“What is a ghost? A tragedy condemned to repeat itself time and again? An instant of pain, perhaps. Something dead which still seems to be alive. An emotion suspended in time. Like a blurred photograph. Like an insect trapped in amber.”
― The Devil’s Backbone
Will I ever see another movie in a real theater? I’m sure I will, but right now it’s unimaginable.
I decided to pay for the streaming service, The Criterion Channel. Tonight I watched a movie that I had seen in the theater a few years ago – Guillermo del Toro’s The Devil’s Backbone (El Espinazo del Diablo). I had made a point to go down to Mockingbird to catch it at the Angelika after seeing its crackerjack trailer before another movie a week earlier.
It’s worth a second look.
The first scene is a bomb falling from a warplane in a rainstorm. It turns out the bomb falls in the courtyard of a Spanish orphanage, but it doesn’t explode. It remains stuck in the ground, sticking up at a steep angle- death, danger, and doom made into steel. The orphanage claims the bomb has been defused, but the orphans claim that it is still ticking.
The orphanage is collecting the sons of the Republican fighters in the final catastrophic days of the Spanish Civil War. The bomb is by no means the most frightening thing in the orphanage – there is the war, boatloads of secrets, and a ghost boy with dire warnings.
Yes, it is a ghost story… but in a world gone to hell, a ghost can almost be a breath of… if not fresh – at least welcome air.
Guillermo del Toro has gone on to great Hollywood fame (Pan’s Labyrinth, Pacific Rim, Hellboy, The Shape of Water) but he has said this is his favorite among his own films. A sibling film to Pan’s Labyrinth (also set during the Spanish Civil War).
There are ghosts, and pain, and hell comes to earth… but there is also poetry, friends, and music and sometimes that’s enough to go on.
This was an interesting post, not least because I’d never heard of the Criterion Channel. Of course, I’m not much of a film buff, but I went over and looked,and found several films that I’ve heard of from friends. Between Amazon Prime and Netflix I’ve had more than enough to keep me occupied, since one film about every two weeks is my average, but I might just try that fourteen day trial and see what Criterion has to offer.
I have always been a film buff and the Criterion Channel is a gold mine for me. I spent years looking for films I had read about – then during the VHS years I found some specialty video stores that carried an eclectic selection. Now, streaming is like drinking from a fire hose.
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