A Fight on Royal Street

New Orleans Writing Marathon

Day One, Monday, July 10, 2017

As we sit in a group listening to speakers outline the upcoming week – I find myself sitting next to a big window looking out across Royal Street. It is the usual narrow French Quarter lane – two stories – balconies above. I should pay better attention to the speakers but my eyes are drawn by the parade of sweating tourists moving by on the sidewalks. Some of them look into the window at all of us sitting there – confused looks, “What are these people doing in there?”

As I glance across the street I see an old man struggling to lean a bicycle against the wrought iron post supporting an overhead balcony. He had a red milk carton full of crap strapped to his bike – a sign of a serious bicycling homeless person. After he managed to lean the bike, he turned, stretched out, curled up, and went to asleep on the sidewalk. The tourist parade continued unabated. They would point at him as they passed.

It is almost like his location is marked on their tourist maps – “Unconscious Drunken Man with Bicycle.”

A few minutes later another odd man with another bike walks up and starts talking to him, “Hey! You’re sleeping on Royal Street! Do you need an ambulance?”

In a split second this disintegrated into shouted curses, “Fuck you!”, “No! Fuck YOU!” – over and over. I didn’t look up because I was writing the start of this thing here. But I heard a clattering and crashing – the two were now fighting.

(This all happened after I had already started on this subject or I would have written about something else.)

When I write I feel a need to explore the thin membrane between the comfortable everyday world we move in and the unimaginable terror of the chaos that rules on the other side.

This drunken bicycle guy lives right on the membrane, stretching it thin – crucified on the border between the tourists of the French Quarter and the trackless void beyond.

When I looked up, everyone had moved on.

I guess now they will have to change all the tourist maps.

Monday Flash Fiction – The Lunch Thief

“Did you bring the duct tape?”

“Of course, did you bring the… you know… the pliers?”

“Yup.”

Sam pulled a hideous looking pair of rusty heavy duty curved-jaw carpenter’s pincers from the inside of his jacket. “I was going to clean these up last night, but….”

“No, they are more frightening that way.”

“I know, right?”

“Now when Clayton gets here with the chloroform, we’ll be ready.”

Sam and Brandon stood at the entrance to the office cubicle, fidgeting, Sam clutching his pincers and Brandon trying to push his hand through the cardboard tube at the center of the roll of gray shiny tape. They both could feel their nerves ratcheting up when Clayton came walking down the aisle between the cubicles. He was carrying a cardboard shoe box under his arm and the two could hear the glass bottle rattling around as he moved. He had a white folded face towel in his hand.

“Now we’re ready,” said Sam, “Now we’ll catch the son of a bitch that’s been stealing everybody’s lunches.”

—————————————————————–

“So, as you see… we have all three of you pretty much red-handed,” the Human Resources Woman said as she stopped the video. “Plus, his blood and your prints… partials, but enough, were on the pincers we found in your desk. Those things were horrible, where did you find something like that?”

“My grandfather had them in his woodshop, I picked them up when he died.” Sam kicked himself internally. “I can’t believe I didn’t notice that surveillance camera before.”

“What?”

“You heard me.”

“You have been assigned to that cube… how long? Seven years?”

Sam nodded.

“That camera has been there all this time, a black dome over your head, in plain view, but it had disappeared from your mind, they always do.”

Sam glared at the Human Resources Woman. “Yeah, you look at something for long enough, you don’t notice it anymore.”

“That’s why we don’t bother to hide the cameras.”

Sam looked at the Human Resources Woman, really looked at her for the first time. He was never good at guessing ages and she could be anything from twenty-five to forty. She was wearing a standard and severe woman’s business outfit, a subtle patterned dark gray tube from skirt to shoulder carefully designed to disguise the fact she was a human being. Her hair was pulled back so tight it gave her a rictus grin.

Behind her desk was a blown-up copy of a diploma from a school with the word “middle” and two different compass directions preceding the name of a distant impoverished state. He glanced at the nameplate on her desk but forgot what it said as soon as his eyes returned to her.

Sam glowered. “Have you brought in Brandon and Clayton yet?”

“No, not yet. After we found Markson duct-taped to the water heater in the janitor’s closet, bleeding and missing most of a molar, it didn’t take long to find the incriminating evidence.”

