Monthly Archives: June 2014

A Month of Short Stories 2014, Day 11 – Mirrorball

Posted on by Bill Chance

A year ago, for the month of June, I wrote about an online short story each day for the month. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day eleven – Mirrorball, by Mary Gaitskill.
Read it online here:

Mirrorball

Over the years I have read a lot of short stories. A lot of short stories…. Maybe a story every other day (with a lot of gaps, of course) since I was ten years old. That comes out to over eight thousand stories.

Obviously, that’s too high – but still, I have read a lot.

They all get mixed up – I’m always reading something that sort of feels familiar and then when I get to the end I realize I have read it before. I get authors mixed up, collections, anthologies and now with this internet thing… it’s so confusing.

One author that has always stood out is Mary Gaitskill. Her stories are full of desperate characters involved in all sorts of nasty trouble. She seems to know what she is writing about – she claims to have spent time as a stripper and a callgirl. I guess she is best known for writing the short story that the movie Secretary is based on – although the two are very different. She claims the movie was too charming and nice.

I know I’ve read the collection, Bad Behavior, that Secretary was in, but I don’t particularly remember it – I’ll have to read it again.

At any rate, today’s story is very different. This one is from her newest collection. Mirrorball is the story of a woman that has a one-night stand with a second-rate rock star and loses a piece of her soul in the process.

It’s a very unusual piece of writing.

I enjoyed the story, even though it isn’t really my cup of tea. It’s sort of an anti-Hemingway story in that nothing much happens (a couple of sexual encounters… and that’s about it) but a lot of words are spilled upon the page.

It’s a story told of a world inside of yet unknown to the characters; the world of their own souls – split, tortured, stolen, released.

It takes some skilled wordsmithing to go with something as ethereal as that and make it real to the reader. Read it, you decide.

He was a musician, well regarded in his hometown and little known anywhere else. This fact sometimes gnawed at him and yet was sometimes a secret relief; he had seen musicians get sucked up by fame and it was like watching a frog get stuffed into a bottle, staring out with its face, its splayed legs, its private beating throat distorted and revealed against the glass. Fame, of course, was bigger and more fun than a bottle, but still, once you were behind the glass and blown up huge for all to see, there you were. It would suddenly be harder to sit and drink in the anonymous little haunts where songs were still alive and moving in the murky darkness, where a girl might still look at him and wonder who he was. And he might wonder about her.

A Month of Short Stories 2014, Day 10 – How To Talk To Girls At Parties

Posted on by Bill Chance

A year ago, for the month of June, I wrote about an online short story each day for the month. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day ten – How To Talk To Girls At Parties, by Neil Gaiman

Read it online here:

How To Talk To Girls At Parties

It’s a rare pleasure when you start out reading something and you think you know what it is going to be about – about a third of the way you are still sure and then, all of a sudden, you realize you are lost on a dark road and on the way somewhere unexpected… somewhere interesting and wonderful.

Reading something by Neil Gaiman… well, I should have known better. The title, the opening gambit… a young teenager trying to find his way in the world of women, intimidated by a good-looking, silver-tongued friend who has a way with the ladies. We’ve all read this before… we’ve all lived this before.

Then, all of a sudden….

Read it and find out.

You know when you are sixteen and confused and ignorant and you say to yourself, “I don’t understand any of this. Jeez! These girls all act like they are from another planet.”

Well, be careful….

She looked at me with her green eyes, and it was as if she stared out at me from her own Antigone half-mask; but as if her pale green eyes were just a different, deeper, part of the mask. “You cannot hear a poem without it changing you,” she told me. “They heard it, and it colonized them. It inherited them and it inhabited them, its rhythms becoming part of the way that they thought; its images permanently transmuting their metaphors; its verses, its outlook, its aspirations becoming their lives. Within a generation their children would be born already knowing the poem, and, sooner rather than later, as these things go, there were no more children born. There was no need for them, not any longer. There was only a poem, which took flesh and walked and spread itself across the vastness of the known.”

I edged closer to her, so I could feel my leg pressing against hers.

She seemed to welcome it: she put her hand on my arm, affectionately, and I felt a smile spreading across my face.

“There are places that we are welcomed,” said Triolet, “and places where we are regarded as a noxious weed, or as a disease, something immediately to be quarantined and eliminated. But where does contagion end and art begin?”

