Tag Archives: Fiction

Sunday Snippet, Corner Kick

Posted on by Bill Chance

I was playing half the games. I’d play the first half, and then I’d sit down so that Wilma could get her turn. Wilma was a big girl; sort of shapeless. Nobody else could ever remember her name. I don’t know if she was a little slow in the head, or maybe only really, really, shy. At our age there isn’t much difference between the two. I don’t know why she played soccer. Probably her parents made her – like most of us. During the games she never even kicked the ball. She would stand around looking miserable, usually with her arms crossed. I guess it should have made me mad that I had to sit on the bench while she stood out there, useless, but I didn’t care. That’s probably why the coach always made me sit instead of any of the other girls.

You see, this was a recreational league. The rules said that everybody got to play at least half of the game, no matter what. Our team really sucked. All the girls that were any good had left a year earlier – they had gone off to play in the select leagues. That is where the teams get to choose who they wanted and the girls’ parents paid thousands of dollars so they could practice every day and go to tournaments in Europe and stuff like that. That’s not what we did. We were the girls nobody wanted.

We played on terrible fields in some rundown city park in some scary neighborhood. The girls on the select teams got the good fields, the ones with lights and smooth, level, grass.

The weather was always awful. It would be cold and rainy at first, then in the summer it would be so hot you couldn’t even think straight. The ground would dry out and split open like a tomato in the sun. There would be these big cracks and if you stepped in one, even if you didn’t break your ankle, all these crickets would come swarming out. It was really gross.

One game, the first one of the spring season, was really cold. It had been raining for days, the field was a muddy mess and the temperature wasn’t much above freezing. There was this big brown puddle in one corner of the field and Brenda tried to kick the ball when she slipped and fell in. It was weird – she completely disappeared. Who knows how deep that puddle was but for a few seconds there was no Brenda, only that brown water. Suddenly she came out, shooting up and out like a rocket. Brenda was a tough girl, never took anything from anybody, but she came out of that cold water crying like a baby. Her mother wrapped her in a blanket and took her away sobbing. She went home.

Some of the girls teased her about it the next week, but I didn’t like the look of that cold brown water and I knew how she felt.

Our coach last year, coach Barracha, would make us roll around in the mud before the games. He said, “I don’t want you girls afraid to get your uniforms muddy.” He had named the team River Plate. The other girls couldn’t understand why we were named after a plate. It seemed like an odd name to me too, but Coach Barracha was from Uruguay and I found that was the name of a famous river, and soccer team, from down there, so I guess that was OK. Coach Barracha was way too serious for our team. We lost every game and only scored two goals all season. At first he would get madder and madder every week until he finally gave up. When the season ended he didn’t even come to the Pizza party.

I was happy because I figured with no coach, there would be no team and I wouldn’t have to play this year. But then all the parents got together and convinced Eleanor’s Dad, Mr. Wiggins, to be the coach. That was terrible. Mr. Wiggins, like Eleanor, to tell you the truth, is kind of crazy. He renamed the team The Blue Squealers, which has to be the most embarrassing thing in the world. After giving us that terrible name, he pretty much did nothing. I guess that was all right; we weren’t going to get any better no matter what he did, and I guess he figured he might as well cut his losses.

With all the good players going to the select teams you would think that the other teams in our recreational league would suck as much as we did but no such luck. You see there were all these poor kids, these Mexican girls, who couldn’t afford to join the select league but still they lived for soccer. Their teams had Spanish names with the word futbol in them. They would beat the crap out of us, week after week.

Actually, when I was setting on the bench in the second half of these games I like to watch some of these girls play, even when they were thrashing my team. A lot of them were just small and fast and relentless, swarming and pushing, but a few were real artists. They could run and move and make the ball spin this way and that without even looking at it. Their game was a thing of beauty and for a second you could forget that you were sitting on a splintering bench in a run-down park watching kids trying to give a damn about a game that meant nothing.

Believe it or not, that year we had a good player. Really, her name was Missy Higgins. She was tall and fast and she said she had been playing soccer since, “I was in diapers.” Missy had been on a select team but now was faced with the humiliation of playing with us.

The girls talked about her all the time when she wasn’t around. They all said that she had been kicked off her select team because she had been caught drinking with some college boys while they were out of town on a tournament. That seemed to make sense to me, but I listen to the parents talk when I sit on the bench and I heard her mother say she had to quit select soccer because was having knee problems after a growth spurt and needed to get stronger before she could try it again.

At first I thought this was an excuse, because her parents must have been ashamed because of the drinking, but I watched her play and even though she was really good, a ten times better player than anyone else on the team, she was obviously in pain. She would grimace and groan, though nobody other than me seemed to notice. One game, she tried to make a sharp cut right in front of me on the bench, to keep the ball from rolling out of bounds, and her knees gave out and she tumbled onto the ground. I heard her mutter, “I’m a cripple,” as she pulled herself back up.

You would think that our team would be good with a girl like that but it didn’t really make any difference. First of all, soccer isn’t that kind of a sport. One player can’t make up for a whole team of suck. None of us could ever really make the ball go where we wanted it to. When we kicked it the ball would go squirting off somewhere else, usually spinning like crazy. It was kind of fun, trying to guess where the thing was going to end up. So we couldn’t actually pass the ball to Missy, even though we wanted her to have it and we tried all the time.

It didn’t take the other teams long to figure it out too. The other coaches would put two girls on Missy all the time, usually one big girl pushing on her from behind and a little quick one darting around in front. It must have been really frustrating for Missy, especially since that meant somebody else didn’t have anyone defending them, but good luck with that. When Wilma was playing the other teams would ignore her completely.

Missy tried really hard on defense, too, but it didn’t do much good. If the other team had the ball they would always kick it wherever Missy wasn’t at.

Still, Missy would usually score one goal almost every game. I remember her getting the ball and kicking a spinning arching shot that bent around the other team and sneaked in a top corner of the goal. The goal keeper stood there with her mouth hanging open. It was a thing of beauty.

In the end, though, all Missy could do is get us so we would lose, say, seven to one,

The time I sat on the bench I’d watch the girls on the other team, I’d watch Missy, and I’d watch the parents – our parents and the ones on the other team. Every game they would come trooping out of their trucks lugging their folding chairs and line up along the field. The other teams’ parents would bring air horns or wooden clacker things to make noise to cheer on their girls. They would jump up and yell at the referees and cheer for their kids. Our parents looked like they were waiting to get dental work done. They would clap halfheartedly at the beginning of the game but once the inevitable slaughter began they would go calm.

Sometimes, I would spot a little metal flask moving between some of the parents. Coach Wiggins hardly ever said a thing, though he would at least stand and pace through the game. He looked lost. I think I saw Brenda’s dad pass him that little flask once or twice, but I’m not really sure about that.

Wilma’s stepmother brought her to the games. Since Wilma played while I sat, I could watch her. I thought that her stepmother would at least watch or cheer a little, but she never did. She was a lawyer and would talk on her bright red cellphone or text away on her little Blackberry during the whole game. Some times she would do both; wedge her phone against her shoulder under her ear while she texted away with both thumbs.