“Markson, the asshole. So he ratted us out.”

“Nope, he wouldn’t say a word. He didn’t show up for work after that, though.”

“No, I guessed he wouldn’t. That was the point.”

“But the lunches kept on disappearing, didn’t they.”

“Yeah… dammit. We were sure that it was Markson.”

“But you were wrong.”

“Yes we were.”

“He never confessed, even under your torture, did he?”

“No, not a peep. He said that his lunches were stolen out of the office refrigerator too. So now what? Are you going to fire me? I don’t blame you. Let’s get on with it.”

The Human Resources Woman expanded her smile enough that the bun on the back of her head dipped a little.

“Fire you, oh no. There is an opening in the operations department, a district level manager’s position, with an office. You are one of the three remaining candidates.”

“Wait? What? You are offering me a promotion? But I don’t know anything about operations. I’m an accountant.”

“Here at Yoyodyne, we value pluck, independence, and innovation. Your reaction to the stolen lunches seems to indicate that you have the qualities we value in a management setting.”

“Yoyodyne? What does that mean? The company is called Earnest and Baynes. I’m not even really sure what we do… what they do.”

“Yes, that is our public name. We are offering you the opportunity to join the inner circle, the people that really understand what is going on. The group in charge of the Yoyodyne operation.”

Sam’s head was spinning; he found it hard to catch his breath. The air suddenly felt thin, lacking in oxygen.

“Are you interested,” said the Human Resources Woman. She didn’t ask it as a question.

“I guess,” said Sam. “What do I need to do to qualify?”

“That is for you to figure out.”

Sam rubbed his face with his palm, trying to decide what to do next. Suddenly, an important question came to mind.

“You said there were three candidates. Who are the other two?”

“Brandon and Clayton, of course. They have not been notified and hopefully, never will be. We have decided to give you the first shot.”

As Sam turned to leave, the Human Resources Woman called him back.

“We wanted to return these.”

She handed him the pinchers. They had been cleaned and the rust buffed off, leaving gleaming arcs of steel. Sam nodded, slipped them under his suit jacket, and left.

—————————————————————–

Getting rid of Clayton was easy. He had always been a natural crook, but very sloppy, plus fast and loose with the books in his department. A detailed anonymous letter to the local tax board inspector (mailed from another city) was all it took. Everyone lined the corridor while Clayton was marched out of the maze of cubes clutching a thin plastic grocery bag with his meager personal possessions. They didn’t even give him the dignity of the customary cardboard box.

After he left, a fast wave of employees fell upon Clayton’s cubicle to grab any left-behind office supplies. Only Sam and Brandon stood back. Sam eyed his rival and caught a distinct stink-eye glare from his former co-conspirator. Had the Human Resources Woman lied? Did Brandon know something?

It was on.

Both sides brought out every dirty trick in the book. Tiny slivers of seafood hidden in the crevices of the cubical. Invitations to non-existent meetings across town at critical times. Subscriptions to gay-porn message servers with work email addresses. Wiping out of data files. A potato in an exhaust pipe. Subtle, yet critical changes to customer databases. Viruses inserted in desktop computers.

Finally, though, Sam obtained information from a young administrative assistant about Brandon meeting up with a cute intern at a hot new nightspot. Sam knew that was the evening Brandon’s wife always went out with a group of friends. A careful email insured that the group chose the proper place to meet and was sure to run into Brandon and his illicit date.

And that was the end of Brandon.
—————————————————————–

As he left for home, an hour earlier than he had for seven years, Sam locked up his Yoyodyne badge in his desk and pulled out the Earnest and Baynes badge he wore outside of work. He took one long last look at the spectacular views from both corner office floor-to-ceiling glass windows before leaving his private office and dropping off a pile of work on his assistant’s desk.

The executive elevator was waiting and whisked him to the executive parking garage where his new Mercedes sat tight in its assigned spot. His smile turned to a scowl when he saw the heavy yellow boot locked on the front wheel. There was a typed note under one wiper blade, “Please come see us in the garage office and we can settle this minor matter.”

“What the fuck!” Sam screamed as he yanked the note off his windshield and strode toward the cinder block office. “I will have someone’s ass over this!”