A Month of Short Stories 2014, Day 9 – A Jury of Her Peers

Posted on by Bill Chance

A year ago, for the month of June, I wrote about an online short story each day for the month. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day Nine – A Jury of Her Peers, by Susan Glaspell

Read it online here:

A Jury of Her Peers

A Jury of Her Peers was adapted by Susan Glaspell from her play Trifles. The story was loosely based on the murder of John Hossack, which Glaspell covered when she was a journalist. In the factual case, a farmer was killed with an axe while he slept. His wife, Margaret, was convicted of the crime, but the case was overturned and the retrial ended in a hung jury.

The short story is considered an early example of feminist literature. In it, the attitudes and abilities of the two women are contrasted with the men involved in the investigation of the murder. The men rush around, speculating about what might have happened and tease the women about their attention to trivial facts such as how the wife of the murdered man is making her quilt.

However, it is the women that discover the clue that reveals the truth of the murder. What they deduce from the clue and what they decide to do with it is the crux of the story and what makes it resonate.

Mrs. Hale had not moved. “If there had been years and years of–nothing, then a bird to sing to you, it would be awful–still–after the bird was still.”

It was as if something within her not herself had spoken, and it found in Mrs. Peters something she did not know as herself.

“I know what stillness is,” she said, in a queer, monotonous voice. “When we homesteaded in Dakota, and my first baby died–after he was two years old–and me with no other then–”

Mrs. Hale stirred.

“How soon do you suppose they’ll be through looking for the evidence?”

“I know what stillness is,” repeated Mrs. Peters, in just that same way. Then she too pulled back. “The law has got to punish crime, Mrs. Hale,” she said in her tight little way.

“I wish you’d seen Minnie Foster,” was the answer, “when she wore a white dress with blue ribbons, and stood up there in the choir and sang.”

The picture of that girl, the fact that she had lived neighbor to that girl for twenty years, and had let her die for lack of life, was suddenly more than she could bear.

“Oh, I wish I’d come over here once in a while!” she cried. “That was a crime! Who’s going to punish that?”

A Month of Short Stories 2014, Day 8 – Nirvana

Posted on by Bill Chance

A year ago, for the month of June, I wrote about an online short story each day for the month. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day Eight – Nirvana, by Adam Johnson

Read it online here:

Nirvana

As I look through the short stories I have chosen for this month, I see that I have been tending to the venerable classics – Hemingway, Salinger, Eudora Welty, Kate Chopin, Willa Cather… only Daniel Orozco could be considered new – the rest are hoary old chestnuts.

So today I’ll add something new, modern, post-modern even. Today’s story is set in the near future and is full of what marks our age – for good and bad. It’s a story of dot-com millionaires, private miniature drones controlled by Google, the newest Apple invention – the iProjector, artificial intelligence, and a mysterious circuit board from India that can crack any cryptography.

The tough nut to crack when writing about such things is to make it human. As interested as we all are in the technology of the time, it doesn’t serve very well at tugging at our heartstrings.

But Adam Johnson pulls it off. He works by giving the story a hear-rending human situation, one that goes so far beyond what technology can affect – all the bells and whistles of today are revealed as mere tinsel and foil, window dressing for the inevitable doom of our lives.

Or is it? As the story progresses the human tragedy and the digital world begin to spiral together in a dance of death and hope – and it the end the human and the artificial meld together in an epiphany of sorts.

It’s quite a thing.

I have to admit that until I read this story I knew nothing of Adam Johnson or his work – even though he won the Pulitzer Prize last year for his novel The Orphan Master’s Son. I think it’s time I read some more.

Charlotte’s mother arrives. She brings her cello. She’s an expert on the Siege of Leningrad. She has written a book on the topic. When the coma is induced, she fills the neuro ward with the saddest sounds ever conceived. For seven days, there is nothing but the swish of vent baffles, the trill of vital monitors, and Shostakovich, Shostakovich, Shostakovich. No one will tell her to stop. Nervous nurses appear and disappear, whispering in Tagalog.

A Month of Short Stories 2014, Day 7 – This Sandwich Has No Mayonnaise

Posted on by Bill Chance

A year ago, for the month of June, I wrote about an online short story each day for the month. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day Seven – This Sandwich Has No Mayonnaise, by J.D. Salinger

Read it online here:
This Sandwich Has No Mayonnaise

So you’ve read Catcher in the Rye, I know you have. Everyone has. Everyone has to – it is a requirement.

And it doesn’t matter if you liked it, or respected it, or hated it… you know Holden Caulfield. If you let your mind go fuzzy for a second Holden ceases to be a literary character and becomes someone you knew, or thought you knew, or was yourself… when you were that age.