Finally, it was the last game of the season. It was against the other team from the suburbs. They were called the DeeFeeters and they sucked almost as much as we did, though you would never know it from how cool they thought they were and how loud their parents would yell. They even had a father that would bring this big apparatus that had a tripod and a pole that he would crank up into the sky with a video camera on top. He had to film every minute like it was the Super Bowl or something. I hated those people.

Like I said, though, that team sucked almost as much as we did and even though they had scored two quick goals, they must have got lazy and Missy scored a goal and then Brenda tried to kick a pass and it spun and wobbled and bounced into the goal. The game was almost over and I was sitting on the bench getting excited that if we were lucky we might get out of there with a tie. You can have ties in soccer and it would be cool to not lose for once.

Well, there were only a couple minutes left and Missy was trying really hard and the other team kicked it past the line so we had a corner kick. Missy always took the corner kicks; she was the only one that could kick the ball all the way to in front of the goal. Missy went out and set everything up, Coach Wiggins always let her; she knew lots more than he did about what to do and what was going on.

From the bench I watched her take Wilma by the arm and move her away from everybody else, far away from where the ball sat by the little flag in the corner. It sort of made me mad; it looked like Missy was moving Wilma away from the action so she couldn’t screw anything up more than it already was. This wasn’t fair, no matter how bad and weird Wilma was she still deserved to be in the middle of things. It was strange though, nobody else was paying attention, they were all moving around and pushing against each other but I saw Missy saying something to Wilma, whispering in her ear. She was shorter and had to stand on her tip toes to get her lips close to Wilma’s ear.

Then Missy took Wilma’s shoulders and moved her – sort of almost pointing her in a certain direction, and then pulled her crossed arms down and making her hold them down at her sides. Then Missy walked across to the corner and took her kick.

I had noticed all year that Missy was getting stronger and her knees were hurting her less as the weeks went by. She ran up and kicked the crap out of that ball.

The kick arced up like a rainbow, going higher and farther that anyone had guessed, flying completely over the bunch of girls shoving at each other in front of the goal. It came curving down and, like a sniper shot, hit Wilma square in the chest. It fell to the ground right in front of her and for a split second Wilma stood there petrified, staring at the ball, but then she seemed to shake for an instant and stepped forward and kicked the thing.

Of course, nobody was anywhere near her and the goalie was completely out of position so the ball bounced a couple time and ran up against the back of the net. Everyone looked stunned except Missy who was jumping up and down and screaming. I couldn’t believe it, she knew exactly what she was going to do and she did it… perfectly.

I turned on the bench to Wilma’s stepmother, who hadn’t seen a thing. She was looking away and was talking into her phone.

“Um, Mrs…. Um… Wilma’s Mom?” I didn’t know her last name. “Wilma just scored a goal.”

She said something sharp into the phone, snapped it closed and then frowned and turned to me, “Oh God! What has she done now?”

“Oh, no, ma’am. It was a good thing. She scored a goal. I’m afraid you missed it.”

She stood there with her mouth hanging open, holding her phone in one hand and her Blackberry in the other, turning and staring at all the girls jumping and hugging Wilma in a big clump. I don’t think she ever really figured out what happened.

It would be a better story, I guess; if we had gone ahead and won the game, that Wilma had kicked the winning goal in our only victory. I’m afraid, though, there was too much time left and the goal really pissed the other team off and they scored three goals in the last five minutes and we lost five to three. I don’t care though, that goal was a thing of beauty.

I will always remember watching that goal from the bench. I think I would rather watch something like that than actually score an ordinary goal myself. It’s good to know that every now and then there is a perfect thing in this world. Also, as long as I live, I’ll think about and wonder what Missy said to Wilma when she whispered to her, standing there holding her shoulders, right before she kicked the corner. I wish I knew; I wish I had heard it.

That was my last soccer game. After the season I thought about what would be the best time to hit them up and one afternoon, when they were in a good mood, I went to my parents and begged them not to make me play another season. They went along with it, but I had to promise to sign up for band next year.

I’m thinking, maybe the flute.

Sunday Snippet – Abandoned Hamburger

Posted on by Bill Chance

To catch the train home from work, Wilbur Jamison had to walk through an underpass beneath a busy thoroughfare to reach the platform. A train pulled in as he started down the stairs into the urine scented concrete tunnel – he knew he would just miss this one and have to wait for the next. A handful of young men vaulted the fence – baggy pants and all – and dashed through the honking cars to make the train. Wilbur wouldn’t… couldn’t vault and dash – he would have to wait.

There were two metal seats at the place where the train doors would open in a half hour. Wilbur plopped down on one to catch his breath after struggling up the steep concrete stairs from the underpass tunnel.

The other seat had a hamburger on it. Wilbur looked around to see if it belonged to anybody – there was no one on his side of the platform (the train had left only seconds before, after all). He was alone except for some man in a P-Diddy T-shirt and the most ridiculous pair of embroidered and bejeweled denim shorts he had ever seen. The man was screaming into a cell phone on the other side – across the tracks – waiting for a northbound.

The hamburger on the seat next to Wilbur sat in the exact center of a round foam plate. It had one generous, neat, semi-circular bite taken out of it. Wilbur figured it had been abandoned when a train pulled up – eating is not allowed on public transport. It appeared to be a plain hamburger. Nothing, no lettuce, tomato, pickles – not even a stain of ketchup or mustard – was visible in the exposed edge of the missing crescent. Wilbur thought that there could, however, be a thin careful application of unknown condiments in the center, hidden by the bun.

Wilbur considered getting up and throwing the food into the trash container a few feet farther down the platform. He thought of himself as being socially reliable and liked to think about doing small acts of responsibility and kindness unacknowledged by the rest of the world.

He thought about this, but before he could gather the momentum to get up and move another commuter, a large man accompanied by a young girl, pushed the plate and the hamburger off the metal seat, swatted the air a few times and then sat down with a grunt. Wilbur was surprised; he had not seen the man and girl walk up.

Wilbur frowned. The man had not properly disposed of the hamburger and plate – it was now wedged under the frame of the large advertising sign behind the little seat. He didn’t like this lack of concern on the part of his fellow commuter, but he didn’t say anything. He pulled a dog-eared paperback out of a jacket pocket and began to read until his train came and he boarded.

Two train stops down the line, a woman climbed on board and sat down on the bench next to Wilbur. She was wearing thin, ill-fitting black slacks and some sort of ratty brown striped Rayon uniform/smock. She had a black plastic visor with the white initials “WH” painted on it. Her large yellow plastic badge said “WAFFLE HOUSE – MARLENE.”

She had been smoking on the platform when Wilbur had spotted her out of the train window. She had leaned over and snuffed the cigarette out on a light pole and now that she was seated on the train had pulled out a weathered pack of Camels from somewhere and was carefully replacing the half cigarette back in the pack.

She had to concentrate to get the Camel into the package while the train was accelerating away from the platform and starting to sway. She scrunched up her face paying attention to her task and that brought out a tight maze of small wrinkles framed by her thin short blonde hair and the black plastic eyeshade. Wilbur felt he could read this labyrinth – thought he could see the echoes of decade after decade of struggle – of desire and disappointment – of unwilling denial that mirrored his own.