He jerked open the heavy metal door and jumped into the small, windowless office. There were three parking garage employees standing by the opposite wall, facing away from him, all wearing stained yellow coveralls.

“Ok, which one of you assholes booted my Mercedes?” Sam screamed. His voice echoed around in the tiny office.

One of the men clicked something in his hand, a small remote. Sam heard a bolt slide in the door behind him. Before he could ask why the door was locked, the three turned around.

It was Brandon, Clayton, and Markson. Brandon had a roll of tape that looked like the same roll they had used on Markson, weeks before. Clayton had the same bottle of chloroform. And Markson swung something long, red, and massive, holding it with both hands. It was a big pair of nasty looking heavy duty bolt cutters. Swinging the handles, Markson made sure Sam could see the steel levers forcing the thick jaws open and shut.

“There are things you might miss a lot more than a tooth,” Markson said in a frightening, calm, matter-of-fact voice.

“Hey… what the hell?” Sam pleaded in desperation as the three closed in on him. “Come on guys. Don’t blame me, I didn’t steal anybody’s lunch.”

Writing Prompt

At other times I find pages that I not only don’t remember having written, which in itself doesn’t astonish me, but that I don’t even remember having been capable of writing, which terrifies me.
—-Fernando Pessoa, The Book of Disquiet

Newspaper taped to a window, Deep Ellum, Dallas, Texas

Women Trampled as 26 Manhole Covers Burst

Shoppers Flee Terror-Stricken as Sky is Alight With Flame; Windows Shattered for Blocks

Hubert hated being the intern. Of course, he would be the one that the editor ordered back to the scene of the explosion, after all the excitement had died down, “Get the Hell back there and you count every one of those manholes!” the editor screamed, turning a deep shade of beet red. “I want to know if it was five or five hundred…. and be exact! And no Goddamn Lollygaggin’!”

Everyone in the newroom laughed at Hubert as he hung his head and slumped toward the door.

“Be sure and count them exact! Har! Har!” smirked Simpson from his typewriter. Hubert ignored him but glanced at the copy as he trudged by, “Injured, cut, and bloodstained…” was all he had typed.

What a crappy day – they would all be writing lurid copy while he was out counting manholes… getting them exact.

———–

“Seventeen, eighteen, nineteen….” Hubert counted as he walked along the street. He carried a small notepad and a pencil that he had pulled down from his hat, labelled “Daily Digest” after the paper he interned for.

“Hey, you! Are you a newspaperman?”

The loud, sharp, and unexpected voice broke his concentration, but he was able to scribble down a quick “19” before he forgot and had to start over.

“Not exactly,” Hubert started to reply, “I’m an inter….” Then he looked up to see what he was sure was the most beautiful woman he had seen in his life striding toward him. “Ummm, I’m the head reporter for the Daily Digest,” tapping his hat, “I’m down here to find out what happened today.”

(and at this point I had to go, maybe I’ll write more later)

Daily Writing Tip 76 of 100, Anger is Fuel

For one hundred days, I’m going to post a writing tip each day. I have a whole bookshelf full of writing books and I want to do some reading and increased studying of this valuable resource. This will help me keep track of anything I’ve learned, and help motivate me to keep going. If anyone has a favorite tip of their own to add, contact me. I’d love to put it up here.

Today’s tip – Anger is Fuel

Source – The Artist’s Way by Julia Cameron

Recovering a Sense of Power

Anger

Anger is fuel. We feel it and we want to do something. Hit someone, break something, throw a fit, smash a fist into the wall, tell those bastards. But we are nice people, and what we do with our anger is stuff it, deny it, bury it, block it, hide it, lie about it, medicate it, muffle it, ignore it. We do everything but listen to it.

Anger is meant to be listened to. Anger is a voice, a shout, a plea, a demand. Anger is meant to be respected. Why? Because anger is a map. Anger shows us what our boundaries are. Anger shows us where we want to go. It lets us see where we’ve been and lets us know when we haven’t liked it. Anger points the way, not just the finger. In the recovery of a blocked artist, anger is a sign of health.

Anger is meant to be acted upon. It is not meant to be acted out. Anger points the direction. We are meant to use anger as fuel to take the actions we need to move where our anger points us. With a little thought, we can usually translate the message that our anger is sending us.

