of film noir – with a femme fatale (Simone Simon – who I recognized from Cat People, filmed a few years later). A love triangle, murder, and Zola’s inherited madness make for a lively time.
Renoir’s genius is in his ability to make his characters come alive on screen. He also shows a wonderful respect for the working class folks that populate the story. Even at their worst – his characters have their reasons, they are driven by the sins of the past.
It did still have the trains, though. The plot moves along like a hot steam engine on a track. A lot of the film was done on location instead of in studio – which added a gritty realism to the story. The Criterion Channel had an interview with Peter Bogdanovich who said that the original impetus for the film was that the star, Jean Gabin, wanted to make a movie where he got to drive a train.