Wilbur had never spoken to a stranger on the train before, but after five minutes the pressure became too great. He became deathly afraid that she would get off at the next stop and he would never see her again.

“Uhh, Hi Marlene… I’m Wilbur,” was the best he could muster.

“Oh, How did you know my name? Do I know you?” She looked confused.

“No,” he said, gesturing to her badge.

“Of course,” she said with a little chuckle, “I forgot. Pleased to meet you.”

So they chatted until Wilbur’s stop. She was getting off the night shift, he was starting the day. They shook hands as Wilbur stood to leave.

It wasn’t hard for Wilbur to find the Waffle House close to Marlene’s train stop. It was even easier to learn her schedule and to time his commute so he was on the train waiting for her. He started getting to the station extra early, letting a train or even two go past, waiting for the proper time. He would make sure the seat next to him was open, no matter how crowded the car was.

Marlene began looking forward to seeing Wilbur waiting on the car. Every now and then she would be late getting out of work or the schedules would slide and Wilbur would catch the wrong train and they would miss each other. Wilbur would go through the day in a dark funk and Marlene would have a hard time sleeping that day, though she had worked third shift for most of her life, whenever that happened.

They traded favorite paperbacks, Marlene started bringing Wilbur lunches from the Waffle House, and finally Wilbur summoned enough courage to ask her out to a movie. He had a car, a nice one, really, though it had a lot of miles on it. He only took the train to work to save on parking.

Marlene slept while Wilbur worked so their schedules worked out pretty well together. They would go to a couple of movies on the weekends and try for a nice dinner on Wednesdays.

Wilbur decided to ask Marlene to his house for dinner after a movie one weekend. His only son lived in Japan and had stopped even writing to him years before and nobody other than himself had set foot in his house in the decade since his wife had passed away. He asked a neighbor for a recommendation and hired a woman to come in to clean the place. He kept a simple, neat house, that fit in with all the others in the suburb, but not one that was spotless. He had never learned how to do that.

He drove to Marlene’s second floor studio apartment to pick her up. She appeared at the door carrying a small overnight bag. Wilbur was so nervous and excited during the movie that he never could remember what they saw.

Later that night, not long after he had brought her to his house, Marlene silently removed her clothes.

“Well, here it is,” she said with a combination of regret, excitement, and acceptance.

Wilbur gasped. She looked as if a bite had been taken off the top part of her body – a pink arc from one shoulder across the tops of her breasts on up to the other shoulder. Another arc cut across her legs – from one hip down to mid-thigh and then curving back up to the other hip. Everything else between these two arcs, her entire torso, was completely covered in complex colorful, dense, intertwined tattoos.

“Oh my God!” It escaped his lips before he could get control of his amazement.

“I’m sorry – I should have said something… I should have.”

“No, no, Don’t apologize. I think they… it’s… you’re the most beautiful thing I’ve seen… in a long, long time.”

“I’m sure you’re wondering where, why… well… it was like….”

“No! Stop! Don’t tell me. I don’t want to know. I don’t ever want to know. Don’t ever tell me.”

Marlene shrugged. She seemed more than a little relieved.

“Fine with me,” she said.

Eventually, Marlene quit her job at the Waffle House and gave up her apartment, moving in with Wilbur. The neighbors barely noticed. It took her a while to get used to a usual schedule, sleeping at night, after having worked third shift for so long, but she was glad to work at it.

Wilbur had saved up a lot of vacation over the years and they began to travel. They started out with weekend driving trips close to home and gradually worked up to international voyages. They particularly liked traveling by cruise ship – Marlene enjoyed the shore excursions and Wilbur preferred the luxury on the boat.

Wilbur liked to lie next to Marlene and trace the intertwined designs across her skin, to try and separate each one out. He would make up little silly stories about each one and Marlene would laugh at his imagination. A few times she wanted to tell him the real story about her tattoos but Wilbur would not let her say anything. They were a mystery and he wanted to keep it that way. They were his mysteries and he liked the thought of having something so wonderful and strange belonging to him alone.

Marlene was almost as alone as Wilbur, but not quite. She had a beloved old aunt that lived in Toledo, Ohio. Marlene received word that her aunt had fallen sick and she went up there to tend to her. She was gone for two months and Wilbur missed her terribly, but they talked on the phone every night, and that made it better.

Finally, Marlene’s aunt regained her strength and she flew back home. Wilbur met her at the airport and they drove home. Wilbur carried her luggage into the house.

“I’ve got something to show you,” Wilbur said.

“Oh, you didn’t have to.”

“I’ll give you the present I bought for you later, but this is different, it’s something I did while you were gone.”

“Something you did?” Marlene was confused, and a little nervous.

Wilbur turned his back on Marlene and pulled his shirt off over his head. There, angling across his back, was a large, complex red dragon. Marlene knew ink like that could not be done in one visit, knew that Wilbur must have been waiting for her to be gone for an extensive time to get this dragon done. She also knew how much it must have hurt.

It was an expert job; the colors were bright and the detailing crisp. The dragon was a Japanese design, she had seen it before. The dragon was long and scaled, with several pairs of legs, and it was curved around, almost tying itself in knots. It seemed to pulse and seethe across Wilbur’s back. She moved in to look closer and snapped on a bright lamp to see better. The dragon was holding something – something clamped firmly in its foremost claws.

“The dragon is holding something,” she said.

“It sure is.”

She looked even closer. “Is that a hamburger? A hamburger with a bite out of it?”

“It sure is,” Wilbur said.

Sunday Snippet – The Iceberg

Posted on by Bill Chance

(click to enlarge) "Approaching Storm" by Claude-Joseph Vernet, Dallas Museum of Art

The river was teeming with plump fish. Today would have been a good catch. The storm blowing in from the sea will put an end to that. Dorothy came down with baby Aaron to warn us, wearing her favorite red dress. She’s holding him as he squirms, he wants to play with the fish. John and I are down on the rocks working, trying to get the day’s catch gutted and put up before the rain starts, while the rest pull in the nets. A stray dog is barking as Donna fights with the mule, the animals know what’s up and want to go home now, instead of helping us with our load.

A sudden flash startles me and I look up to see a giant bolt of lightning scream down at an angle from the glowering cloud. It strikes the city, golden in the distance. The sky has darkened leaving the cream limestone of the city’s domes and towers to almost glow in the last free rays of sunlight. A while later the thunder careens down the valley, distant booming echoes coming off the giant rocky crag of Gray Mountain behind the city and from the walls of the canyon itself.

Above me, high on the canyon walls is the Duke’s estate. New luxurious stone buildings built around the ancient ruins of a ruined castle. Since the Duke built the new tollbridge by the city, his fortune has increased tenfold. A lone figure, one of the Duke’s men, looks down, high overhead from the old ivy-covered tower. He is probably watching the boats; some nobles were out for a day on the river and were caught by the sudden wind. They are heading back in their carriage, leaving the boatmen to struggle with their craft.

The storm is building, piling up upon itself, towering overhead like an angry giant. The wind whips even wilder, I can smell hard rain approaching, the flashes of lightning come faster now. My excitement is beginning to be tainted by fear; the old highway back to the city runs along the canyon bed, under the stone arch; and even with the mule helping with the nets the storm will be strong upon us before we reach the bridge. The tumbling cataracts here in the last stretch before the sea can rise up quickly, many travelers have been engulfed, with their destination in plain sight.

