“My brain is only a receiver, in the Universe there is a core from which we obtain knowledge, strength and inspiration. I have not penetrated into the secrets of this core, but I know that it exists.”
― Nikola Tesla
Denton, Texas
(click to enlarge)
For one hundred days, I’m going to post a writing tip each day. I have a whole bookshelf full of writing books and I want to do some reading and increased studying of this valuable resource. This will help me keep track of anything I’ve learned, and help motivate me to keep going. If anyone has a favorite tip of their own to add, contact me. I’d love to put it up here.
Today’s tip – Proceed From the Dream Outward
Source – The Novel of the Future, by Anaïs Nin
It is interesting to return to the original definition of a word we use too often and too carelessly. The definition of a dream is: ideas and images in the mind not under the command of reason. It is not necessarily an image or an idea that we have during sleep. It is merely an idea or image which escapes the control of reasoning or logical or rational mind. So that dream may include reverie, imagination, daydreaming, the visions and hallucinations under th influence of drugs – any experience which emerges from the realm of the subconscious. These various classifications are merely ways to describe different states or levels of consciousness. The important thing to learn, from art and from literature in particular, is the easy passageway and relationship between them. Neurosis makes a division and sets up defensive boundaries. But the writer can learn to walk easily between one realm and the other without fear, interrelate them, and ultimately fuse them.
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For this the writer has to learn the passageways. Those passageways are like the locks of canals, feeding each other while controlling levels to prevent flooding. The discipline and form of an artist’s work are set in the same system to prevent flooding. The amateur drowns. The writer has to remain open, fluid, pursue and obey images which his conscious structure tends to break or erase.
This comes back to imagination and courage. Do you have the courage to let your imagination guide your work? Or is the inner editor always there, saying things like, “Nobody is going to understand this,” or “This isn’t what the paying public wants to read right now.” He will be there, saying those things – but you don’t have to listen.
The inner editor might be right… but he is still an asshole – and you shouldn’t listen to assholes.
“Then the singing enveloped me. It was furry and resonant, coming from everyone’s very heart. There was no sense of performance or judgment, only that the music was breath and food.”
― Anne Lamott, Traveling Mercies: Some Thoughts on Faith
Courthouse Pickers
Denton, Texas
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Photo taken turning the weekly Courthouse Pickers – bluegrass jam session every Saturday at the county courthouse, Denton, Texas
For one hundred days, I’m going to post a writing tip each day. I have a whole bookshelf full of writing books and I want to do some reading and increased studying of this valuable resource. This will help me keep track of anything I’ve learned, and help motivate me to keep going. If anyone has a favorite tip of their own to add, contact me. I’d love to put it up here.
Today’s tip – Run Fast, Stand Still
Source – Zen in the Art of Writing by Ray Bradbury
Run fast, stand still. This, the lesson from lizards. For all writers. Observe almost any survival creature, you see the same. Jump, run, freeze. In the ability to flick like an eyelash, crack like a whip, vanish like steam, here this instant, gone the next-life teems the earth. And when that life is not rushing to escape, it is playing statues to do the same. See the hummingbird, there, not there. As thought arises and blinks of, so this thing of summer vapor; the clearing of a cosmic throat, the fall of a leaf. And where it was-a whisper.
What can we writers learn from lizards, lift from birds? In quickness is truth. The faster you blurt, the more swiftly you write, the more honest you are. In hesitation is thought. In delay comes the effort for a style, instead of leaping upon truth which is the only style worth deadfalling or tiger-trapping.
I love the feeling when the words are coming fast – when I can barely type fast enough to keep up with the torrent. It feels like drinking from a fire hose. Then there is the stop, when the ideas fall away, when the fears rear their ugly heads.
That… I don’t like so much.
For one hundred days, I’m going to post a writing tip each day. I have a whole bookshelf full of writing books and I want to do some reading and increased studying of this valuable resource. This will help me keep track of anything I’ve learned, and help motivate me to keep going. If anyone has a favorite tip of their own to add, contact me. I’d love to put it up here.
Today’s tip – Writing About Emotion
Source – Creating Character Emotions by Ann Hood
When we copy a writerly voice, we put up a barrier between us and the emotions of our characters. As a result, the readers get filtered versions of emotion instead of real interpretations and an honest and an honest rendering of them.
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So my first piece of advice is to write like yourself. until you do that, you will not be able to invoke emotion – and therefore character – effectively.
