Short Story of the Day, Flash Fiction, Attraction, by Deirdre Danklin

“They waited for the elevator. ” Most people love butterflies and hate moth,” he said. “But moths are more interesting – more engaging.”

“They’re destructive.”

“Some are, a lot are, but they live in all kinds of ways. Just like we do.” Silence for one floor.

“There’s a moth, more than one in fact, that lives only on tears,” he offered. “That’s all they eat or drink.”

“What kind of tears? Whose tears?”

“The tears of large land mammals, about our size.

The old definition of moth was, ‘anything that gradually, silently eats, consumes, or wages any other thing.’

It was a verb for destruction too. . . .”

― Thomas Harris, The Silence of the Lambs

Trees reflected in a pond, inverted, with Chihuly, Red Reeds

The last paragraph of my journal entry from April 4, 2003, describing how I felt when I returned from a long work trip cleaning up a toxic waste site in the swamps of southern Louisiana.

I remember how I felt when that job was over and I flew back home. I had become so used to the swamps, to the green and the water – to the alligators and the snakes – that it began to feel like it was the whole world. I gazed out the window of my plane at the hard concrete and the terminal buildings of DFW airport, the metal planes and the masses of people – a sight I’d seen a hundred times but that seemed suddenly strange and alien after being in the swamp for so long. It took me a long time to feel normal again… or at least as normal as I ever feel.

And today’s piece of flash fiction:

Attraction, by Deirdre Danklin

from Tiny Molecules

Deidre Danklin Twitter

Deidre Danklin homepage

Short Story of the Day, Flash Fiction, It’s Okay to Want, by Ashley Jeffalone

“Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, portray her exactly as she is…and force the viewer to see the pretty girl she used to be…and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart…no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn’t matter to you and me; we were never meant to be admired-but it does to them.”

― Robert Heinlein

Nasher Sculpture Center, Dallas, Texas

It’s Okay to Want, by Ashley Jeffalone

from Ellipsis Zine

Ashley Jeffalone Twitter