I look at Dorothy and little Aaron, Donna and the mule, the netmen; all looking to me for guidance. I should have known this storm was blowing up, should have stopped work sooner, should….
 
 

Jim was jolted out of his reverie my something moving across his field of vision. Something thin, dark; something slinky, something sexy. He felt her in his gut even before he even really figured out what had startled him. The young woman walked by between his bench and the painting; his head turned to follow as she passed on by the big oils of landscapes and ocean scenes down the room and back several hundred years to painted scenes of Christ on the cross.

She was wearing a short black dress, black stockings, and her long dark hair poured over her shoulders. Her face… her skin was as pale as a cold egg. She carried a little notebook and a thick textbook; she must be here with a college class. She was young and thin and tall, moved with a nervous jumpy weightless ease, flitting along from painting to painting like a colt.

Jim stood from the bench and let out an audible sigh. It was time to go findShelby. He preferred the old masters, paintings that looked like something, art that told a story. He had been sitting on a padded bench in front of a Claude-Joseph Vernet painting, “Approaching Storm” for over half an hour.

His wife liked the modern stuff. He knew what gallery she’d be in. With another sigh he set off.

………………………………………………………..

MODERN AMERICAN ARTS DIGEST —– AUGUST 13, 2013

ELMORE SPENCER – AN ARTIST WATERS HIS ROOTS

—————————————————

Elmore Spencer has climbed the mountain of the art world. From a child prodigy that startled adults with his sketching skills at the age of six to a celebrated student of the Paris art schools to a meteoric rise to the jet-setting toast of the New York Art Society, Spencer has had it all.

Instrumental in founding the “New Realism” school, he then rejected this return to “Painting that looks like something” and veered off into innovative artistic experiments that challenged the border between art and observer, maintaining his success and popularity through it all.

Now, he struggles with a return to his roots, to maintain the connection with his audience that he feels his decades of success have cost him. The conflict of the avant-garde and the traditional, realistic and symbolic, is at the heart of what Spencer is up to now.

“It’s been a long road, but I’ve been lucky,” Spencer said in a recent interview, “To others its seems like a climb, a rise, but to me it feels like a spiral, the further I go, the more times I return to the same places.”

His newest installation in the Checkwith Gallery of the Kooning museum communicates that duality in Spencer’s own way. A large room in the gallery has been darkened, a dual-sided screen has been installed in the center of the room, along with two digital television projectors and a powerful sound system.

A film plays on this screen; a man walks from the murky distance, approaching the screen in slow motion. The man stands for a minute, then, on one side of the screen a small flame appears at his feet. The flames slowly grow until the man in engulfed. Finally he disappears in a massive wall of fire.

On the other side of the screen the same man is assaulted by drops of water falling from high overhead which increase in frequency and volume until they become a torrent falling. The water slows and stops and the man is gone.

Meanwhile the speaker system booms out the sound of water falling, the sound of roaring flame. It is interesting to note that both sounds are the same.

The film installation is work of art in itself, many, if not most, visitors assume that it is the artwork. With his playful genius, Spencer has visualized this darkened room as a controlled setting for his real art. He has constructed a series of twelve sculptures, to be placed into the area on a rotating basis.

One sculpture is a pair of lovers, constructed of modern materials, rugged and realistic. They sit on a bench in the darkest corner of the film room, they are only visible during the peak of the flame portion of the film, illuminated by the fire on the screen. They are locked in a kiss, an embrace, his hand is slipped inside her shirt, hers rests on his thighs. The museum receives dozens of complaints on the days this sculpture is set out.

Another sculpture is a mechanical museum guard. He stands inside the room. When the guard is present the film is turned off. Infrared proximity sensors pick up any patron that enters the room; and after a delay, the ersatz guard plays a recording, “I don’t know, they’re supposed to have turned the film on by now.”

Some of the sculptures placed in the room are designed to look at home there, others, such as the murder victim, placed in the corner with a knife protruding from his back like from a cheap detective movie, are obviously intended to shock or annoy. On certain days nothing is placed in the room, leading to a scene where patrons in the know walk around examining each other, trying to determine what is real and what isn’t.

Spencer has even been known to spend a day in his own installation, sitting on a bench with his famous sketchpad, drawing the reactions of the observers. This has been so successful; he has taken to walking around the museum sketching patrons looking at art.

“As artists we live for the people that look at our work, really. We never think about them, or study them, or try to incorporate their lives into the art itself. I want to change that…….”

………………………………………………………..

“Shelby,Shelby!”

She turned from the painting, a huge panel covering most of the wall, hand painted with extreme skill to look like a blow-up of an article from a art magazine, to see her husband standing there.

“What do you want?”

“It’s time to leave.” Her husband looks at his watch. She thinks he always is looking at his watch.

“I’m not finished reading this.”

“What the hell is that? What’s it supposed to mean? Might as well go home and read the paper.”

“It’s by Spencer, My Life, it’s called. I haven’t decided what it means yet.”Shelbyfelt anger welling up in her throat. She’s known James, her husband, her love, since they were children and had been angry many times over the many years, but nothing like lately. She could feel a fight coming on, a mean and nasty fight, and one with no resolution.

When they were young, when they were first married they would argue, like all newlyweds, like all friends. It would end quickly, though, with both giving in. The next day the argument would seem so silly.

Now, though, they fight, and the fights never end. They taper off into silence and simply flare up again at the next conflict, the next insult. She could feel the heat rising, like a hot nut right under her sternum.

“Come on!” Jim said, placing his hand on her arm, “We have things to do.”

Shelbywanted to explode, but the twentieth century gallery at the Kooning museum was not the place to have a knock-down, drag-out, so she walked stiffly in silence, stewing. They passed through room after room, moving back in time towards the rear entrance until they reached an area dominated by a huge landscape painting; the most famous work in the museum. It was a scene of icebergs, a giant white slope, begging for footprints, a brown and purple timeless sky. The ice in the foreground was littered with debris, a shattered mast, a glacier torn boulder. The ice rose in craggy veined cliffs all around pierced by an emerald green frozen tunnel, a mystery. The calm sea was disturbed only by circular waves radiating out from some unseen event.

She could not stand it any more, she was so furious.Shelbypulled away and sat quickly down on the circular bench. Jim sat down beside her, staring wide-eyed. Pulling in her anger, she started to speak.

“Jim I…”

“Excuse me, folks,” said a man they hadn’t noticed. He was gray-haired, wearing old jeans and a long-sleeved shirt. He was sitting on the floor, leaning against the wall under a Thomas Dougherty landscape, a large sketchpad resting on his knees. “Do you mind sitting there for a while, I’d like to draw the two of you. If you don’t mind.”

Jim stammered, “Well, we have…”

“Sure, go right ahead,”Shelbyinterrupted.

“Alright then, umm. turn toward each other a little, now look at me…. Fine, why don’t you hold her hand a little…. That’s right.”

He started in drawing right away. Working with colored pencils and some charcoal and a bit of an eraser. Jim and Shelby felt nervous; the fight, their day quickly forgotten.

“Ummm… try to relax, why don’t you tell me a story. Tell me about when you first met.”