We have all read stilted prose that seems to be a feeble attempt to copy the latest blockbuster. When asked, the author will answer, “Well that’s what all the editors are looking for. That’s what’s selling nowadays.”
Pretty lame excuse – it’s supposed to be your own blood you are spilling across the page.
For one hundred days, I’m going to post a writing tip each day. I have a whole bookshelf full of writing books and I want to do some reading and increased studying of this valuable resource. This will help me keep track of anything I’ve learned, and help motivate me to keep going. If anyone has a favorite tip of their own to add, contact me. I’d love to put it up here.
Today’s tip – Where Do You Get Your Ideas
Source – Telling Lies For Fun & Profit by Lawrence Block
Bits of fact can fit together. Almost all of the successful fiction writers I know share a tendency to retain odd scraps of data to no apparent purpose. Sometimes these orts prove useful, sometimes they do not. I know, for example, that in 1938 the state of Wyoming produced one-third of a pound of dry edible beans for every man, woman and child in the nation. I should be roundly surprised if I should ever build a story around this nugget of information.
He’s right – nobody gives a damn about how many beans came from Wyoming in 1938. However, I do know, from experience, that at one time, in Olney, Texas (quite a while ago, however time doesn’t really move in Olney, Texas… does it) there was a Dairy Queen. A hundred tiny hand-lettered signs hung from the ceiling in the Dairy Queen, each saying, “Thursday Night Is BEAN NIGHT – all the beans you can eat for 99 cents!”
I’ve always wanted to use that in a story. The probable title – Stay Out Of Olney On A Friday Morning.
BTW – An Orts is a small bit of uneaten food after a meal.
For one hundred days, I’m going to post a writing tip each day. I have a whole bookshelf full of writing books and I want to do some reading and increased studying of this valuable resource. This will help me keep track of anything I’ve learned, and help motivate me to keep going. If anyone has a favorite tip of their own to add, contact me. I’d love to put it up here.
Today’s tip – Touching Fire
Source – The Forest for the Trees An Editor’s Advice to Writers by Betsy Lerner
Being a writer or wanting to write is to live in a perpetual state of anxiety, where the chances of failing far outweigh the rate of success.It’s a constant free fall, especially between projects, for the celebrated and the unknown alike. “Everything is will and the great obstacle is fear,” said Gordon Lish in an interview about writing. “It comes down in every instance to this dualism between what one wants and what one may be afraid to have.”
I always enjoy the spots where writers, especially successful ones, complain about how hard it is. Or actors… or musicians… anybody, really. You see, I’m a chemist and I have spent decades working for the man in the cold, dark, heart of the corporate machine.
Yeah, go ahead and bitch. You have no idea.
“When the spirits are low, when the day appears dark, when work becomes monotonous, when hope hardly seems worth having, just mount a bicycle and go out for a spin down the road, without thought on anything but the ride you are taking.”
― Arthur Conan Doyle
Taken Saturday at the AOT Just Ride Dallas Drag Race on the Margaret Hunt Hill Bridge.
Bicycle Drag Races
Margaret Hunt Hill Bridge
Dallas, Texas
For one hundred days, I’m going to post a writing tip each day. I have a whole bookshelf full of writing books and I want to do some reading and increased studying of this valuable resource. This will help me keep track of anything I’ve learned, and help motivate me to keep going. If anyone has a favorite tip of their own to add, contact me. I’d love to put it up here.
Today’s tip – Beware Of Stale Ideas
Source – Building Fiction by Jesse Lee Kercheval
As you gather the materials of writing, be careful about drawing on television and movies. When you rely too heavily on mass media, whose messages are available to almost everybody on the planet, it may be hard to write a story that will strike readers as fresh or original or worht their time. It’s the difference between fresh and stale air.
In the writing classes I have taken, it is surprising how often, when discussing plot and character, we would discuss films rather than literature. It’s simply where the shared experience lies. Everyone has seen Star Wars – but only a rare few have read Mill on the Floss.
So much the shame.
I’ve found that when I’m trying to get some writing done, the absolute worst thing is to turn on the TV. If I do that, no matter what I watch, I’m not going to be creating anything for a long time. When I was young, we called it the idiot tube. Well, at least the tube part is gone.
Every time I see an adult on a bicycle, I no longer despair for the future of the human race.
—-H.G. Wells
Taken yesterday at the AOT Just Ride Dallas Drag Race on the Margaret Hunt Hill Bridge.
Bicycle Drag Racer on the Margaret Hunt Hill Bridge
Bill Chance 