Even though everybody reads Catcher in the Rye, most folks don’t read the rest of J. D. Salinger’s writing. Oh, some drudge through Franny and Zooey, or pick up Nine Stories – but most don’t. Beyond that there are the published but “uncollected” stories. These are not readily available in print form – but there is the web – the ultimate source of all wisdom.

So I’ll bet that you, probably, don’t know what happened to Holden Caulfield.

Read the story first, It’s not very long. It’s protagonist is Vincent Caufield, Holden’s brother, as he attempts to solve a problem, a dilemma, involving a truckload of soldiers in a terrrific rainstorm in Georgia one evening. A sticky situation, but Vincent is only half thinking about it… he is mostly thinking about his brother.

So read it, now, and then come back so I can talk about it. Beware, spoilers ahead. Go on, read it.

….

….

….

….

So, Holden Caulfield is dead, (don’t let missing in action fool you, he never appears anywhere again). He’s dead at nineteen, only two years after Catcher in the Rye. Not only that, but This Sandwich Has no Mayonnaise was published six years before Catcher in the Rye – so J. D. Salinger already knew Holden was dead when he wrote the famous book.

How could he do that? How could he be so mean?

Easy, it’s easy. It’s because there is no such thing as Holden Caulfield. He’s completely imaginary. You can kill him, torture him, drive him crazy, leave him old and infirm in an Idaho rest home – anything you want. It doesn’t matter because it never really happens.

As for the reader… do you want to think that Holden survived? Do you want to believe that he eventually appeared somewhere, a little shell-shocked but otherwise as confused and loveable as ever? Well, go ahead and believe it – it’s at true as anything else – this is fiction of the highest order, which is all simply a pack of carefully crafted and well-told lies.

Just be glad you are not in the story, though. Because his brother is stuck there, and for him, Holden is gone, and it’s killing him.

“Gotta wait for the lieutenant,” I tell him. I feel my elbow getting wet and bring it in out of the downpour. Who swiped my raincoat? With all my letters in the left-hand pocket. My letters from Red, from Phoebe, from Holden. From Holden. Aw, listen, I don’t care about the raincoat being swiped, but how about leaving my letters alone? He’s only nineteen years old, my brother is, and the dope can’t reduce a thing to a humor, kill it off with a sarcasm, can’t do anything but listen hectically to the maladjusted little apparatus he wears for a heart. My missing-in-action brother. Why don’t they leave people’s raincoats alone?

The 22 Lost Salinger Stories

Inside the Mind of a Young J.D. Salinger

Holden Caulfield’s Goddam War

A Month of Short Stories 2014, Day 6 – A Clean, Well-Lighted Place

Posted on by Bill Chance

A year ago, for the month of June, I wrote about an online short story each day for the month. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day Six – A Clean, Well-Lighted Place, by Ernest Hemingway.

Read it online here:

A Clean, Well-Lighted Place

Like yesterday, we have a story about the desperate perspective of age.

Unlike yesterday the point of view isn’t the person themselves, but a pair of waiters, one young and one old, one impatient and one unhurried, as they observe their last customer of the night, an elderly drunk stacking up saucers, one for each brandy.

I am so much in awe of Hemingway – for the pure efficiency of his prose. The story is very short, told almost entirely in tiny snippets of dialog – yet it is so full of complex subtlety and power. Where a lesser writer might describe in careful detail and attempted elegant metaphor the sound of metal on wood echoing across the darkness, Hemingway simply says, “They were putting up the shutters.”

He cuts out everything that isn’t absolutely necessary and in that gains an unparalleled dynamic efficacy.

A Clean, Well-Lighted Place is a masterful collection of mostly unattributed dialog. So skillfully constructed with subtle inconsistencies that long-standing literary controversies have arisen over who actually said what.

A work of fiction should not spell everything out. The reader has to work for his entertainment, for his wisdom.

And then, like a clever piece of music, the text explodes into one final big paragraph which throws the lonely sad desperation of the older waiter onto the page with devastating effect. Finally, the reader understands what the waiter, and the author, and humanity itself shares with the poor old man that only wants to sit there and quietly drink his brandy in a clean, will-lighted place.

He only wants to put the darkness off for a few more minutes.

“Good night,” the other said. Turning off the electric light he continued the conversation with himself, It was the light of course but it is necessary that the place be clean and pleasant. You do not want music. Certainly you do not want music. Nor can you stand before a bar with dignity although that is all that is provided for these hours. What did he fear? It was not a fear or dread, It was a nothing that he knew too well. It was all a nothing and a man was a nothing too. It was only that and light was all it needed and a certain cleanness and order. Some lived in it and never felt it but he knew it all was nada y pues nada y nada y pues nada. Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in nada. Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada. Hail nothing full of nothing, nothing is with thee. He smiled and stood before a bar with a shining steam pressure coffee machine.