“Well,” Jim started.Shelbywas surprised that he spoke up so soon. She was getting ready to talk, but he beat her to it.

“We met in junior high school, seventh grade, we were both thirteen. She sat if front of me inEnglish class. I remember, I loved her from the first moment I saw her. I thought she was the most beautiful thing I had ever seen. Our teacher was old, he would lean on a podium and lecture us all class long. The room was too small, our desks were crammed together, her seat backed right up against my desk. All I would do is sit there and stare atShelby’s hair. Her blonde hair. Sometimes she’d wear it down and it would fall in cascades right in front of me. Sometimes she’d wear it up, like a golden seashell, a yellow spiral. Sometimes in one ponytail, sometimes two, it didn’t matter. That was my favorite hour of every day, to sit in that hot crowded room and look atShelby’s hair. I felt like I could do this forever, for the rest of my life.”

Shelby and Jim sat there then and talked. They talked of old times, when they were young and when they started dating. They talked of old friends. They talked of their first apartment, of their first house, of the cars they had bought together, of the meals they had cooked, of the vacations they had taken. They forgot about the artist, ignored him until he finished. He put his pencils back into a little wooden case.

“Done.”

“Well, can we see it?” they asked together.

“See it? You can have it.”

“Really?”

“Really”

He handed them the paper and thanked them simply. The artist walked around the corner and was gone.

The drawing had the iceberg painting in the background. Carefully done in colored pencil and pastel chalk it was amazingly detailed and accurate. He must have been working on it for hours. The painting, or, rather the drawing of the painting faded in an oval spot near the center. He drew only around the edges, leaving a blank spot, waiting as he drew for someone to come along and fill it.

Shelby and Jim now occupied the oval. She gasped as she saw it. It was a life-like drawing, done mostly in pencil and charcoal, cross-hatch and shades of gray, only a hint of color added. Detailed. It was realistic except that they both were drawn naked.

Jim looked at the drawing of his wife’s breasts, at their intertwined hands. Shelby, at her husband’s naked body. She was shocked when she noticed that the artist had drawn in the patches of hair across Jim’s chest exactly right. The lower right corner had a quickly scribbled “ES.”

They suddenly noticed that over a dozen people surrounded them. They must have walked up to watch the famous artist work, but Jim and Shelby had not even noticed. Embarrassed by the gathering crowd pointing to details on the sketch, they rolled up the drawing, and headed out to their parked car. They held hands as they walked,Shelbyleaned her head on Jim’s shoulder as he drove.

They spent some money to have the print professionally framed and mounted at a shop across town that handled fine art works. Never really comfortable with the nudity, they couldn’t hang it in their living room. The framer recognized the signature, told them it would bring in tens of thousands of dollars, especially with the story of the sitters. He recommended a gallery. Even though they could really use the money, Jim and Shelby couldn’t sell it. It meant too much to them. They did hang it, in their bedroom, next to the closet.

For many decades, until the days of their death it was the last thing the saw at night when they went to sleep, the first thing in the morning when they woke up.
 

(click to enlarge) "The Icebergs" by Fredrick Church, Dallas Museum of Art

The Complete Stories of J. G. Ballard

Posted on by Bill Chance

I’ve written about J. G. Ballard before. I mentioned his collection of short stories, Vermilion Sands, as an influential part of my youth. Also, not too long ago, I read his novel, High Rise, and gave it praise.

Now, a collection of Ballards complete short story oeuvre has fallen into my grimy paws and thought I know better, I keep reading away at it. We are talking about ninety eight stories here and a single page short of twelve hundred in total. That is a lot of words. This is no small feat. This is a long-term reading task. I have better things to do.

But I can’t help myself. I do so love his writing. His strange, aloof characters. His horrific, yet familiar, dystopian societal landscapes. The way he never really quite explains exactly what’s going on (this is especially true of his short stories – his novels are much more straightforward). He also has a way with titles – all the way from “The Cloud Sculptors of Coral D” to “Why I Want to Fuck Ronald Reagan.”

There is also the fact that I read a lot of these when I was a kid. The stories are in the book in chronological order and I can feel years of my life falling away as I remember when I first came across these.

Some made a big impression on my. I remember “Manhole 69” as being a claustrophobic tale of three men that had been surgically altered so that they did not need to sleep. Slowly their world began to pull in around them until they were trapped in a tiny space… the manhole. It creeeped the bejeebers out of me when I read it in high school. So now I reread it and… well, my memory was pretty much spot on.

There was the novella “The Voices of Time.” It too left me with a strange uneasy feeling that has persisted for forty-odd years. I remember a strange mandala cut into the bottom of an abandoned swimming pool and animals mutating in very odd ways (frogs growing lead shells, a sea anemone developing a nervous system) but little else. This time I’m reading more carefully, taking a few notes, reading with decades of literary experience…. I think it was better the first time – complete with the veil of mystery. Well, it didn’t make that much difference… there is still plenty of mystery.

So, I don’t think I’ll keep going to the end unstopped. But the stories will always be there and if I have an hour or so I’ll crank through another. Maybe in a year or so I’ll have read them all.

That’s an interesting idea – an entire prolific life’s worth of short stories, read in order. You feel like you get to know a man that way.

What I learned this week – July 29, 2011

Posted on by Bill Chance
Pulp Cover

Gratuitous Pulp Paperback Cover


Kurt Vonnegut

Eight rules for writing fiction:

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things — reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

— Vonnegut, Kurt, Bagombo Snuff Box: Uncollected Short Fiction (New York: G.P. Putnam’s Sons 1999), 9-10.

But I’m not complaining! You know why? Because the cardinal rule of dealing with negativity is: Don’t complain about negativity.

—Nathan Bradford, How to Deal With Negativity

It’s a shame my children are grown, because now, I finally have an instructional video on how to properly read them a fairy tale. Actually, if they had had the Internet when my kids were little (we had dialup…) I could have simply played this to them. Mounted an iPad on their crib (oops… no Flash… – mounted an Android Tablet on their crib) and let them watch to their heart’s desire.

Pretty good, huh. Still, though, I think it needs more cowbell.

Pulp Cover

Gratuitous Pulp Paperback Cover

Sunday Snippet – Pickpocket

Posted on by Bill Chance

I have to be careful with what I’m reading. It influences what I write. I distort what comes out of my pen by what goes in my eyes.

Lately, I’ve been reading too much lurid pulp fiction.

Whip Hand

Whip Hand

W. Franklin Sanders is a pen name for Charles Willeford… Ebook Here. Whip Hand was also published under the title, Deliver me from Dallas. In this heat… I know the feeling.

I needed something to take to our writing group, so I punched up a writing prompt generator and what came up was: Nonchalantly she reached into the other woman’s handbag and whipped out her purse.

Using this prompt, I wrote out a quick four pages…. this is what I came up with, Raw First Draft.

Pickpocket

The book she had read was nothing more than a pamphlet, printed long ago in blue mimeograph ink on office paper and crudely stapled into a small, rough book form. Loralee remembered the smell of fresh mimeo from grade school. The pamphlet paper was brittle, the blue fading, and crisscrossed with yellowed cellophane tape repairs but it was all still readable.