If anger is fuel, then why am I tired all the time.

Daily Writing Tip 75 of 100, Put Your Heart on the Page

For one hundred days, I’m going to post a writing tip each day. I have a whole bookshelf full of writing books and I want to do some reading and increased studying of this valuable resource. This will help me keep track of anything I’ve learned, and help motivate me to keep going. If anyone has a favorite tip of their own to add, contact me. I’d love to put it up here.

Today’s tip – Put Your Heart on the Page

Source – What If? Writing Exercises for Fiction Writers by Anne Bernays and Pamela Painter

Too many writers avoid their own strongest feelings because they are afraid of them, or because they are afraid of being sentimental. Yet these are the very things that will make beginning work ring true and affect us. Your stories have to matter to you the writer before they can matter to the reader; your story has to affect you, before it can affect us.
….

The Exercise

Make a notebook entry on an early childhood event that made you cry or terrified you, or that made you weak with shame or triumphant with revenge. Then write a story about that event. Take us back to those traumatic times, relive them for us through your story in such a way so as to make your experience ours.

The Objective

To learn to identify events in your life that are still capable of making you laugh and cry. If you can capture these emotions and put them on paper, chances are you will also make your readers laugh and cry as well.

It takes courage to do this. When the letters of strong old truth start the fall onto the page, the Resistance wells up and is strong. This must be fought through. This fight is the essence of living a worthwhile life.

Daily Writing Tip 74 of 100, Let My Fears Rest Where They Are

For one hundred days, I’m going to post a writing tip each day. I have a whole bookshelf full of writing books and I want to do some reading and increased studying of this valuable resource. This will help me keep track of anything I’ve learned, and help motivate me to keep going. If anyone has a favorite tip of their own to add, contact me. I’d love to put it up here.

Today’s tip – Let My Fears Rest Where They Are

Source – Walking on Alligators, A Book of Meditations For Writers by Susan Shaughnessy

If we wait until the fear of writing goes away, we will never write.

If we wait until the fear of self-exposure goes away, we will never be published.

If we wait until the fear of failure can be somehow managed, he will never attempt anything.

If we wait until the fear of being laughed at goes away, we will indeed stall out. Studies have shown that children’s greatest fear is ridicule – not the dark, not being lost, but instead the embarrassment of being mocked.

All these fears are valid. They have deep roots in the truth. If you write, you will court failure. If you publish, you will court exposure. These fears will never be banished. But perhaps they can be harnessed.

More important is that by writing you will encounter inner reserves you never dreamed up – stores of serenity, courage, and confidence.

These treasures will be doled out to you little by little, as you come to write each day.

Today, I’ll let my fears rest where they are. I will write, and by writing I will discover my inner resources.

This is very good advice and I certainly hope that it is true.

Daily Writing Tip 73 of 100, Don’t Stop Too Soon

For one hundred days, I’m going to post a writing tip each day. I have a whole bookshelf full of writing books and I want to do some reading and increased studying of this valuable resource. This will help me keep track of anything I’ve learned, and help motivate me to keep going. If anyone has a favorite tip of their own to add, contact me. I’d love to put it up here.

Today’s tip – Don’t Stop Too Soon

Source – The 38 Most Common Fiction Writing Mistakes by Jack Bickham

Good stories result from the writer’s taking a few days off to rest, then returning to the fray to take one more cautious and caring look at the “finished” work.

Revise, revise and be ready to revise again. After all the work you’ve done, it would be tragic, wouldn’t it, if you stopped a day or a month away from making those final adjustments which could make all the difference in the product’s acceptability?

Writing isn’t writing – editing is writing. First drafts are just pouring letters onto paper. It’s the revision where the real story – the one hiding in your unconscious mind begins to get teased out.

It is so hard, though.

Daily Writing Tip 72 of 100, Listing the Stories

For one hundred days, I’m going to post a writing tip each day. I have a whole bookshelf full of writing books and I want to do some reading and increased studying of this valuable resource. This will help me keep track of anything I’ve learned, and help motivate me to keep going. If anyone has a favorite tip of their own to add, contact me. I’d love to put it up here.