A Month of Short Stories 2014, Day 5 – A Worn Path

Posted on by Bill Chance

A year ago, for the month of June, I wrote about an online short story each day for the month. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day Five – A Worn Path, by Eudora Welty.

Read it online, here:

A Worn Path

There is a cold in December in Mississippi – a wet cold, a bone cold.

The time is late, too late to do any good, but not too late to go on.

Go on along the worn path. The Natchez trace is a well worn path – well worn but a long hard walk. Along the way you might dance with a scarecrow, fight with a black dog, or see a two headed snake.

And what if you forget why you are walking so far in the first place? You are because you have to.

Five pennies make a nickel, two nickels make a paper pinwheel.

Merry Christmas. There are more important things to do than to go see Santa Claus.

‘Sun so high!’ she cried, leaning back and looking, while the thick tears went over her eyes. ‘The time getting all gone here.’

At the foot of this hill was a place where a log was laid across the creek.

‘Now comes the trial,’ said Phoenix. Putting her right foot out, she mounted the log and shut her eyes. Lifting her skirt, leveling her cane fiercely before her like a festival figure in some parade, she began to march across. Then she opened her eyes and she was safe on the other side.

‘I wasn’t as old as I thought,’ she said.

http://youtu.be/RqjhTevVwsc

A Month of Short Stories 2014, Day 4 – Orientation

Posted on by Bill Chance

A year ago, for the month of June, I wrote about an online short story each day for the month. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day Four – Orientation, by Daniel Orozco.

Read it online, here:

Orientation: A Short Story by Daniel Orozco

I remember when my kids were little I told them to watch a certain movie – because it had great wisdom to pass on to their growing and impressionable brains. The movie was Office Space – and I was proud of my fatherly wisdom in getting them educated in the ways of the world.

When the movie was over my son said to me, “Jeez Dad, you are so lucky that you don’t have a job like that.”

“Of course I do,” I said to him, “as a matter of fact, everybody has a job like that.”

There is truly great truth and wisdom in Office Space. I’m not talking about the romance where the nerdy guy ends up with Jennifer Aniston – that never happens. And I’m not talking about the part of the plot where they put in a virus and steal tiny bits of pennies on every transaction – that never…. well, actually it did happen – but that’s not important.

I’m talking about the TPS reports. Life is all about how you deal with the TPS reports and the humiliation that comes with having to fill them out.

As a matter of fact, in real life the TPS reports aren’t important – they are sort of a workplace MacGuffin – it’s really about the humiliation, pure and simple. Being humiliated in front of your “superiors” is the only profitable activity in the workforce that can’t be automated or outsourced.

Once you get to the point where your self-respect is a forgotten ghost of the past, your dreams have been ground to dust, and you are willing to do whatever degrading abasement is required to get through the day… you discover there is good money in that.

And that brings us to today’s story, Orientation. In it a new employee, you, is getting the introduction to a new job with your workspace, and most importantly, your cow-orkers.

The office is, of course, a horribly dehumanizing place. But the cow-orkers are all all too human. Everybody has a passionate crush on everybody else – though never reciprocally – so the place becomes a vicious circle of unrequited desire and lust.

Everybody has their quirks – from hiding in the ladies room now and then to an actual serial killer. These are open secrets, though nobody ever talks about them. Except during orientation.

It’s ultimately an uplifting story. Flawed humanity oozes up through the sea of cubicles like a flawed template through a Powerpoint Presentation.

Those are the offices and these are the cubicles. That’s my cubicle there, and this is your cubicle. This is your phone. Never answer your phone. Let the Voicemail System answer it. This is your Voicemail System Manual. There are no personal phone calls allowed. We do, however, allow for emergencies. If you must make an emergency phone call, ask your supervisor first. If you can’t find your supervisor, ask Phillip Spiers, who sits over there. He’ll check with Clarissa Nicks, who sits over there. If you make an emergency phone call without asking, you may be let go.These are your in- and out-boxes. All the forms in your inbox must be logged in by the date shown in the upper- left- hand corner, initialed by you in the upper-right-hand corner, and distributed to the Processing Analyst whose name is numerically coded in the lower-left-hand corner. The lower-right-hand corner is left blank. Here’s your Processing Analyst Numerical Code Index. And here’s your Forms Processing Procedures Manual.

A Month of Short Stories 2014, Day 3 – Regret

Posted on by Bill Chance

A year ago, for the month of June, I wrote about an online short story each day for the month. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

Today’s story, for day three – is Regret, by Kate Chopin.