Loralee had bought the pamphlet at a strange little bookstore she had stumbled into while on a trip to a business conference in New Orleans.

Her boss had called and set up a meeting on the second day of the conference in a private hotel room. It seemed a little odd to Loralee, but she figured there was a new program to launch or some reorganization she had to help smooth over.

Instead she was laid off.

“Well,” her boss said, “At least you have two more days in New Orleans to enjoy yourself. Don’t worry about the meetings; and your hotel is paid for.” Her face seemed to creak as she forced out a frightening smile.

Thanks a lot.

Loralee spent the rest of the afternoon at the hotel bar, hitting it hard, charging the tab to her room. But when the meetings finished and she saw her coworkers returning to the lobby, gathered into conversational clots like old spilled blood, she couldn’t stand it and staggered back up to her room. As soon as she entered, she had to tumble into the bathroom and barely had the time to stick her head into the toilet before she heaved and puked up what seemed like a lot more than she had drank that afternoon – which was a lot. She continued to convulse even after she was empty until her diaphragm ached.

Finally spent, she tumbled onto the sagging hotel bed and fell into an uneasy sleep full of terrifying dreams.

When she awoke she saw a half-light splayed across the sheer curtains of the room. The digital clock had six fifteen glowing in red numbers. Loralee didn’t know if it was AM or PM and curled on the bed, staring at the curtains until she was sure that it was getting lighter, rather than darker. Six AM it was.

Hungover, wearing sunglasses despite the overcast sky, Loralee stumbled the uneven brick and cracked concrete of the French Quarter looking for… she didn’t really know. As she walked she chanted, “Laid Off – Let Go – Laid Off – Let Go” over and over like a Mantra. Almost everything was closed this early in the morning, street sweepers pushed filthy piles of cups, bottles, and beads down the middle of the street. Each block seemed to have an unconscious person still snoozing up against a building or beside a stoop. The smell of last night’s old beer and piss hovered over the still air like a filthy umbrella.

Finally she spotted the open door of the old bookstore. It actually opened out into an alley, with the entrance barely visible around the corner from the sidewalk. The alley had a rusty streetsign – the letters were faded, but it was barely legible, “Rue Deday.”  A red neon light glowed PEN – the “O” was burned out. Without knowing why, Loralee turned the corner and went in.

The stacks smelt like old mold. Loralee thought that most used bookstores were musty like that – but this was one step beyond. Maybe it was just New Orleans, maybe the French Quarter, maybe the ghost of Katrina. There was a lot of evil old water around.

The books were not marked, no prices. Loralee wanted to stick it to her company so she asked the ancient, bent proprietor, “What’s the most expensive shit you got.”

He did not flinch – simply peered over his thick glasses at her with eyes that were surprisingly bright and clear for someone of his age – otherwise he looked to have one foot in the grave. “Well, dear, we have a drawer of very expensive shit right here.” He pulled a massive key chain off a nail by the register and removed a padlock from a small metal filing cabinet.

The cabinet was full of old manila folders, each marked across the front with a scrawled red marker. The marker showed various prices – all over one hundred dollars each. The folders contained various bits of paper: single yellowing crumpled sheets, folded maps, handwritten notes.

Only one folder had anything that was thicker that a few sheets. That one had a folded and stapled booklet with the label, “How to be a Pickpocket, Guaranteed!”

The price on the pamphlet was one hundred and twenty five dollars – which seemed really steep, but Loralee still had her company credit card. Somehow, her boss had neglected to confiscate it in her “exit interview.” She knew it would be deactivated any minute and wanted to waste anything still left in the account.

“I’ll take this one,” she said to the old man. “Here charge this card,” she said as she extended her company card for the last time.

Back home she fell into a languid life of half-hearted job searching. She ventured out to a big warehouse store and bought a case of frozen fried chicken dinners and several of ice cream. She would send out enough letters and resumes, apply online when she could, enough to keep an unemployment check coming, but her heart wasn’t in it.

One thing that did interest her was the old pamphlet she had stuck her company with back in New Orleans. For something so short it was surprisingly complex. She kept noticing something new every time she picked it up.

Different paragraphs were written in different styles, all jumbled together. Some were in a modern, hip, joking style, talking about “Stealing for Dummies,” and such. Others were in an arcane style, full of old-fashioned spellings and extinct phrases. The text seemed to be one third cold, dry instruction, one third psychology lessons on how a mark thinks and what he will and won’t notice, and one third strange incantations designed, as the pamphlet said, “To reste the spirit and calme the blood.”

She read and re-read the thing. When she would put it down to try and watch TV or to get something to eat, she would feel it growing in her mind until her hands would actually quiver and itch for the feel of its aged paper between her fingers.

Some of the pages contained simple exercises meant to improve dexterity and quickness. She set up some little stations around her apartment. Everything was laid out exactly as the pamphlet called for, bits of cloth, small metal weights (she used some old hexagonal steel nuts she pried off the bottom of her coffee table), and shapes folded from shirt cardboard as diagrammed in the pamphlet.

Loralee would practice over and over again. First she would mumble the words prescribed on the pages; she felt an odd urge to try and get all of it exactly right – no matter how silly it seemed. Then she would go through the motions of snatching the metal nuts from whatever cradle they were hidden in. At first she would make her move while looking directly at the setup, but – as the instructions dictated – after a while she would work with her head turned, and then, finally behind her back. She was amazed to find that, with enough practice, she could snatch the prize without even touching the cloth or cardboard. She felt she could almost see her goal in sort of a glowing mist inside her head, see it clearly, even though it was behind her back.

After three months of preparation and practice, she decided she was ready.

There was a Starbucks near her apartments and as she entered she immediately picked out a matronly woman in a faded print dress at the end of the queue of customers looking confused at the lighted menu overhead. Loralee sidled into line directly behind her as the woman began to ask questions of the barista, “But I don’t understand… are you telling me the Venti is bigger than the Tall?” Loralee muttered one of the incantations under her breath. This steadied her nerves as she leaned over, pretending to look into the case of pastries.

Nonchalantly Loralee reached into the other woman’s handbag and whipped out her purse.

She then calmly pulled the money out, leaving a single five and the change so the woman could pay for her coffee. Without taking her eyes from the pastries she then replaced the purse, sighed quietly, turned and walked out. She could hear the woman going on behind her, “Oh, tell me again, what’s the difference between a latte and an espresso?”

It became easier and easier as her marks became larger and larger. Loralee began to frequent spots – casinos, expensive nightclubs, the racetrack, where customers would be carrying a lot of cash and might be drinking a little. She made enough money to begin buying expensive clothes. That enabled her to sidle her way into parties and receptions of the highest levels of society, where she could accumulate jewels and watches in addition to the mounds of cash she was quickly developing. Luckily, the pamphlet had advice on fencing those goods, and on the methods to safety and surreptitiously convert her ill-gotten gains into diamonds and gold coins – portable efficient receptacles of growing wealth.

She didn’t pay any taxes and couldn’t trust any bank, of course, so she bought a heavy safe and disguised it as a pedestal for her new wide-screen television.

She began to travel. She went to Las Vegas, Atlantic City, Palm Springs… anywhere that the marks might congregate with the cash.