Today’s tip – Listing the Stories

Source – Writing for Your Life by Deena Metzger

I like to make lists. Once it amused me to keep a journal with a formal title – “The Book of Lists: A Writer’s Journal.” The lists became a catalogue of ways in which I could approach my life, ways to remember experiences by categorizing them. In that book, I kept lists like the following: stories about my body; synchronicities and miracles; visions; childhood friends; mentors;recurrent dream images; stories about my children; gifts received.
….
Recently I added a catergory: lists of lists to be made. Here I included: losses; death stories; memories of nature; stories that help me survive; teaching stories; bird stories; wolf stories. Needless to say, the lists overlap. But when the same story possibility appears on several lists, the story itself is altered by the different perspective of each list.
….
I once heard someone say that the mind is one part of the brain telling a story to the other part. Perhaps the self is the composite of all those stories told.

I like the idea of keeping lists; I like the idea of lists of lists more; I like the idea of a journal of lists the best. I think I’ll start it tonight.

Some lists right off the top of my head: Things I didn’t do that I wish I had; Seductive lies; Books never written that I’d want to read; Secrets I still don’t know; Stuff I don’t have the courage to write down.

Daily Writing Tip 71 of 100, Fairytales and the Existential Predicament

For one hundred days, I’m going to post a writing tip each day. I have a whole bookshelf full of writing books and I want to do some reading and increased studying of this valuable resource. This will help me keep track of anything I’ve learned, and help motivate me to keep going. If anyone has a favorite tip of their own to add, contact me. I’d love to put it up here.

Today’s tip – Fairytales and the Existential Predicament

Source – Dreams and Inward Journeys, A Rhetoric and Reader for Writers by Marjorie Ford and Jon Ford

Chapter 4 excerpt, an essay by Bruno Bettelheim, Fairytales and the Existential Predicament

There is a widespread refusal to let children know that the source of much that goes wrong in life is due to our own very natures – the propensity of all men for acting aggressively, asocially, selfishly, out of anger and anxiety. Instead, we want our children to believe that, inherently, all men are good. But children know that they are not always good; and often, even when they are, they would prefer not to be. This contradicts what they are told by their parents, and therefore makes the child a monster in his own eyes.

This is exactly the message that fairytales get across to the child in manifold form: that a struggle against severe difficulties in life is unavoidable, is an intrinsic part of human existence – but that if one does not shy away, but steadfastly meets unexpected and often unjust hardships, one masters all obstacles and at the end emerges victorious.

Modern stories written for young children mainly avoid these existential problems, although they are crucial issues for all of us. The child needs most particularly to be given suggestions in symbolic form about how he may deal with these issues and grow safely into maturity. “Safe” stories mention neither death or aging, the limits to our existence, nor the wish for eternal life. The fairytale, by contrast, confronts the child squarely with the basic human predicaments.

I am sometimes referred to as “A Terrible Person” because of my penchant for doing bad things, especially killing, the characters in my writing. I defend myself in that “nothing happened, it’s only words.”

And here is a scholarly essay (from a somewhat controversial author) on why it is necessary to do bad things to good people, not only in fairytales, but in all fiction.

Yeah.

Daily Writing Tip 70 of 100, Finding Your Niche(s)

For one hundred days, I’m going to post a writing tip each day. I have a whole bookshelf full of writing books and I want to do some reading and increased studying of this valuable resource. This will help me keep track of anything I’ve learned, and help motivate me to keep going. If anyone has a favorite tip of their own to add, contact me. I’d love to put it up here.

Today’s tip – Finding Your Niche(s)

Source – 1,818 Ways to Write Better & Get Published By Scott Edelstein

One of the best and fastest ways to build a writing career and to sell your work talents and services is to find or create a niche and fill it. Better yet, find and fill several. To find or create your own niches, ask yourself the following questions:

  1. What can I do that no one else can?
  2. What do I know or understand that no one else knows?
  3. What have I experienced that few others have?
  4. What ideas do I have that are new or unique?
  5. What perspectives do I have that are special or different? What do I see that do that others do not?
  6. What does the world country state city suburb neighborhood industry etc. need that I can offer?
  7. What seems to be missing that I can provide? But have other writers overlooked?

An intimidating list. It’s hard to imagine that you have something to say that hasn’t been said already.

You are wrong.