Read it online, here:
Regret

I read Kate Chopin’s best known work – the novel The Awakening in college, like most people do. It left a strong impression on me – both the story itself, and the strong character of its doomed protagonist.

I must not have been paying too much attention, however. In my defence, I was studying chemistry and literature and didn’t have enough time to do my reading all proper in between the marathon laboratory stints.

You see, the thing is, if you would have asked me about The Awakening I would have told you it was a European story, a French story, and the beach where so much takes place must have been on the Riviera somewhere.

What was I thinking? How could I have been so mistaken? A quick read, and a foggy memory, I guess.

As an adult, I reread The Awakening and realized that it wasn’t European at all – it took place in New Orleans – and the beach was Belle Isle. Now, I suppose in some way I wasn’t too far off – New Orleans is the most European of American cities – the French Influence is hard to miss.

But still….

Now today’s story, Regret… there is no doubt where this is taking place. Nowhere else will you find names like: Mamzelle Aurlie, Ti Nomme, little Lodie, Marcline and Marclette.

In a short story there is plot, and setting (this one has a little plot and an implied setting) and there is characterization. The reward of Regret is in its characterization.

It’s tough to find room in a work this brief for a protagonist to learn and to change – but Chopin pulls it off.

Not only does the protagonist learn and change… but she realizes that it is all in vain, that it is too late.

Isn’t it always?

She turned into the house. There was much work awaiting her, for the children had left a sad disorder behind them; but she did not at once set about the task of righting it. Mamzelle Aurlie seated herself beside the table. She gave one slow glance through the room, into which the evening shadows were creeping and deepening around her solitary figure. She let her head fall down upon her bended arm, and began to cry. Oh, but she cried! Not softly, as women often do. She cried like a man, with sobs that seemed to tear her very soul. She did not notice Ponto licking her hand.

A Month of Short Stories 2014, Day 2 – On the Gull’s Road

Posted on by Bill Chance

A year ago, for the month of June, I wrote about an online short story each day for the month. It seemed like a good idea at the time. My blog readership fell precipitously and nobody seemed to give a damn about what I was doing – which was a surprising amount of work.

Because of this result, I’m going to do it again this year.

For the second entry in this month’s list of short stories, on this second day of June, I give you a classic chestnut by Willa Cather, On the Gull’s Road.

Read the story online here:
On the Gull’s Road

I know people that read a lot of Cather. I haven’t read that much.

I always think of her as a Nebraska writer (though I know she lived most of her life in New York) and primarily as a chronicler of life on the plains.

This story couldn’t be further from that. It’s a story of doomed young love on a ship leaving Italy.

One thing that jumps out is her wonderful ability to describe life on a ship. I’ve been on cruises – and the whole deal is so much different that what a sea voyage from Italy in that time must have been – but I recognize the scene and the unique unfettered feel that riding the waves leaves behind.

The sun had disappeared over the high ridge behind the city, and the stone pines stood black and flat against the fires of the afterglow. The lilac haze that hung over the long, lazy slopes of Vesuvius warmed with golden light, and films of blue vapor began to float down toward Baiae. The sky, the sea, and the city between them turned a shimmering violet, fading grayer as the lights began to glow like luminous pearls along the water-front, — the necklace of an irreclaimable queen. Behind me I heard a low exclamation; a slight, stifled sound, but it seemed the perfect vocalization of that weariness with which we at last let go of beauty, after we have held it until the senses are darkened. When I turned to her again, she seemed to have fallen asleep.

Of course, the oddest thing about the story is the ambiguous sex of the narrator – who falls in love with the doomed, married Mrs. Ebbling. Reading it, I assumed the narrator was a man (…anticipating a consular appointment…) but on careful examination it seems that this little fact is deliberately blurred. The narrator’s name is never mentioned and is never referred to by any pronoun that would give their sex away.

This ambiguity adds a layer of unreal mystery to the love between the two young people. It reinforces the melancholy, the feeling of loss, of regret, and of nostalgia that permeates the story.

There is a lot more here than a simple shipboard infatuation.

“Don’t say that. When I leave you day after tomorrow, I shall have given you all my life. I can’t tell you how, but it is true. There is something in each of us that does not belong to the family or to society, not even to ourselves. Sometimes it is given in marriage, and sometimes it is given in love, but oftener it is never given at all. We have nothing to do with giving or withholding it. It is a wild thing that sings in us once and flies away and never comes back, and mine has flown to you. When one loves like that, it is enough, somehow. The other things can go if they must. That is why I can live without you, and die without you.”