She even returned to New Orleans to push her way through the huge dense drunken crowds at Mardi Gras. That was almost too easy. She could reach out and grab whatever she wanted without even thinking about it. For old time’s sake she returned to the street where she first saw the old book store, but it was gone. She moved along the alley running her hands over the rough brick, but there wasn’t even any evidence of where the door used to be.

Loralee decided she must have been mistaken about which street it had been off of. Even the street sign was missing, so she must have been lost.

After a year of work, her safe was bulging with gold and diamonds, three dresser drawers were stuffed full of hundred dollar bills. Loralee began taking it a little easier. She felt her skills begin to slip. Once, for the first time, a mark turned and shouted at her. She dropped the man’s wallet and fled. She decided to stop, at least for a while. She had enough to last, possibly for the rest of her life.

She liked to treat herself to a nice dinner at an upscale Italian restaurant around the corner. She received the best food and the best service, the waiters like her generous, cash tips. This night she stayed a little longer than usual, sipping on a particularly nice brandy after dinner; thinking about a European trip. It would be her first non-working trip to the old country, and she smiled, mentally planning it.

When she returned home and pressed her key into the lock, her door swung open freely. With a rising tide of fear choking her throat, she quickly pushed on inside. The apartment was a shambles. Everything was tossed about – not a stick was undisturbed. Her television sprawled face down on the floor. Looking at the stand, she saw the bulging cloth covering and knew the safe was open. Pulling the cover aside, she verified what she already feared. It was empty.

She dashed into her bedroom where the dresser drawers were tossed on to her bed, cash all gone. In a rising panic she rushed about the place looking in corners and hiding spots. Everything of value had been found and stolen. Even her old pamphlet on how to be a pickpocket was stolen. She realized she was doomed, there was no way to get this back without her instructions.

Finally, standing in the center of the room, fighting back panic and tears, she noticed something new. On her dining table was an old, dirty, and worn manila file folder. She approached the folder and saw, scrawled across the front, “One Hundred Seventeen Dollars,” in red marker. Shaking, she opened the folder. Inside was a single, torn, worn piece of paper covered with faded typing. At the top it said, “How to be a Burglar, Guraranteed!”

The Compleat Werewolf

Posted on by Bill Chance
The Compleat Werewolf

The Compleat Werewolf

There are too many werewolf stories around these days. And way too many vampire stories. I have not read any of the Twilight series, so I will not denigrate it, I will simply say it doesn’t interest me enough to waste my precious reading time. And I will not even look at a vampire story now – it has been so overdone.

We were talking about this the other evening in our writing group, and my whining brought back to my head a sudden memory of a long time ago. I remembered reading a short story called “The Compleat Werewolf” by Anthony Boucher, a giant in the world of early Science Fiction and mystery type stuff (he was a Science Fiction editor and a Mystery writer). Clearing the cobwebs and thinking hard, I remember I read it as part of a collection – probably around 1970 or so. I remembered bits of the plot: a professor changing from a wolf to a man in front of his class, forgetting he was naked, a bullet splashing off of a wall and the horror of the werewolf when he realized the near miss was silver, and a portly magician demonstrating the Indian rope trip to tragic ends.

Well, a quick Internet search and some library wrangling and I had in my hot little hands a copy of The Compleat Werewolf. I was surprised to find it was written in 1942 – the tale was older than I thought (there is a reference to the forty-eight states in the story). It held up well, though.

The whole basis of the tale is that a werewolf isn’t inevitably evil (though most are) and that, when used with discretion and intelligence, a power like that can be darn useful.

I enjoyed reading the thing. It is more a detective story than anything, though the whole mystery is pretty simple and unravels without much tugging of the sweater string. It is sparsely written and hardboiled enough to go down easy and quickly, but still has a few literary flourishes thrown in. I have to love any tale that includes the phrase, “this fantastic farrago of questions.”

To sum up, The Compleat Werewolf is a yarn. Not entirely serious, not without a wink or two, but a complete story, where a bad guy shoots himself, the hero (wolf) gets the girl (not as he had hoped… but better), and there are practical considerations in spite of supernatural occurrences.

So don’t be afraid to mosey down to your local biblioteca and check out this or some other collection of classic story telling. You might learn a thing or two and have a good time in the meantime.

Why I Love to Slaughter my Characters

Posted on by Bill Chance

Man is born crying. When he cries enough, he dies.
—Ran
——————————————————————–

As I’ve said before, I can outline too many of my short stories with three cards-

1. Introduce Compelling Character – interesting and fully rounded human that, despite some quirky faults and failings, the reader likes and can identify with.

2. Something bad happens – the protagonist is presented with something that does not go as planned and puts them in some distress – a problem to solve.

3. Protagonist dies. Nothing works, doom descends and the main character dies an ignominious, painful death.

They aren’t all like this, but this is what I like to shoot for. It’s just that sometimes my characters refuse to do what I tell them to and, despite my best efforts, they get lucky, scrape by with the skin of their teeth, and survive.

Everyone tells me I’m a terrible person because I take so much joy in butchering my heroes and heroines, especially since they are sometimes such nice people. Some ask me why I do that. I do it because I like it. I do it because I can. I do it because it doesn’t hurt anybody.

These are fictional characters. They are not real. Everything is a lie. Writing this stuff is a lot of hard work, time that I should be spending in useful money-making activities – so I want a payoff. Since I can do anything, doesn’t it make sense to do what I can’t ever do in real life? Death! Off with their heads!

The idea is to kick it up a notch, isn’t it? What possible reason is there not to kick it up as far as it will go. Turn those amplifier knobs to eleven.

Yell

Yell

It’s the same thing if you are reading. It takes time to turn those pages; time you should be using to interact with real human beings. So if you are choosing to hang out with an imaginary shade instead of a flesh-and-blood person you are going to want to make the best of the situation. So what is the one advantage of befriending fiction, a pack of ghostly lies, over some warm living example of God’s creatures?

You can kill them and nobody gives a shit. Plenty more where they came from. Close those book covers or shut off that e-reader and the pain and mourning is all gone. You can wipe a tear and go make a sandwich-nobody knows any better.

So let’s raise a glass to fictional death. Give a big hearty laugh at the disaster yarn. Let the blood spill and the darkness descend, as long as it is behind the protective screen of those twenty-six letters with the added armor of a few punctuation marks.

There’s too much out here, so lets keep it in there. As much as we can.

Snippet Sunday – Rufus Amalgam Loved his Bluetooth, Part 3

Posted on by Bill Chance

First, If you haven’t already

Part One, Read it here

Part Two, Read it here

Snippet Sunday – Rufus Amalgam Loved his Bluetooth, Part 3

The mud down by the creek was so thick and sticky that Rufus lost his shoes within seconds and his feet were getting cut up by hidden roots and buried thorny vines as he thrashed around in the thick underbrush that covered the shallow water.

“He’s not here, I swear to God!” he yelled up at Sandy.

The sun was rising now so at least he could see what he was doing, but Rufus hadn’t slept in over a day now and his head was swimming with effort and lack of sleep. He looked up the bank at Sandy but all he could see was a blanket standing up with two hands holding the top corners. She was using the blanket as a shield so she didn’t have to see what was going on down in the creek. She didn’t want to actually have to look at a filthy naked Sylvester if Rufus pulled him out of the weeds, dead or alive.

“Keep looking!” Sandy yelled back. “He’s got to be down there somewhere.”

“I think maybe he woke up. He must have walked away.”

“Do you see any footprints?”

“We’ve been stomping all over here all night, how can I see any that are his?”

“Shit, Shit, Shit, what do we do now?”

“Hey you were the one with the dead guy… the comatose guy in her apartment, you figure it out.”

“Don’t start in with me, you sent him to see me in the first place. You’re in this as much as I am. You’re in as deep.”

“Well, he’s not here, help me up, I can’t get out of this muck.”

Sandy flipped a corner of the blanket down to Rufus who grabbed it. She backed away, pulling him up out of the creek bed.

“Jeez, look at you,” Sandy said, “You are covered with mud… it smells like hell. I don’t want you in my car like that.”

“Give me a break, what are you going to do? Leave me here? Put the blanket down on the passenger’s side, I’ll sit on it.”

“That’s my favorite blanket, no way.”

“Favorite? You’ve already used it to haul a dead guy.”

“He wasn’t dead, only comatose.”

“We didn’t know that at the time, did we?“ Rufus snarled as he haphazardly spread the blanket out and plopped down. “Start ‘er up and let’s get the hell out of here.”

As they were driving, Sandy turned up the radio to drown out Rufus’ constant complaining with some Country Music. At the twenty minute break there was a morning traffic report.

“And the East-South Carribelo Expressway is stopped,” the voice said. “Police report a naked man running across all six lanes of traffic. We have not had confirmation.”

“The Carribello? That’s right near your place isn’t it.”

“Yes it is, dammit. You don’t think that he’s…”

“Of course he is. Where else is he gonna go. I don’t think we should go to your condo… lets head to my place and wait it out.”

“No way. I am not going to that hellhole of yours. And I want some help, some reinforcements if he shows. I’m not gonna let that loser run me out of my condominium.”

It didn’t take long. They parked and as they were rushing to the apartment the thick bushes along the front walk began to rustle and the naked Sylvester popped out to block their path. Sandy and Rufus jumped back, but really didn’t have much choice but to throw the blanket back over Sylvester and rush him up the stairs and inside as quick as possible.

They hustled Sylvester into the shower. While he was getting cleaned off, Sandy dug around trying to find something for him to wear. They had already thrown his clothes away on the way to dispose of the body. She found a green pair of sweats and a T-Shirt – that would have to do.

She threw the clothes into the steamy bathroom and he emerged looking like a lime popsicle.

“I am so glad to see you, “ he said to Sandy, “I have no idea what happened to me.”

“Now that you’re out, I need one too,” Rufus pushed by into the bathroom, hoping there would be some hot water left.

“Hey, why is he so muddy? He smells like the place that I woke …”

“Umm, I have your wallet,” Sandy changed the subject, “and your keys.”

“How did you get those?”

“Ummm. Well… you see….” Sandy couldn’t think of a thing she could say.

Vermilion Sands

Posted on by Bill Chance
Vermilion Sands, by J. G. Ballard

Vermilion Sands, by J. G. Ballard

The tree gliders, brilliant painted toys, revolved like lazing birds above Coral D, waiting for the first clouds to pass overhead. Van Eyck moved away to take a cloud. He sailed around its white pillow, spraying the sides with iodide crystals and cutting away the flock-like tissue. The streaming shards fell toward us like crumbling ice-drifts. As the drops of condensing spray fell on my face I could see Van Eyck shaping an immense horse’s head. He sailed up and down the long forehead and chiseled out the eyes and ears.

– J.G. Ballard, The “The Cloud-Sculptors of Coral D”

The Cloud Sculptors of Coral D, By J. G. Ballard

The Cloud Sculptors of Coral D, By J. G. Ballard

When I’m writing I have to be very careful about what I read. Too much aesthetic sensibility, too much style, too many splintering ideas come in through my eyes and fall out of my fingertips. I have to read something that is related/similar/compatible with what I want to do, or it all goes to crap.

Well, it seems to all go to crap anyway, but….

I’m rereading some classic J.G. Ballard short stories right now. I forget sometimes how much I love his stuff. I first encountered J. G. Ballard in the early seventies, in the form of a moldering handful of cheap pulp paperback short story collections borrowed from an informal lending library in Managua. I was devouring this stuff back then, reading almost a book a day and very little of it remains in the cobwebby recesses of my failing brain – but one thing that did stick is Ballard.

I remember “The Cloud-Sculptors of Coral D” in particular – actually I remember the whole world of “Vermilion Sands.”

Vermilion Sands

Vermilion Sands

(somebody else likes it too)

I remember being caught off-guard by the bizarre dystopian decadence of the fading fantastic vacation resort. It was a door into a frightening yet seductive world tilted away from our own at an oblique angle. The human heart has been twisted – but not so much that it isn’t recognizable. It wasn’t until decades later and I read “Empire of the Sun” that I began to understand the source of Ballard’s vision.

Last night in bed, while I was fighting to stay awake, I reread “Prima Belladonna” – a story about a mutant beauty with golden skin and insect-legged eyelashes and a man that sells plants that sing. It turns out that it was his first sold story. I love the idea that he bought a pram with the proceeds.

One of the stories in the collection, “Prima Belladonna”, was the first piece of fiction that l ever published, and I can still remember the thrill of receiving the cheque for £8. At last I was a professional writer, and my wife and I celebrated by using the money to buy our baby son a new pram. Pushing it past the department stores in Chiswick High Street, a hundred ideas in my head, I felt that I had found the philosopher’s stone.

J.G. Ballard, from The Independent, October 24, 1992

I’m in the final stretch of editing my collection of stories – and I am glad that Ballard shares my love of the form.

THE SHORT STORIES that make up this collection were written between 1956 and 1970, and once they were published in a single volume I never returned, regrettably, to this genial playground. By sealing one’s imagination between hard covers one can close the door forever on a still vivid private world. I’m glad that I began my career by writing short stories, when I was free to chase any passing hare in a way that is no longer possible, and without over-committing myself to a single idea. Fiction today is dominated by career novelists locked into their publishers’ contracts like the prematurely middle-aged encumbered by mortgages and pension plans. Irresponsibility, especially the agreeable variety displayed in Vermilion Sands, has a great many neglected virtues.

J.G. Ballard, from The Independent, October 24, 1992

(Emphasis mine)

Vermilion Sands

Vermilion Sands

I don’t know if it was the odd fiction or the electrical fields from the constant lightning booming down from the Texas summer middle-of-the-night thunderstorms outside my window… or nothing at all – that caused a very odd, intense, and complete dream.

I dreamt that I had gone back to college and was moving back into Ellsworth Hall in Lawrence for a year. Everything had changed so much – the front desk gave me a key that was a little sculptural fob shaped like a tiny Picachu. The dorm was surrounded by a maze-like complex of restaurants and entertainment – it was a frustrating navigational feat to simply find the elevators – my room was 1127. I remember that the residence hall had only ten floors.

I felt so old, so out-of-place – like Rip Van Winkle.

Vermilion Sands

Vermilion Sands